Hieroglyphic Being going back 2 his roots taking a break from the 4/4 beat.
Snow white cassette in a special neon green snap box with printed foil inlay. The album is a relic of three sessions that were created next to or in bed. A small case equipped with a looper, an EQ, a chorus and a delay is the basis. Each track is unique due to the different sound devices used, whether it is a synthesizer, microphone or tablet. Searching for the mood of the moment, even if the next moment can be completely different, if not even should. A field recorder is an infinite tool for capturing these moments. Also, these songs are indeed infinite. In the sense of a spiral-shaped interplay of musical influences, states of the moment, errors and coincidences, almost like the magnetic tape of a MC. Fortunately, the acoustic proof of this creative process is now available on an appropriate sound carrier. Expect swirling excursions into brightly illuminated Ambient territories, Lo-fi beat adventures in the outskirts of hidden rave countries and inverted Hip-Hop-experiments from the parking lots of long forgotten shopping centers. ”Das unendliche Konstrukt” translates into ”The Infinite Construct”. And that is what this tape here truly is. Constructs are facts that are intellectually claimed but not directly tangible. The same can be said about the music that Jacob Stoy made in 2020 instead of writing Corona diaries. This is music that must be felt. But if you try to grasp it only with your mental powers, it will slip through your fingers.
Alina Kalancea’s Impedance is an entirely instrumental album spanning four sides, contains powerful rhythmic sequences, heart-beating frequencies and hypnotic loops that are paradoxically encapsulated in carefully crafted compositions which are full of secret passages and hidden doors. Kalancea’s work creates ungraspable sonic experiences, which overtakes you, immersing its listeners in powerful and mind-altering soundscapes. There’s no quick payoff on Impedance. This is the sound of new, patient electronic music, full of depth and substance. Alina Kalancea is a Romanian sound artist and composer based in Modena, Italy. She has studied sound design and synthesis with Enrico Cossimi and collaborated with producer Alex Gamez, and artists Julia Kent and Raven Bush.
Long-time AI associate Wolfgang Voigt returns to the London label with his newalbum – Rückverzauberung Exhibition. The Exhibition reimagines the concept with renewed purpose, opening the gates to deliver an arresting 60-minute journey into the underworld. Dense soundscapes mutate with alchemic fluidity, unravelling with vast symphonic counterpoints and synesthetic textures. Intoxicating in its Mephistolean dissonances and ambitious sonic structure, the sprawling ”Rückverzauberung” itself becomes a nebulous organism shrouded in the seeping mist of the unknown.
An ode to the corals from the French producer Amandra.
It has been almost 30 years since Mantris, real name Dirk Eggermont, shared music with the world. A driving force of pioneering Belgian house outfits The Black Sun and Brown Hardware Inc, Mantris had a productive music career forecasted, but he vanished into thin air and no more music was ever heard of him. Mantris is now transmitting again from his small apartment in Bombay, India. Completely insulated from hypes and scenes, these 10 rich, phantasy provoking cinematic jams are the inauguration for the Souvernirs From Imaginay Cities label, started by Kong DJ and Hill Men.
Angel’s Flight is the new album from highly-acclaimed producer and composer Biosphere. It features twelve tracks based on Beethoven’s String Quartet No. 14 that deftly tread the peripheries of classical and electronic composition. Much of the music was initially composed for Uncoordinated Dog, a dance production by the Ingun Bjørnsgaard Prosjekt in 2019 that explored the personal, the ambiguous, exposure and beauty – which gives you a sense of what the album holds.
Music From Memory is turning 50 with a special release: Virtual Dreams: Ambient Explorations In The House & Techno Age, 1993-1997. ‘Virtual Dreams’ delves into music produced during the 1990’s that redefined the boundaries of ‘Ambient’. This was music that explored the possibilities of Ambient music within a new setting, created often by House & Techno music producers for a world beyond dance floors but made very much with the pre and post-clubbing listener in mind. When House and Techno exploded out of America in the mid 1980s a whole generation was redefined not only musically but also culturally and chemically speaking. Peaking, quite literally, with a second ‘Summer of Love’ in 1988, millions of young people across the world would experience the life-changing ups of a brave new world but with it of course came the downs; enter the concept of a ‘Chill-out’ room. Whilst early Chill-out rooms lacked a specific sound and were often soundtracked by music such as reggae and soul, slowly young Techno and House producers themselves would become increasingly interested in developing a futuristic ‘Ambient’ soundtrack to a world beyond the thud of the main room. From Ambient and early Chill-out classics, to lesser known one-off projects, as well as Ambient deviations by some of House and Techno’s leading producers, Volume One of Virtual Dreams features tracks by Bedouin Ascent, David Moufang, LA Synthesis, LFO, Marc Hollander, Mark Pritchard & Kirsty Hawkshaw, Richard H. Kirk and more.
Danny Wolfers striking another album at the Northsea Institute For The Overmind. This time is coming under the Smackos alias, providing a 11 track album free to download / name your price on his bandcamp.
Transpac does not hide its love for Arpanet’s ”Wireless Internet” album in any way. ”Transpac is the name of one of the first computer networks. It enabled data exchange based on the X25 standard, the Minitel was one of the most famous applications of this network. This project pays tribute to the development of telecommunications in the 70’s and the creation of this network.”
Ahead of the Meakusma Festival 2019, Don’t DJ and NWAQ did an artist residency developing new music together from scratch. Their resulting performance at the festival was a mesmerizing descent into the artistic perspectives of two singular artists active in off-kilter club music. Some of the eight tracks on this record were recorded live at the festival while others were recorded during the residency. All dwell in distorted and eccentric bliss and play around with rhythmic arrhythmic and post-rhythmic tension. There is happiness in dystopia although the subtle yet intense layering in the music hints at undercurrents that are far from bright. The joyousness of this record lies in the notable excitement Don’t DJ and NWAQ experience fusing their modi operandi coming up with a music that shines and distorts. As massive blocks of sound alternate with subtler disorienting parts repetitive vocals create an air of disparate acceptance. It uses club music’s template and pushes on.
The second release on Ondes HXCX brings together a selection of emerging, as well as more established artists from Romania. The tape presents a collage of all the tracks brought together via an array of sound-pieces which act as binding interludes.
Nous’klaer Audio presents the new concept album by Koraal. ‘La Casa del Volcán’ is a sonic trip that echoes the spectacular landscape of Lanzarote, going from moist caves to deserted planes of volcanic rock, from a secluded palmtree to a fertile oases. Intense, spacial atmospheres and reverberating drums combined with dark textures and dubby rhythms. All written and produced in chronological order in November 2019 by Oriol Riverola aka John Talabot, in a three-night session on the island.
‘Music For Theatre And Dance – Volume Two’ is the second in a small series of EPs that will focus on music which was initially created for or inspired by dance and performance. Created as a dialogue with the avant-garde and highly experimental work in dance, theatre and art evolving at the time, the music was in turn at times greatly innovative. That it was created for a dance or performance though means that such music was also often highly rhythmic and a number of pieces from this time stand out and seem greatly deserving of a new context. Whether it’s more ambient or atmospheric works or whether it’s in the more rhythmic or percussive pieces, Music From Memory brings together another selection of tracks that aims to highlight this highly innovative direction in music.
‘Lontano Da Dove?’ by DsorDNE is a four-track LP written and recorded between 1996 and 1999 – at Acqualuce studio in Alpignano, Torino – by the mind of Marco Milanesio and Luciano Gelormino. Additional guitars were provided by Danilo Beltrame on piano zeroquattro (extended) and vocals by Snowdonia founder Cinzia La Fauci. It was conceived to be released at the time but only a few promo copies were distributed. After about 20 years, the original recordings, which were considered lost, were found by Marco, who remastered them in his O.F.F studio and brought it back to life. The all album is an organic work, who mash spoken ethereal voices and dubby basslines with tr-909 beats, borrowing elements from trip hop, techno and industrial.
Actress drops his new album Karma & Desire. It’s his most accessible yet complex album to date with featured artists including: Mercury Prize winner Sampha, singer and songwriter Zsela, Aura T-09 (co-runs Evar Records with John Frusciante of Red Hot Chili Peppers & Trickfinger), Italian pianist and conductor Vanessa Benelli Mosell and Copenhagen based vocalist Rebekah Christel. The album started with a surprise 49min audio file from Actress entitled “88” and will be accompanied by ‘a broken romance espionage ethereal short film‘ by creative director and performance artist Lee Nachum aka Bootee.
Euan Dalgarno follows up his debut on Modern Obscure Music with Nfutures. The Scottish producer presents an album that has been inspired by modern-day classical music, but also informed by forward-thinking electronic music. Nfutures builds on Dalgarno’s previous release on the label, but also enters previously uncharted waters. It is an eleven-track album of mainly probing strings and piano-led compositions. Hel is a real standout with its calming keys and taut strings. Earhorns (for 3 Pianos) is an exciting composition, where the stars really are those pianos. The title track, Nfutures, ends proceedings beautifully with an epic piece that features levitating strings, bright-eyed keys and synthetic waves.
Legowelt has been a key figure in the Dutch electronic music scene since the early nineties, steadily releasing timeless music that merges the pioneering sounds of Detroit and Chicago with idiosyncratic sci-fi fascinations. “Unconditional Contours” captures Legowelt’s stint at the Swiss Museum for Electronic Music Instruments (SMEM), after he was invited to be the first artist in residence at the institution’s “Playroom” project. Legowelt visited SMEM in Fribourg, Switzerland, in early 2019 to explore the collection and record music. Possessing an extensive collection of synthesizers himself, he used hand-picked synthesizers from the museum’s archive: the rare Farfisa Synthorchestra, the EVS-1 Evolution, the “shittiest rompler ever made”, amongst many others. The 10-track album “Unconditional Contours” is both a probe into the vast collection of SMEM, and a display of Legowelt’s well established compositional qualities. Leaving ample space for new sounds to unfold, Legowelt invokes gentle trips, brooding excursions, bleep heavy soundscapes, and reimagined elements of dance music classicism. SMEM and -OUS are launching the “smem+ous” series to document the “Playroom” residencies. A limited edition of this album was already sent out to early supporters of the “Playroom”. Founded in 2016 and based on a collection of more than 5000 synthesizers, organs, drum machines and effects that had been collected over a 35 year period by Klemens Niklaus Trenkle, SMEM offers residencies, studio sessions, talks and workshops.
“When I first saw this collection, I was truly flabbergasted. Endless rows of synthesisers – some so obscure I had not ever seen nor heard of them. This place will probably turn into the world’s most magical place for synths.” – Legowelt
KMRU is the moniker of Joseph Kamaru, a sound artist, and producer based in Nairobi. One of the leading exponents of the burgeoning experimental music scene in Nairobi and beyond he was listed by Resident Advisor as one of ’15 East African Artists You Need To Hear’ in 2018 and is a regular performer at the fabled Nyegenyege Festival having also presented live performances at CTM festival and Gamma Festival. Peel is KMRU’s first release for Editions Mego. exquisite mix of field recordings and electronics unravelling at a repetitive and leisurely pace to expose a rich tapestry of sound that has been revered for it’s ability to cross borders with the sheer undertow of emotional content. The subtle calming atmosphere within Peel belies the compositional prowess as layers of delicate sounds wrap around each other creating a hybrid new form ambient musics both captivating through it’s textural depth and kaleidoscopic patterns. The track titles lend themselves to the themes and mood set within: Why are you here, Well, Solace, Klang, Insubstantial and the title track. This is a deep heartfelt journey with a new strong voice being expressed through the means of organically presented electronic ambient sounds, one which reveals further layers on repeat listens.