Steve Summers delivers his long anticipated debut double LP for L.I.E.S. Stepping up with 13 tracks, Summers goes across the board exploring all ends of the long lineage of Chicago House music. As a member of Mutant Beat Dance with Traxx and Beau Wanzer or under his Rhythm Based Lovers alias Summers has always managed to tread the line between classic Chicago styles and modern psychedelic Jakbeat floor beaters. On the aptly titled “Generation Loss” we get the the full spectrum; from the old school 80s acid of “Who Knows” to the long form lysergic blackhole of “Boxed In” or the dx funk of “Unknown Origin” Summers cements his signature style which he has refined over years throughout this LP.
After a 4 year hiatus, Nation return to the vinyl world with their essential qty pressing / strictly ‘no repress’ policy firmly in place. A label designed to “Going Out” while “Holding The Lifeline”. Invocations of modern musical practice in the course of hypnotism in which each improvisation unreels in a mixture of a fanciful flight and a solid “Always There” beat. Modern Analysis is a new alias project for this their debut 12”. The duo was driven by these times of change and transformation in our world where we feel odd, lost or alienated. Lives have been lost, which has been greatly emotional for humanity. Everyone has a limited time on this planet and nothing stays the same – everything is in constant change.
Nation’s sub label Kode returns with a split 12” release entitled “Output/Signal”. On Side A we have “Empty Spirit Of A Psychopath (Psyche Cover)” from Sacred Article, a new alias project for their debut concept creation cover of the band, Psyche, of electronics in their region of cold harsh industrial, warm synthpop, dancefloor minimal mayhem and beyond. The flip side comes from label compadre SSPS, kicking off with the live performance of “Train Full of Strangers”, from Unlimited Nation Online Festival in the summer of 2020, an electrifying tune influenced by Suicide.
Interpretations created by The Jak. Two cuts live and direct from the windy city of Chicago, The Jak pays homage to two of the city’s legendary producers – Lil’ Louis and DJ Rush. Dirty Blends!
the 3rd segment from our new series focusing on rare vinyl from the basement/vaults, cd and music material from the headquarters and recording studio of Nation..
the 2nd segment from our new series focusing on rare vinyl from the basement/vaults, cd and music material from the headquarters and recording studio of Nation focuses on Dj Rush.
Chicago deknician Traxx delivers an epic 17:00 minute excursion into the world of “proto rhythm” Here we have a blueprint 80s style mastermix which touches upon tracks that may be considered “proto-house” material from a forgotten time when studio experimentation and creativity with the machines were the norm. When producers made music for the djs and the two were all intertwined in the process working hand in hand (we can think about Larry Levan’s “Night Dubbing” album with Imagination as reference”. This 17 minute trip is Traxx’s take on the early sound of New York, some of the records played then and some of the techniques used to “spice up” the records shall we say.
this is a new segment series focusing on rare vinyl from the basement/vaults, cd and music material from the headquarters and recording studio of Nation …
Dona Aka Dj Plant Texture’s debut on Mannequin is the result of an effective true love for the early Chicago Acid and Jackbeat, mixed with textures of EBM and Cold Wave.
“Mindscapes”, featuring the haunted vocals of Aloth, represents a trip into states of consciousness and psychiatric diseases. Ispired by some reports describing America’s Mental health System during the latest 70’s, the EP is a blend of analog machines, forced to create the perfect jam session.
Mutabor celebrates 12th Arma Anniversary with a special 6-hour stream from outside of Moscow.
Stream, named Outside, features sets from the regulars of both clubs aired along with live performances, each being individually staged by the art crew.
Voluminous Arts happily announces its third official release, a 12 track album entitled “Disco” by Gavilán Rayna Russom’s elusive alias Black Meteoric Star. This is not a Disco record. The title deliberately troubles the music biz’s incessant tendency to hierarchize genre classification over the experience of listening. If you must categorize these mutant sounds think of them as a proposed alternate score for those long, caffeinated sessions in Abby Sciuto’s forensics lab, the soundtrack to a heavy workout in the Westchester Danger Room or perhaps the musical accompaniment to deep body investigations of your own ancestral memories. What this record really is, and why it’s called “Disco” has to do with the layering of time and life energy present in the spaces where we have traditionally danced to music which are sometimes called Discos. From the pounding urgency of “Muscle Machine” through the unbridled night vision romp that is “Fluid Feline Forms” and the shimmering investigations of “Whispers Between Worlds” to the extended lazer pointer focus of “I’m Unmelting” this record lays out a broad slab of practice-based research into the ghosts we connect with on the dance floor. Whether it be through partying in former industrial buildings, contested spaces of labor built on lands violently appropriated from indigenous people, uncomfortably inhabiting vacuums in queerness left by the AIDS epidemic, lifting lineages through sampling, or the relentless cycle of whitening that accompanies dance music’s march into the market, our experiences in the Disco have been permeated by the spectral and the haunted. Through rhythm and frequency, organized over time, this music blurs the veil between the living and the dead inviting those who move to it to connect with experiences beyond that false binary. What you have here is another fantastic Black Meteoric Star record, as always made without multitracking or overdubbing, recorded directly from single live takes. It is is utterly consistent with all that name has come to mean, but on “Disco” Black Meteoric Star’s vision has been allowed to expand into an almost mythologically epic space. Ancestral time works differently. Settle in and absorb the frequencies. As the closing track suggests, the virtual Disco these sounds evoke is for “Freaks Only”.
It’s been a while since we last heard from Steve Summers, one of the many musical aliases of producer Jason Letkiewicz. When he last landed on proudly Chicagoan imprint CLEAR with the robust and unearthly “Artificial Light” EP, it was on the back of nine years spent building up Steve Summers as a purveyor of forthright club cuts that pushed at the limits of acceptability. Now Letkiewicz’s return with his Steve Summers pseudonym on CLEAR is defiantly intense and otherworldly in tone. “Counter-Factuals” is powered primarily by the kind of psychedelic acid lines and thrusting machine drums that have long been a hallmark of Chicago house. This is no nostalgia-fest though, with Letkiewicz’s take on “acid” being more abstract and unorthodox than the music of his predecessors.
The Brewmaster General (Brew Records, War Games) makes his long awaited debut on L.I.E.S. Currently, Amsterdam’s bearer of the underground torch, Robert Bergman follows suit in the tradition of his BREW label delivering his signature brand of chaotic jacking house madness over four tracks. Expanding on forefathers Sleezy D, the experiments of DJ Rush, or the Muzique clique, Bergman runs his tracks through the meat grinder serving up some of the most psychedelic house out there in this day and age.