
Continue reading “Aroy Dee @ Memory, ://About Blank (Berlin) 11.08.2012”

Back to its roots with some deep and powerful Chicago house tracks. This time its Morning Factory on duty with a beautiful melodic and emotive two tracker. No secret that the Clone Jack For Daze series is inspired by the heritage of Chicago house music in all its forms. Morning Factory are taking us back in a time machine to the early days of Chicago labels such as Relief, Warehouse and Dance Mania whit releasesof guys like Tim Harper, G-Strings, Paul Johnson and Ron Trent. Back then young guys who were pushing bounderies with deep emotive house tracks containing a raw machine funk that was an essential part of house music in that period of the late 80’s and very early 90’s. The days that fragile melodies and layers of strings got combined with fierce energetic drum machine rhythms expressing the energy and moods of the young producers doing things never heard before with hardly any references other then some guys from around the block.

Fudge Fingas aka Gavin Sutherland debuts on Rush Hour with his S.V.T. EP, which includes the modern soul classic ‘Snow Day’, a dream-perfect, lullaby-like, reminiscing-heavy song about a… snow day. ‘Vin 2 Win’ lifts us up and reminisces us back to back to the good old days somewhere in the mid nineties when Underground Resistance was giving is their take on 21st century funk. ‘Trans Pennine Express’ closes off this EP in a delightfully deep manner. A great tune to close off the night, or start up your day.

Basic Soul Unit gets rugged and nasty for Boddika’s Nonplus+ stable. The offset and grubby bruk drums of ‘Swept Up’ could easily be mistaken for an A Made Up Sound production, but there’s a warmer Detroit spirit at play which signifies the best of the Basic Soul Unit’s work and marks this up there with his finest. On the other side, ‘Mindstorm’ brews tense strings, escalating chords and roiling acid on a swung 4/4 flex, proper dangerous styles.

First appearance of this small-scale vinyl imprint from the east of Holland with a split-release by the well-respected Aroy Dee and Perseus Traxx. Both of them are known for their deep analogue house music productions with raw and sharp edges, but most recognizable in their work is the presence of true emotions. This will also be the distinctive element for the labels future output: emotive electronic music with the soul deep within. Honest and unpolished music that is inspired by everyday life, whether it comes from pain or joy. Perseus Traxx kicks off with an immersive, slow building and uplifting track, followed by a moody but hypnotic and slightly acid inspired piece. Aroy Dee takes care of the flip-side, with a dreamy and atmospheric track, and one raw, surprising and energetic cut.

808, 303, 707 & Paris Brightledge on vox, uncompromising acidic bass music. B-side is taken from Paranoid London’s first live set at Warehouse Project, Manchester 2008. Totally improvised, totally live, by the seat of our pants. Acid house with one of the true House greats on vocals.

This inaugural release on Modular Cowboy features brand new material from Cheap & Deep (a.k.a. Jay Ahern) alongside two remixes of “Words, Breaths and Pauses,” a track originally released as a limited edition 12” via Berlin’s Hard Wax shop. The remixes come courtesy of Norman Nodge as well as duo Jonsson/Alter. The release also marks Cheap and Deep’s return to the scene, with the new track “Beautiful,” a modern take on the Chicago acid house tradition, featuring vocals by Crissy Liu with additional production by Morgan Packard.

Best known for his releases across Bunker, Delsin, W.T. Recordings and more under the shark loving $tinkworx moniker, US producer JT Stewart is retaining the Drexciyan themes that ran through that recent 12inch while reining in some of the dread filled textures that permeated its every pore in favour of a more classicist take on the Detroit Utopian techno vision.

The deepest techno act from Amsterdam with their deepest works so far. In three haunting and hypnotic analog techno jams Spaventi & G-string show us the beauty of darkness. Not sure which spirit possesed them that night but it was a nasty one! With their sparse 909 percussion and eerie synths they deliver techno how it once was intended: funky yet moody, seductive yet alienating… The Bio Rhythm continues.

“We Came To” is the 4th single by The Crystal Ark, the developing collaboration between Gavin Russom & Viva Ruiz. The song is a dance music rally cry – profound in its bare bones and raw production, and equally for the spanish/english lyrics – which praise ancestors and call out for liberation. The “House” and “Dub” versions featured on the single were mixed alongside the album version, which will be released later this year as part of the self titled debut LP by The Crystal Ark on DFA Records

From raw chicago acid jack to strictly rhythmic disco smack – mr. Adalberto is unmasking his schizophrenic house addiction by providing 2 different moods.