Credit 00 returns to Pinkman with his trademark odd-beat electro chants. While each track tells a different story, what persists throughout the EP is the streetpunk attitude and nonconformity of the king of rats. His ‘Protest Love Songs’ bows to no shiny idol, and sweeping the ashes of utopia tames the apocalypse with no fear.
There’s a mystical place in the heart of Rotterdam, oddly tucked in between the corporate buildings. Bright light boards and red velvet carpets, it’s a small cinema that still breaths its old-school grandeur. That’s where the Cinerama Adventures project was born, lead by its staff supervisor DJ Overdose. The result are two tracks that go from modern flavored freestyle to sleazy darkroom experiments, both accompanied by the instrumental versions.
The birth of Mindri, a new Pinkman sublabel run by Afra & Marsman. The first release by Pluto Junkies, a collab project between Ernestas Sadau, Rapha & PRZ goes straight into the alley of mind bending and stomach swirling releases. Drenched in 90’s retro-futurist electro spirit, Flying Spaghetti Monstership is what you would call a secret weapon at a rave. Fuelled with ferocity and seasoned with nostalgia, it feels like hedonist nights and forgotten conversations in crammed basements.
Rotterdam’s local player Gamma Intel returns to Pinkman with his signature slowbeat electro bizz. Menacing with militant kicks and filthy curling baselines that go straight to one’s stomach when ingested, ’Generatie Desinteresse’ inspects the blasé youth of the concrete jungle. Inspired by the boundless pursuit of pleasure, numbed minds & ever-changing cities, the six tracker takes you to the place where anxiety is always lurking for its prey, even if the veil of indifference sets the simmering turmoil off the heat for a moment.
We have four albums more on the electro side coming from DMX Krew, Men With Secrets (Donato Dozzy and Retina.it), Nullptr and The Exaltics & Heinrich Mueller, while on the industrial/EBM side we have albums by A Civil Terror, La luna sotto il ponte and LBEEZE and impressive works from Black Meteoric Star, Ian Martin and Trenton Chase.
On the synthier side of music we have four albums coming from Das Ding, Linea Aspera, Newclear Waves and Jake Schrock, while for the Detroit lovers we have two Detroit influenced album by The Beneficiaries (Jeff Mills, Eddie Fowlkes and Jessica Care Moore) and The Nightstalker (Dan Piu and Martin Akeret).
Closing the list are the debut album of disco-don Franz Scala on Slow Motion, Obergman‘s acid album on Furthur Electronix, Anthony Collins with his album on Lobster Theremin under the Grant alias and Shifted with his first album on Avian.
The list is compiled in chronological order.
Bearing the torch of a new generation West Coast artists, The Hague based Pasiphae comes through with a haunting four-tracker on Pinkman. Weaving the accents of horror with the ambience of hope, ‘Possessed Realms’ offers a trip through desolate terrains of restless minds. The haven of the night congregates the wrecked ones and hope tainted with misery turns the grimness into light. The idea of finding comfort and rejuvenation in the dark is liberated, opening broad horizons for creation. While our future might be uncertain, the present is ripe for Pasiphae.
Krakow based Olivia joins Pinkman with a modern twist on ancient charming practices. “Dancing Snake” takes you to a surging tomb rave in the heat of the desert. Your dehydrated soul will be satisfied by liquid notes of acid, while your mind is hypnotized by oriental melodies. Grubby rhythms and crunchy kicks reminisce about reality, making you wonder whether this all was just a lucid dream.
Italian dark electronics aficionados Alessandro Adriani and Cosimo Damiano come together for a debut collaborative EP on Pinkman. Belonging to different generations but both deeply influenced on one side by “the Sound of Rome”, with pioneers like Gabriele Rizzo, Leo Anibaldi and Lory D, and on the other side by the raw electro Dutch legacy of Bunker Records, the two strike a golden middle of their styles with a clanging, raw and packed to the brim with coarseness electro-techno hybrid. Inspired by the cyber dystopia narratives, ‘Neurodreamers’ reflect on the hi-tech surveillance and the promise of AI which unfolds itself into the prospect of dehumanization. Taking the listener through turmoil and anger, the brutish 4-tracker weave the elements of grubby baselines, coarse synths and erratic percussions with the brain-melting hints of acid and Alessandro Adriani’s own recorded vocals.
Scientific Dreamz Of U debuts on Pinkman’s Broken Dreams white label series. Merging elements of punk-tinged industrial and atmospheric mutant techno, Self Assembly Of Myriad Heterostructures spins the listener into a swarming vortex, where a blistering array of harsh tones oscillate between deteriorating vocals. On the flip, the record includes a remix by Pinkman favorite Mick Wills and a forward driving Dance Mix. Limited to 100 copies, for the true night-wanderers out there.
Manos Brujas is a project by Julian Vasquez, a Colombian artist who draws his inspiration from the lost tribes and shamanism. With his first album Sangre de Oro on our Pinkman Digi Lab series, Manos tells about a legend of a magic totem hidden far in the jungle and a tribe man’s quest to find it, driven by his desire to gain shamanic power. Replete with ritual-like drum beats, rumbling melodies and echoes of animal chatter, the sonic narrative of the album follows the tribe man’s journey, dragging the listener from the remote depths of the jungle to the psychedelic realms of dreams and rituals, until the man realises that the real power was within him. The album is a cinematic and intricate trip made to alters minds.
3 years after the original vinyl press, Pinkman and Tear Apart Tapes (Das Ding’s own imprint) join forces for a fresh take on ‘Industrial Universal’. The cassette features the re-release of the 4 tracks from the sold out EP on the A-side, and 4 new productions on the B-side. Industrial Universal 1.1 adds an extra turmoil and energy into the already time tested cocktail, delivered in Das Dings style.
Mark du Mosch returns to Pinkman, after his debut EP The Red Hour back in 2016. Magneto takes you on a rollercoaster ride from an industrial factory workout to a soulful frenzy and back. Filled with heavy, borderline tribal rhythms intertwined with glitchy loops and spacey melodies, it’s a vortex into a dreamlike state where the routine is the villain and the practice of discipline unfolds into the liberation of creativity. And all given groove Mark du Mosch’s style.
Strings of Fear is a glance into a damaged, yet ubiquitous beauty fetishism, when succumbing to the collective consciousness means walking a thin line between vanity, sanity and self-loathing. The four-tracker ties into a journey through fear, confusion, anger, desire and loathing, all fitted into one shot of adrenaline in a form of an EP.
Ian Martin’s Neo Modernist is an exercise in introspection, where things aren’t always rosy. Confronting your anxieties and fears may not be pleasant but sometimes necessary to escape deterioration. Ian Martin’s music channels these feelings, and gives beauty to something that expressed in words can seem depressing. One of Rotterdam’s best kept secrets comes through with maximum emotion and prowess. Take notice.
‘Mass Asphyxia’, Retrograde Youth’s new record comes in the form of 6 tracks to satisfy the escapist desires of troubled minds and souls. The Colombian artist operates in a sphere of his own where the lines blur between different styles, fusing oddball techno with deranged acid, industrial elements, ethereal synth and haunting vocal samples. The sound aesthetic is just as diverse with atmospheres meandering between sci-fi, disaster and retro-futurism. Retrograde Youth once more shows his nonconformity and ability to surprise in great style.