KMFH – The Boat Party [WO013K]

Wild Oats is proud to present the KMFH debut album The Boat Party. After a year of collaborative releases, Kyle Hall, under the alias KMFH, has produced a debut album; a fusion of original work, sample tracks, and raw edits. The Boat Party album artwork pokes fun at European summer boat parties and juxtaposes the destitute state of Detroit and its recent proneness to discarded luxury in financial crises. Mainly, the inability to leave and the sometimes pleasant isolation of a boat party is what the album exudes. The listener has a certain commitment to the material which definitely has its place on the dance floor. You can find tracks that have soulful, funky, and organic feels, while others have a more abstract, mechanical, and robotic sentiments. The Boat Party was carefully constructed which makes the album a cohesive mix of soulful etherealness and roughly raw sounds; KMFH’s cueing into the true aspects of Detroit.

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KMFH – The Boat Party [WO013K]

Terrence Dixon – Minimalism Remixes Part. 2 [SINO027]

Native-Detroiter Terrence Dixon‘s longtime alliance with Godfather of Techno Juan Atkins has helped forge his own powerful sound in the world of minimal Techno. Originally released on Claude Young’s Utensil Records in 1995. Both Sino (Hong-Kong) and Thema (New-York) join hands to re-release this classic which many consider as one of the early foundation in the minimal techno movement. Thema presents part.1 featuring remixes by Mike Huckaby, Silent Servant and DVS1 Sino presents part.2 featuring two remixes by Ben Klock and one by Edwin Oosterwal

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Terrence Dixon – Minimalism Remixes Part. 2 [SINO027]

Makam / Roch Dadier – Lost Archives – Part II [AERA007.2]

The second EP in their new “Lost Archives” series stands out in it’s clear dancefloor direction and it’s recognizable oldschool feel. On the A side Makam brings in a typical oldschool techno track which resemblances a mixture between old Jeff Mills material and Robert hood’s Floorplan output. The title of the B track simply points out it’s purpose. Roch and Pacou were resident DJ’s at Tresor, when they recorded this track for Roch Dadier’s Label Portrait in 2002. However, short afterwards it was recorded, Roch stopped his label, so this gem never saw the light of day. Pacou and Roch Dadier show us that tribalistic techno is still actual these days with this rhythmic piece of music.

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Makam / Roch Dadier – Lost Archives – Part II [AERA007.2]