Hot Island Records is a new label with Chicago influence. The first release is coming from Italian Nick Anthony Simoncino and is a compilation of 4 deep house cuts. The EP comes with a remix from Legowelt.
The third release on J.A.M. Traxx, a 5 track 12″ on the neo-Chicago tip, comes with contributions by the likes of Jack Curtu, Elec Pt. 1, Punknown, Perseus Traxx and Lost in the Sound.
Kenny Dope used to say that Disco is the mother of modern dancemusic and without it the whole House-music-thing wouldn’t have happened…our two youngsters from the LGDZ-Camp reunite those two worlds in a very modern way without being just another edittainer.
Paper Recordings continue their journey back to plastic with another vinyl release. Jamie L is a mysterious figure of undisclosed origin and history who fits in to the Moodyman / Theo Parrish mold of heavy future disco; which his new production ‘(What We Saw) In The Burg’ nails. It’s a heavy leftfield groove laid over broken house beats with a filtered bass, samples and leftfield vibe. The Detroit pad creeps up to the break and filters in and out as the track works it’s way through for locked down dance floor business. Next up, Havana Candy breaks out the analogue and takes things deeper and techier. With a rolling bass and tweaking acid line, it cuts to a Rhodes before filtering down and riding back to the heads down groove. Cottam steps up for Paper for the first time and demonstrates what all the fuss is about with a very special mix. Clocking in at 9.41 it’s deep, tough soulful house that crosses the 4/4 divide from techno to disco and deep house to soul.
Hamburg’s Smallville who now are about to release Christopher Rau’s second album “Two”. Well known for his minimalistic choice of ingredients Christoper Rau somehow frees himself of any straight format. Songs full of sweetness, a glimpse of soul here, a detroit electro influence there, broken beats, breaks that are no breaks, sexyness and funk and fun. The City of Christopher Rau’s music turns into a Universe. A world that believes in that particular moment when a minute turns into life. Where you will dive through the surface of beat, bass and sample – something underneath grows to the unreachable. As you reach that overwhelming feeling, the night could last forever. After the essentials of House Music have been invented some 25 years ago, Christopher Rau proves again how far we still can go searching for the perfectly wonderful track.
Dusty Baron aka Latecomer may be a recent arrival on the scene, but he plays like a true veteran. A mysterious export from the around same eastern latitudes as label boss Vakula, their music sounds just as rooted in the post Soviet Russian landscape as it is in the post industrial North America which gave rise to all the soul and machine funk that is the driving inspiration for so many of today’s roots conscious electronic artists. Vakula takes the controls on Side A with dubwise and exotic production skills whilst Side B showcases The Baron’s heavy heavy chops, with drum programming as deft as his keys work, and a sound which is equal parts earthly and heavenly. Sides C & D (on bonus 7”) see V step up to offer two takes on Follow Shot, continuing the theme of techno tinged jazz cosmism.
Florida record hub Finale Sessions have firmly established themselves in the affections of deep house lovers in their two years of existence to date. Simoncino steadfastly belongs in the latter camp, though his prolific nature means he has a discography comparable in size to the former category. The Other Side is the Italian’s ninth release of 2012 (including an excellent debut album) and brandishes three typical Chicago/Detroit pollinations rich in analogue texture and loose in percussive rhythm, with B Side track “Got U On My Mind” a particularly devilish execution.
Fine Choice Records is an imprint focused on releasing a series of limited 10” records for the discerning vinyl collector. The first release is by Fantastic Man and presents two modern deep house cuts.
Live percussionist turned DJ/producer, Rafael Moraes presents intelligently blends elements of jazz, broken beat, Latin rhythms and deep house. ‘Ahead’ demonstrates his expertise and creativity in fusing different rhythms with Caribbean and Brazilian genres; intricate beats that gain momentum over a poignantly incessant piano loop and the equally yearning vocals of Andre Torquato. The heat rises ever so slightly with the thumping b line and off beat rhythms of ‘What’, yet the trance like spectrum of sounds make it an ideal track for 5 in the morning. The B side’s ‘Birth’ is equally, if not more, meditative. This tranquil and organic blend of hushed whispers and Amazonian sounds, coupled with the gradual and refined crescendo of rhythms leaves you with a sense of completion; a sense that “Modern Traditions”, Moraes’ labor of love, is finally delivered.
The debut release on Emotional Response comes from Alan Hurst – aka Brooklyn based producer Jason Letkiewicz – with a deeper exploration in to the experimental, ambient electronics first seen on his debut work ‘Processed World’. The results are a darker mixture of hypnotic rhythms and uncertain soundscapes, hinting at soundtrack and library forms. Known for his productions under a series of alias’, including Steve Summers and Innergaze, this is Jason’s sophomore album under his Alan Hurst moniker and is the perfect way to launch the label.
L.A.S.’s Crime (the initials stand for “Lord Arthur Savile’s Crime”, a famous short novel by Oscar Wilde) is an electronic band from Siena founded in 1984 by Sandro Marchetti (vocals, synthesizer, programming) and Maria Elena Brogi (vocals, synthesizers). With a music sometimes soft, sometimes melancholic, but always fully electronic the duo from 85 to 89 L.A.S.’s Crime produced 5 demo tapes (Five Lies ’85, Anomaly ’87, Inanitas ’87, Electa ’88, Korobi ’89) and a studio album (Abyss 43) registered at Sound City studio of Florence, but remained unreleased for label close. Today, thank to the italian label “Mannequin”, 13 selected songs can have finally a new life on vinyl, giving to the listener a small piece of 80’s remained intact.
Sympathy Nervous is the project of Japanese artist Yosihumi Niinuma. Influenced by both classical and Krautrock, he began recording in 1979, and released several records on the highly coveted Vanity label. He continued to record and self-release much of his work throughout the 80s and 90s. His sound is intelligent and probably the most unique minimal synth to come out of Japan. Exploring dystopian themes, his music is well balanced and beautifully recorded. The Plastic Love album features songs Yosihumi Niinuma recorded between 1979-1980. These were originally recorded as studio demos and have never been released until now. Stylistically, these particular songs range from proto-techno tracks like “Anatawa Suguni” (1980) to post-punk ones like “Untitled 1” (1979) to a pure synthpop masterpiece from 1980 called “Butoubyou No Syounen” featuring his wife on vocals.
A new 12” EP by the lovely French synthwave duo known as Deux on Minimal Wave. Gérard Pelletier and Cati Tete formed Deux shortly after meeting in Lyon in 1981. Their music can be described as minimal synth with stripped down rhythm compositions and suitably cold duets. A perfect blend of archetypal Kraftwerkian pop and French synth, these set of songs comprise their later years (1985) and stylistically sound like classic house combined with the romance of New Wave. This EP features previously unreleased newly remastered studio and demo tracks.
For A&S003 Dimi Angelis & Jeroen Search meets noone else than S100. The result is distinctive. Monster tunes for special moments and special people.