Mannequin Records and Platform 23 come together to start a series of stand-alone reissues of the music of post-punk / industrialists Bourbonese Qualk, starting with their 1983 album Laughing Afternoon. Formed in Southport during the late-70s, the band came to prominence out of South London’s squat scene via their own Recloose Organisation. Early releases including the band’s first experiments put to tape and the now highly sought after Sudden Departure compilation featuring luminaries Colin Potter, Eg Oblique Graph (Bryan Jones) and Lol Coxhill, laid the foundations of their burgeoning sound. Recorded and produced at the Recloose Studios in Camberwell in 1983, Simon Crab, Julian Gilbert and Steven Tanza infused their music with politically charged atmospherics, instrumental exploration, heavily laden reverb and dub, all projected by drum machine rhythms to assemble a musical collage which encapsulated strands beyond contemporary music. Track titles decipher little, as with the music, a discourse not belonging to a set style or movement, but crossing boundaries of supposition, pushing distortion and outernational leanings towards something else, a primordial discant. While tape loops warp the ears and spoken vocals propel songs like Blood Orange Bargain Day and To Hell With The Consequences and contrasting guitar acoustics pierce the mood on Qualk Street and Spanner In The Works, the overall embrace is claustrophobic, embedding a foreboding for the times. This unique, indulgent, cross genre melting pot where pounding rhythms, wailing trumpets, mournful melodica and electronic pulses all spiral in a contagious dissonance that heralded Bourbonese Qualk to the wider world.
A new work produced by Zurich Dada, a duo from Porto, who play a kind of calm and melancholic Synth Pop. The release comes with two original tracks from them. On side A with ‘Peta Bytes’, which includes Antoni Maiovvi and Franck Kartell remixes, who are back on Aspecto Humano. On side B is included ‘Kites’ with a banger remix from the house by Anbau.
Well renowned bass player extraordinaire, Osynlige Mann from Gothenburg releases long awaited new solo material on Hoga Nord Rekords. This 7inch contains high voltage material; ‘Airports’ and ‘Exodus’ brings tense seventies synth and early eighties electro to the table. The A-side ‘Airports’ is a Kraftwerk inspired elegy over the lumpenproletariat of the machines – aeroplanes. ‘No sleep for the big machines, no rest for the sad machines’. The B-side, ‘Exodus’ carries more obvious characteristics from Osynlige Mann’s other electronic projects.