With a loose, frenetic synth line fluttering over deep, dry kicks and bass throbs, it is easy to compare the techno offerings of Baltimore’s Graham Hatke’s latest to the recent outpourings of Omar-S, or even a Theo Parrish joint from the early aughts. But there is an undeniable spaciness to Hatke’s sound palette that brings Michoacan or even Idjut Boys to mind, which sets it apart from its American influences in an interesting way.

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