Mothball Record presents a lost album from legendary Italian wave band: Ruins. Hailing from Venice, Ruins are one of the pioneering artists of the Italian new wave scene beginning in the late seventies: an explosion of new and exciting art, music and film. The tracks on ‘New Record’ were taken from the self-distributed, tape only release from 1983 ‘Side Roads’. This album was timed directly before their most well-known releases in contemporary times, the ‘Fire / Crime’ 12′ and the eponymous 4 track EP on Black Square. Taken from the original master tapes and selected by Ruins themselves, the album should be listened as a whole to gain the full experience, but immediate ‘must-hear’ tracks are ‘I Don’t Know’, ‘I Love You’ and ‘Last Night DJ Killed My Wife’ featuring early use of Roland TB303. At times unsettling, beautiful, violent, harmonious, these songs will finally get the audience and exposure they deserve 35 years later.
Taking influence from Paradise Garage styled disco, early 90s House, Italo and anything with a DMX drum kit, their take on dance dance music is as refreshing as it is familiar. You’ll often hear M1 solos, chords and stabs, juxtaposed against Phil Collins styled stadium drums, and groovy Seinfeld basslines that just beg your body to move.
The first release on The Golden Filter’s brand new label, 4GN3S (pronounced ‘Agnes’) is The Golden Filter “Talk Talk Talk”, along with three remixes.
Juan Atkins’ Infiniti project combines raw tactility and puristic elegance with Skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure.
Alongside fellow Detroit legend Terrence Dixon who appears on several tracks, Atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. The ongoing importance of this album is indisputable, essential both to techno and to Tresor.
This is the sixth release on Eye Teeth, the techno sublabel of Interdimensional Transmissions, by Berlin’s Pascal Hetzel. This EP effortlessly merges a modular and hardware approach to music making while fusing techno, industrial and electro influences. The opening cut “Incognizance” is a near perfect blend of all his influences, while the EP closer “Reformation” mixes these ideas into an energizing very techno take on electro feelings. We love this EP and really look forward to new music from this promising artist.