
Dope deeper acid tracks on the Killekill label by Cassegrain and Tin Man. Reminds a bit of early Plastikman and Caustic Window (afx).

Dope deeper acid tracks on the Killekill label by Cassegrain and Tin Man. Reminds a bit of early Plastikman and Caustic Window (afx).

New release of Heinrich Dressel aka Valerio Lombardozzi, mind of one of the best Italian techno-electro labels around, MinimalRome. Heinrich Dressel is finally celebrating the use of vintage synthesizers and driven electronic machines, holding elements of electro and ambient at the same time, but breaking from the genres too, deeply inspired by Heinrich Dressel, the pioneering German archeologist sent to study in the holy city in Monte Testaccio, who drew what is now a major tool for study of Roman amphorae, the ”Table of Dressel. Heinrich Dressel is placed in a sort of limbo where John Carpenter meets Drexciya, a sonorous journey through the darker side of the electro, taking the commands of the Elka Synthex, one of the most impressive polysynths in the history of music, planned and manifactured by Mario Maggi in the early 80s, as the commercial brother of the MCS70, synth that gave birth to a masterpice album like ”Automat”. “Sighing Melodies Thru The Graves” musically speaking can be described as a captivating hybrid of styles, mixing the chilling-menacing mood of the 70s / 80s lo-fi funkadelic horror soundtracks to outerspace synthesised soundscapes in a pure classy vein. This is cryptical-kosmische psychedelica with a nice electro retro touch and avant-minimalist vibes.

Mannequin presents an 8 track LP from full-analog-synth quartet S U R V I V E aka Adam Jones, Kyle Dixon, Mark Donica and Michael Stein, considered as one of Austin’s (TX, US) most important live electronic mainstays.

Minimal Wave return to their self-professed “First French love” In Aeternam Vale with a second LP-shaped trawl through the band’s sizeable archive of cassette only releases. The Brooklyn imprint first introduced us to the work of the hugely prolific Lyon band with an eponymous LP of remastered material in 2009, and Dub Under Brightness proves to be just as important a release. The label points to an article on the band originally published by the Douche Froide magazine in 2002, where the journalist nails their appeal in the opening gambit – “There are bands that have been acting ruthlessly in the shadow for years, in a completely confidential manner, then one day chance (but does chance exist?) makes you find one of their recordings, listen to it, and at that moment you could kick yourself for not having discovered these soundscapes earlier and you try to find all of them”. If you haven’t indulged in the sounds of In Aeternam Vale yet, this eight track selection makes for a perfect introductory primer.

The Minimal Wave label present this 12″ accompaniment to Dub Under Brightness, the freshly released trawl through the cassette-only archives of their favourite French act of the 1980s, In Aeternam Vale. The full unedited 12-minute version of the title track is presented here, pressed on a thick slab of vinyl at 45rpm for the DJs and is complemented by “Highway Dark Veins”, a brilliant example of proto industrial techno. If you are not familiar with the A Side, it presents the Lyon group led by Laurent Prot at their lolloping finest, a hypnotic sideways Minimal Wave throbber replete with cavernous and near indecipherable vocals and industrially charged synth waves. It’s the B Side that makes this release all the more special, sounding every bit like the paranoid martian techno opus that inspired the Mills series Something In The Sky and was a definite highlight of Ron Morelli’s descent into Industrial Nihilism on a recent Beats In Space show.

Degada Saf was a transgressive-dada-ist musical combo coming from Veneto, Italy. Degada Saf played a synth-electronic music, a kind of involved no-disco with no-sense lyrics in esperanto. Their music suggests a peculiar mixture of post-modernism synthesized electro assaults, new wave’s imaginative minimalism and pop art aesthetic vision. “No Inzro” makes constant interferences between rigorous avant-gardism, alternative music styles and colorfully plastic electro pop. The spectrum of musical imagination reveals a lot of good surprises, notably with the opening theme “La Rhumba de Shang Hai” which directly gives the tonality of the entire album: kitschy retro-popish ambiences based on dancing minimal hypno pulses and efficiently cold melodies. A groovy and captivating electro experience and a pretty decent introduction to the band’s very own musical universe.

Dark Entries presents the the debut EP “Vehicle” from San Francisco based synth trio Inhalt. Consisting of European and East Coast natives– Matia Simovich, Bryan Gibbs, and Philip Winiger– Inhalt’s core operative strategy is of sonic fidelity and integrity rather than nostalgia. In the “Vehicle” EP the brutality of the analogue transistor rhythm section meets the sincerity of the human voice.

Spicy krautrock-like melodramatics by DVS, introcately refining the genre. Especially the beatless version on the flip illustrates some special beauty and nuance. Ably assisted by Thomas Bullock, this compellingly motorik, spaced out song punctuated by heavily effected blasts of guitar, sounds like a lost classic. The B side features Mix 2, a beatless version that lays the vocal and guitar elements bar.

Sadly Betty Botox is no longer with us. She departed planet earth in 2010 and leaves a gaping hole amongst all those who knew her. She left behind a DAT tape in her studio with ‘”The Final EP” written on the cover in lipstick, which her closest confidants feel she wanted to be her last statement to the world. So, after a slight delay, two years later, 4 tracks that were regular features in her musically wayward dj sets are now available for her to fans to hear and play. Combining her love for Psyche Funk, Cosmic Synth, Space Rock and late 70s Stadium Rock these reworkings, remixes, refixes and reproductions of known and unknown tracks are sure to be hits on non-conservative dance floors everywhere.

A limited chance for you to get your hands on this achingly-rare Panda Records track ‘People Hold On’. Originally released in 1984, this stylishly classy record feels like undiluted house brought to you from before house even existed! Super-tight production skills from Wuf Ticket’s James Mason pull together a goosebump-inducing bassline, deeply hypnotic synths and tantalising handclaps topped off with Earl Flint’s elegantly sexy, meltingly cool vocals to deliver a masterpiece in early 80s NYC groove. Backed with a much in-demand killer instrumental version, this record is almost impossible to find out there on the wax market.

Dark Entries presents a 4-song compilation from one of the finest groups of the Spanish New Wave/Techno-Pop scene of the 1980s. Vocoder were a quartet from Zaragoza, Spain formed in 1981 by Keyboardists Antonio Laval, Alfonso Olarte, Antonio Tenas and vocalist Pilar Pellicer. “Cuadro Sinóptico” compiles both 2-song 12″ maxi singles as one 4-song EP. All four songs were recorded during 1984-85. A futuristic sound for the modern age topped with Pilar’s charismatic vocals. Lyrically they address robotic love, disco dancing, and the tropical island of Mindanao.

In his dark analog Moustache Records homestudio downtown Rotterdam city David Vunk made his ”Bowie ep”. This energizing ep contains 3 various styled tracks for the dancefloor. On the this side the track ”Forever Always” a stunning filter house tune with a vocal that goes on and on, a fat party break and rolling low kickdrums topped with some crazy hihat programming. On the that side two tracks. A notorious full power hi energy nu-disco/electro track filled with evil strings, catchy melody, tr-808 drums and arp odyssey baseline madness called ”Disco Sysex”. The b2 track called ”Vroezenpark” sounds like it comes straight from hell, a dusty techno track with Berlin infleunces, tr-909 drums and a Roland jupiter 8 synth. Insane and paranoia style. This very limited pressing comes with luxury gatefold fullcolour sleeve, poster and hand numbered, limited copies..

Very much unclassifiable house not/ techno/ not disco debut coming from recent NYC transplant, Bookworms. Blown out sample chops, synched up drum machines with those Barney’s claps and outboard synths play throughout making these two jams more than interesting excursions into an intimate place that we just can’t place our finger on still.

Neurhythmics once again enters the deepest realms of house music with the help of the one and only Roger 23. Four exciting tracks ranging from deeper chi-house to more jackin’ type stuff.

The ninth Finale Sessions release. Miles Sagnia gets into some acid business, Carlos Nilmmns AKA Ross Mcmillan drops some lush deep house, Opolopo gives up analog madness w/killer drums, Shane Linehan remixes Dave Pezzner’s ”Waking Up Then Going Back To Sleep”

Strong no.8 in the Finale Sessions series. Basic Soul Unit with a bubly chicago style track. Joey Anderson goes deep with an intense track and Vincenzo delivers some summerish vibes.