Filed under: 001.Features | Tags: chicago house, d'marc cantu, dcantu, jak beat, kold, melvin oliphant III, sequencias, traxx, villan x

Killer release on New York’s Sequencias label. Powerful and hypnotic Chicago acid inspired cut on the A and a cool slow building chord driven track layered over raw drum rhythms on the b-side. A pair of artists from two different points along Interstate 94, who have a reputation for the very same. The main body laid down by VILLan X is tight metallic percussion underpinned by solid kicks and a stream of robotic filtered bass, containing unexpected shifts within the frequency register. Foreboding tones and feelings drift towards us across which the disembodied voice of Kold is able to find a platform from which to shudder into our consciousness and pose questions from across the galaxies about the nature of our very being. dcantu carries on the feelings of space, with protracted white noise shots and stabby modulated organ chords, but doesn’t leave it long before setting the pace with solid drums and shifting keyboard funk aimed squarely your body and the dance floor as octave changes force you up and then down again to a backdrop thick with texture. This provides for the body and the mind.
Filed under: 001.Features | Tags: beau wanzer, hour house is your rush, jakbeat, mutant beat dance, naughty wood, rush hour, traxx

Fully Koded Chicagoians Traxx and Beau Wanzer team up for another Mutant Beat Dance release. Together they have produced arguably ‘the best 80s Chicago house record NOT made in the 80s. The Mutants call it Jakbeat, inspired by the early days of house music. ‘Let Me Go’ is as intense and rhythmically inclined as they come. Naughty Wood’s sparse vocals cry desperation, almost nearing insanity, which makes up for a pressure cooker like warehouse anthem. ‘Rottonfunk’ is another intense work out which has a killer groove and makes us wander off to the Promised Land (wherever that is).
Filed under: 001.Features | Tags: album, andy stott, bicep, blondes, cosmic, disco, house, jd twitch, john roberts, rvng intl., sam haar, traxx, zach steinman

Blondes, the duo of Sam Haar and Zach Steinman, release their self-titled debut album for RVNG Intl. The release includes a 8 original tracks CD and a remix CD, featuring among others JD Twitch, John Roberts, Andy Stott and Traxx.
Filed under: 010.Interviews | Tags: cdr berlin workshop, interview, james t cotton, jtc, melvin oliphant III, tadd mullinix, traxx
Filed under: 100.Sessions | Tags: acid house, chicago house, disco, jak beat, moog, nation, traxx

Filed under: 001.Features | Tags: acid house, aroy dee, chicago house, chicago skyway, jakbeat, m>o>s deep, m>o>s recordings, melvin oliphant III, sean hernandez, the poetic painter m, traxx

Traxx aka Melvin Oliphant III returs to MOS Deep with a stunning solo-project. Under his The Poetic Painter M pseudonym he serves up ‘Marie’s Transcendance’ backed-up by two reworks from compadre Sean Hernandez aka Chicago Skyway and label owner Aroy Dee. ‘Marie’s Transcendance’ is a frenetic yet hypnotizing house track that echoes memories of downpitched Newbeat material and the hooky coldness of new wave. Melvin, though, re-defines rather than regurgitates these influences and re-launches them into a dark and moody acid-flecked future. Chicago Skyway reworks it into a deep, emotional just as acid-version which seems to float into eternity as solid 808-beat programming plays out busily behind. Aroy Dee edits a second rework of “Marie’s”, creating a simple but highly effective and bouncing track that’s carried along by a psychedelic, out-of-this-world bass line.
Filed under: 001.Features | Tags: beau wanzer, chicago, dfa records, disco, electronic, gavin russom, mutant beat dance, traxx

DFA Records presents “Night Sky”, a track that grows and grown into an 13 minutes odyssey. The buzzy bottom end enters and expands before Russom’s vocals – alleyway dark and mysterious – make their way in. The song dips and dives, going from barebones synthesizers resting on organic percussion to explosive vocal choruses. The end reunites nearly every sound that made a previous appearance in an ensemble of ecstatic rhythms and noise. Mutant Beat Dance aka Beau Wanzer & Melvin Oliphant III, undo the original and transform it. There are so many new elements to be found here – a thick bassline, shuffling beat, wiry electro etchings, eerie washes of synths that swell unexpectedly and unannounced – it all makes for a collection of sounds that, thankfully, are head swimming in their unique and wonderful unpredictability.
Filed under: 101.Events, Other Events | Tags: aroy dee, berlin, dj deep, finn johannsen, hugo capablanca, hunee, mick wills, nancy fortune, nation, ssps, the crystal ark, tiny, traxx, trevor jackson

if you are in Berlin or around, you cannot afford to miss this!
Some of the recordings from this extraOrdinary celebration of Traxx’ birthday are available here.
Filed under: 001.Features | Tags: chicago, d'marc cantu, jak, jakbeat, jtc, lux rec, traxx

X2 Members: Traxx, D’Marc Cantu & JTC drop a three track V.A. EP on the burgeoning Lux Rec imprint. Each artist delivers, with some pretty signature styles on display. A great EP showcasing these maverick sickos.
Filed under: 001.Features | Tags: chicago, jakbeat, lumberjacks in hell, nation, traxx

Filed under: 100.Sessions | Tags: chicago, electronique, jakbeat, nation, podcast, ricochet, traxx

Filed under: 100.Sessions | Tags: as you like it, chicago, jakbeat, nation, traxx

Filed under: 001.Features | Tags: chicago, d'marc cantu, dmc, jakbeat, jtc, nation, saturn v, traxx, x2

New release on Nation, the “Rhythm Relics” EP is an approach towards the beginnings of an evolving acid-driven Dance scene in the UK two decades ago. Stemming ideas from that era, Saturn V and X2 came up with a testament of evolutionary ideas and musical shape-shifting to bring our influences to the audiences of today.
Filed under: 010.Interviews, 100.Sessions | Tags: chicago, interview, ron hardy, the music box, traxx

download session / audio interview
Filed under: 000.News | Tags: dragos rusu, jay bliss, photos, the hipodrome of music, traxx
Filed under: 000.News | Tags: jak beat, melvin oliphant III, nation, the hipodrome of music, traxx

† “Painters paint their pictures on canvas, musicians paint their pictures on silence.” Melvin Oliphant III aka Traxx
† Jak your body till you bleed!!!
† Traxx is a lover of music — one with a passion so intense that it overcomes genre divides to weave an altogether original, exciting, and multi-textured musical fabric which envelops both the avid clubber and the home listener, as well as everyone in between. Not content to be labeled as merely a DJ, a producer, or even a DJ/Producer, Traxx is a self-described “artist of sound.” A sound that is distinctive and highly emotional which defies classification and invites analysis and discussion. From eclectic and avant-garde tunes to old school jack tracks and far beyond, Traxx hears and makes it all without discrimination, pretension or elitism.
† Traxx has released music on numerous underground labels in the US and Europe including Gigolo, Relief, Muzique, M/O/S, and Crème. His music has come to the world under a bucket load of aliasʼ including Dirty Criminals, XX Art, Mysterio, ViLLan X, Saturn V (with Tadd Mullinix), X2, and more. Heʼs also collaborated with the cream of the underground including acts like James T. Cotton (aka Tadd Mullinix), DJ Hell, Green Velvet, Dʼmarc Cantu, Mount Sims, Legowelt and many more to shape his unique definition of Jakbeat. Now finally Traxx is stepping out into the light with his first full length album under this own name for his own Chicago based imprint Nation.
† Now we have the debut Traxx album “Faith” – a record that clearly reflects Melvinʼs spiritual roots and church background as well as pushing forward his visions of Chicago circa 2009 incorporating dark core, jak trax and far beyond this is a uniquely American vision of electronic music for your mind, body and soul. The album features 11 previously unreleased compositions including collaborations with Tadd Mullinix and an acid house anthem created with Cloneʼs electro queen Nancy Fortune. For Traxx the albums title is a reflection of what we need right now globally as humans – the “Faith” to continue to struggle, to deal with the big issues of life, parenthood, finance, friendships and relationships. For him the idea behind the album was to create a story which “unfolds through emotional emancipation.” We never needed more ʻFaithʼ than we do now. Come together.




















