Motor City veteran Marcellus Pittman has been in fine form since returning from a four-year hiatus in early 2018. This EP – his third of the year – is, of course, really rather good. Opener “Something Like (A Dream)” is particularly good, offering a perfect balance between the rolling, head-nodding, pitched-down lusciousness of Beatdown and the spacey, delay-laden warmth of more peak-time focused Detroit deep house. If you’re looking for something a little less smooth, check the low-slung, off-kilter, cyber-acid rawness of “Jamie 326 Tsot”. While rather good, it feels a little out of place next to the fluttering, stripped-back deep house tunefulness of “Breath Beat”, whose echoing chords are especially alluring.
Baltra returns to Of Paradise with his ‘Can’t Explain It’ EP, a kaleidoscopic and dazzling journey through the heart and soul of raw and hazy house music.
London based Doppelate is next up on X-kalay offering some Detroit house inspired club jams. From the languid sleaze of the sawtooth bassline on “I Can’t Get You Out of my Head” to the pin point congas and rainforest vocal shots on “Johnny Longneck”; the A side is a functional and groovy affair, stripped back to the essentials in typical Doppelate fashion. The B side takes a slightly more playful approach – Pila Pala Kisses utilizing looped pianos and some tongue in cheek percussion work before turning out a beautifully mesmerizing melody. “Club Canyon” closes things out in more understated tones; crisp hats skip over the lazy staccato bass whilst the dreamy pads induce an all too welcome state of haze.
“The Vessels Of The Blood”, pumping and pumping the love and the pain and everything in between. You must never be alone. My name is Morah.
For his new release on Nona Records Brooklyner Max Ravitz changes the formula again and delivers five spirited acid electro tracks .Continuing to tool and retool his modular synth rack, on ‘Free Lunch’ Ravitz produces energetic electro tracks that show a shift from the familiar hazy murkiness to a more present sound and almost song-like writing that introduces some more layered melodies, acid grooves and luscious pointillism.
Undersound Recordings presents a new release by It. Ivan Iusco, the artist behind the It moniker, has been running Minus Habens Records since 1987. Its Disturbance sublabel has been responsible for releasing forward thinking techno and experimental releases from a range of well known artist such as Marco Repetto, Aphex Twin, Speedy J and Atom Heart among others. Here we present three tracks that have previously been released on his Era Vulgaris CD album in 1996. The EP ranges from techno to more abstract broken beats on the flip side, displaying the versatility of It as a producer and encompassing the sound of the first years of Disturbance.
This is the first time any of Heinrich Mueller’s highly sought after remodels/reworks have been compiled together. Many have been previously available only on limited releases and have patiently been awaiting discovery by a wider audience. These 9 specially selected examples embrace all facets of his approach. First up is the ultra smooth and minimal ‘Fadin’ Away’ by The Hacker from 2000, probably one of his most sublime and timeless creations. Then jump forward to 2011 when he serves up an infectious and sparse slice of robot funk for Albert van Abbe’s ‘NCS_0009121010’. By the time of Alek Stark’s ‘Halo 6’ (2014) he’s still got the dance-floor on his mind, but it’s located on an alien or perhaps underwater world in some dimension parallel to our own. In 2009 he works for the first time with fellow Drexciyan traveller DJ Stingray and delivers the hard edged but still quite delicate ‘Drone FX’. Jump to 2005 and he conjures the playfully disjointed ‘P.O.M. (Time Dilation Mix 2)’ for Duplex. In 2000, when he had a close relationship to the label, International DeeJay Gigolo, who were releasing Dopplereffekt and the first fruits of Der Zyklus, they commissioned him to make a series of groundbreaking mixes. On one of which he got to mesh his own futuristic vision with that of Stanley Kubrick on ‘Dave’ by Station Rose. The other closes this collection and is another of his most accessible works, with the best bassline, ‘What Use’ by the legendary ’70s San Francisco band, Tuxedomoon. In 2011 he also produced a darkly atmospheric and relentlessly mechanical interpretation of DJ Stingray’s ‘The Sadist’. In 2003, another of his best production efforts, again aimed off-squarely at yet another form of mutant dance floor, came out of a total revamp of an untitled track by The Advent. Fittingly this was originally included on Recreations, an album where artists were invited to do what Heinrich Mueller does best.
Kim Rapatti a.k.a Mono Junk presents the second volume of Finnish Electro All-Star on his DUM Records imprint – active since 1992. The new release is the latest chapter of Mono Junk collaborating with friends. The A-Side features collaborations with top Finnish electro duo Morphology. “Electro Por Favor” is a pulsating driving electro track with a killer bassline and vocals by Rapatti. Raw, apocalyptic, solitary remix by Mono Junk follows the original. The B-Side features collaborations between Mono Junk and a very special guest: Goner a.k.a. Martin Maischen. The two included tracks are deep electroid techno excursions made last year in Berlin.
Assembler Code is finally flying solo with this 4 track electro assault ‘Mental Escape’. Plugging into the title track ‘Mental Escape’, it’s a rugged machine driven work out through IDM & Industrial landscapes formulated to present his vision of futuristic electro whilst still providing all the nostalgic Rother & Drexcyian nods we all love. Now that the tone has been set, ‘Simulant’ follows suit. Entering the celestial sphere via some haunting sci-fi strings, we’re slapped in the face with slamming percussion followed by a relentless acidic modulated baseline that takes us from one planet to the next at light speed. The Journey wouldn’t be complete with out his old partner in crime Jensen Interceptor coming on board for a ride. ‘Type 2’ is a classic case of past meets present. Scrapyard industrial groove ready to split speakers at your next warehouse party married with a selection of classic Alpha sounds to keep all the purists in check. The thunder continues to the very end. If you’re a tape saturation fiend begging for your next 808 crack hit, prepare to have your back bent in half with euphoria as soon as ‘Hal’s Machine Tool’ is injected into your ears. In short, 4 minutes & 44 seconds of hard nasty robotic electro booty sweat.
Second instalment of Mecanica Records compilation focused to obscure techno/EBM/electro. A selection of new and unreleased tracks by six projects from different latitudes. The opening track is a collaboration between Dmitry Distant (Latvia) and Gestalt (Russia) with a dark electro tune that works perfect as warm-up. Deep Pill (USA) offers a versatile technoid tune and Blac Kolor (Germany) closes the A side with a hard and hypnotic piece. Viktor Kalima (Finland) opens the B side with a body music attack, followed by Santiago (USA) with four minutes of pure psychosis and dementia, and Rendered, the duo formed by Daniel Myer (Germany) and Clément Perez (France), closes this sonic trip with a strong and massive cut that will leave you attached to a never ending loop in your head.
Authors of the 4th release of the Mosaique label are the project Savage Ground, known for its works on Lux Rec, Pinkman Broken Dreams and Enfant Terrible. The project hides two people – Daniele Cosmo (owner of Lux Rec) and CCO. “In not”” is a mixture of synth wave, analog distortion, experimental dance electronic music and vocals. The EP contains 4 tracks that divided the two sides of the plate into two different moods.
INIT’s music has the rare quality of transforming bleakness into a soothing experience. In the duo’s new EP, ‘Wildcard’, this mechanism is more intense than ever. And that might be because of the particular circumstances that surrounded its inception. Two years ago, Nadia D’Alo and Benedikt Frey decided to move from Darmstadt to Berlin. Adjusting to a rough area of a big city when coming from a quiet town necessarily brings a change of perspective. For Nadia and Benedikt, that meant experiencing the city life as outsiders while trying to figure out what they wanted from it. ‘Wildcard’ is the sonic result of this process, and proof that changes always bring growth.
For over 18 years, Spectral Sound, the dance music imprint of Ghostly International, has thrived at the forefront of techno and house. Now, Spectral brings the past alongside the present with its latest release, a compilation that offers a vibrant cross-section of the current moment in underground dance music. Despite the wide-ranging selections on Spectral 139, a throughline of classic style and infectious energy emerges from the up-and-coming and established artists alike. Rising talents such as Minimal Violence, Russell E.L. Butler, and Earth Trax x Newborn Jr. bring unique perspectives to their hardware-centric productions.