Nightjars – Nocturnal EP [VVR002]

Vae Victis second release with apparent newcomer(s) Nightjars taking the reins but still maintaining the philosophy of analogue processes and hybrid styles. The concept is further crystallised here with two distinct sides to the record; starting with the ‘raw’ side, “Thing Movin On” steps and shudders in a sparse fashion, using very little percussion besides a kick and rimshot playing against a looped synth refrain and a purposefully distorted vocal sample. “Heavy” however fares far better with some nasty processing, as a mean acidic bassline rubs up against razor sharp hats in belting fashion. The more melancholic material in Nightjars’ repertoire has been wisely saved for the ‘clean’ side, starting with the plush finish of “Left People”. After that ambiguous exercise, “Everynight” positively shines for its focus and dynamics. While there’s no greater complexity at work in the music, the pace and flow of the track feels far more engaging, not least when the vintage garage-house bassline comes in.

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Nightjars – Nocturnal EP [VVR002]

Joy Orbison & Boddika – Froth / Mercy [SUNKLOWUN001]

First release from a this new label Sunklown by Joy Orbison and Boddika. “Froth” is the more overtly melodic of the two, leading with a murmuring female vocal sample, and weaving marble-smooth pads between its staccato mid-range synth and hi-hat clatter, whilst “Mercy” is a mechanical techno behemoth that practically heaves under the weight of its own leaden mass, audibly letting off steam as it goes.

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Joy Orbison & Boddika – Froth / Mercy [SUNKLOWUN001]

Actual Taped Voices pres. Phantom Whistle – The Sound Of The Phantom Whistle [ATV-R002]

Scandinavia’s ATV serving 4 slow paced, atmospheric electronic cuts that are perfect for headphone listening, yet also have the right energy for playing them out loud.

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Actual Taped Voices pres. Phantom Whistle – The Sound Of The Phantom Whistle [ATV-R002]

Shed – The Praetorian [50WEAPONS017]

Shed’s 50Weapons debut. He’s created something completely unique; rather than boom, the rhythm of “The Praetorian” pulsates, taking a metronomic, sand-dry snare and combining it with an undulating pad melody with a distinctly dreamy quality. “RQ-170” meanwhile ticks along with the head-nodding rhythm of dubstep, utilising bass frequencies almost below the range of hearing, while a snarling rasp burrows through the track’s centre.

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Shed – The Praetorian [50WEAPONS017]