Produced by Nile Rodgers & Bernard Edwards of Chic, this song was featured on the 1982 Soup For One movie soundtrack album. Includes an 8-minute 12” version, instrumental, and radio version. Pressed on opaque olive green vinyl with white detail.
It’s been 25 years since the anthem ‘Freak O Holic’ by Los Angeles electro legend Egyptian Lover was first released. His label Egyptian Empire Records serves up a repress for all the fans out there, featuring an extended version of the track, presented here as the super sleazy Alternate Universe mix on the first side, followed up on the flip with ‘2 The Extreme’ (long version) taken from the seminal album of the same year – the 1986 LP. A true pioneer, Egyptian Lover’s (real name Greg Broussard) earliest material is name checked by producers such as as Autechre and I-F as influential.
By the late 1960s, drummer Roy Porter had already worked with some of jazz’s true greats (Charlie Parker and Dizzy Gillespie included), spent time in prison and weened himself off heavy drugs. It was at this point that he founded Roy Porter Sound Machine, a heavyweight jazz-funk combo with a penchant for raw rhythm and blues. The band’s 1971 debut LP, Jessica, is one of the most magnificent sets in his vast discography. Featuring sweaty, floor-ready rhythms from Porter, beefy bass, wild electric piano licks, fuzzy guitars and some fine brass arrangements, the album is as good a collection of jazz-funk/funk fusion tracks as you’re ever likely to hear.
Finally available again as a 12 “maxi single! From the legendary film music of John Carpenter’s box office hit “Assault On Precinct 13” from 1976, including the “John Anthony Scratch Mix” and the “Remix” of The End.
E-MAN was the first project of Norwegian musician Geir Jenssen (electronics, well-known from being in Bel Canto and especially Biosphere) with guest vocalists Ragnar “Spiss” Larsen and Frank Jensen, and Per Martinsen on additional electronics. They only released one cassette on Likvider in 1984 (LIKV 4025) with tracks recorded in 1983/84.
Third release on Steve Pickton’s co-owned Fencepiece record label features something special from the Other World Studios archive – the first ever Stasis release from 1993. Three sublime examples of classic UK Techno from one of the true originators – Vanmannans Answer also features an early studio collaboration with fellow UK legend Nuron. Originally released on the tiny Time is Right label.
Late 70s italo rare groove reissued by Groovin Recordings.
Dark Entries reunites with longtime idols Xymox, also known as Clan of Xymox, to reissue their Peel Sessions. Xymox was founded in Nijmegen, Netherlands in 1983 by Ronny Moorings and Anka Wolbert, who were joined shortly by Frank Weyzig and Pieter Nooten. Melding the synthesizer-driven experiments of post-punk and New Wave with the doom-laden atmospherics of the burgeoning goth rock scene, Xymox were one of the key progenitors of dark wave. The success of their 1983 debut EP, Subsequent Pleasures (reissued by Dark Entries in 2014) paved the way for a string of epochal releases on 4AD, where they honed their lush, despairing sound. Following their 1985 debut LP, Clan of Xymox, DJ and tastemaker John Peel invited them to BBC studios to record for his Radio 1 show. These recordings were released in 2001 via the Strange Fruit label on CD and are now available here for the first time on vinyl.
Wamono A to Z Vol. II: Japanese Funk 1970-1977, selected by DJ Yoshizawa Dynamite & Chintam. Following the highly acclaimed Volume I, dig further into the Wamono sound – the cream of the Japanese jazz, funk, soul, rare groove and disco music developed throughout the years since the end of the sixties in Japan. Fully licensed Nippon Columbia and Victor Japan masters available for the first time outside of Japan, featuring rarities from Jiro Inagaki & Soul Media, Hiroshi Sato, Bread & Butter, Hatsumi Shibata, Fujio Tokita and more.
A staggering collection Detroit techno-soul music, beamed directly into your consciousness from 1994. Kenny Larkin is one of a handful of artists from the city whose original and unique sonic output has helped shape and advance techno as an art form and as a serious musical movement across the world and it’s galaxies beyond, a formidable DJ and producer whose music continues to push the envelope today. ‘Azimuth’ gives us what would be Larkin’s first full length offering, and across 11 tracks of blistering hi-tech machine funk, ambient, soul drenched rhythms and futurist club music he deftly crafted a classic. Originally released on Warp Records, ‘Azimuth’ is a record that effortlessly sounds like it came to earth yesterday while being 25 years old, a true Detroit classic that still makes waves across the planet today.
To open M-Plant’s 2021 schedule, Robert Hood announces the return of the Perpetual Masters series. The ‘Underestimated EP’ still sounds as fierce as it did when it was originally released in 1998, delivering Hood’s personal style of minimal, stripped back Techno with crisp beats, powerful build-ups and flawless grooves; nothing is superfluous.
Completely unorthodox production techniques employed by one of Spain’s maestros from the 80’s, Thank You brings back one of Julian Ruiz’s craziest productions that come with a potential threat to any well tuned HiFi system (careful at 1:26 on A side). A remarkable dubby/italo rhythm section sets the foundation for a dreamy melody that won’t be forgotten so easily. Inspired in Indian mythology, “El Genio De Los Pies Rojos” is a masterpiece that will take any tasteful dancefloor to serious heights. Includes 2 other shorter titles from the album originally released in 1986.
Re-issue of the sought-after new beat inspired Body Party EP produced by Mild Peril.
Move D has seen a massive career over the years, starting with his early days as a German pioneer of House Music. In 1993 this was one of his first 12“ records on Time Unlimited which was mostly known for Trance and Hard Trance. This surely is a cult record and has become highly sought after over the last ten years. Its unique style of sampling comined with an uplifting, basement style production is still mindbending and timeless. This reissue was remastered by David’s long-term friend Lopazz for a full range sound experience.
Minimal Wave present the reissue of a rare self-released record by Plugpoint Music called ‘Last Chance’. Plugpoint Music was the minimal synth project of Reiner Ossmann, who recorded the 12 songs on this album in his home studio in Germany in 1987 and released them as an edition of 200 copies. This gem of a record was never properly distributed and so essentially disappeared until it began circulating amongst various collectors during the last 15 years. It’s a true minimal synth classic in all of its eccentricity and lack of self-consciousness.
Jonny Rock is a familiar face on the London house and disco scenes and the dude playing the guitar in the ”Freaks” project. Rock skill-fully joins the dots between the old school house, underground disco and boogie vibes in a party setting.
For their first outing, new London-based reissue label Foam On A Wave resurface the remarkable debut album from one of the UK’s foremost artists of ‘ambient techno’, Ultramarine’s ‘Folk’. Like the surrealist collage of the sleeve designed by Benoît Hennebert, Ultramarine weave together unique instrumentation and sonic influences into rich, ethereal soundscapes, now fully remastered for its 30th anniversary. Conceived at a time when technology began reshaping the process of recording and production, the band’s interest in fusing the organic and the electronic is apparent, and one that has remained with them throughout their career. ‘Folk’ both sits apart from and serves as a precursor to the ‘pastoral techno’ sound Ultramarine went on to pioneer.
Originally released in 1985, “Baya Imperial” is a classic Italo-Disco classic anthem, now officially reissued by Discoring Recordings on 12 inch vinyl.
Compared to some of the ultra-obscure releases buffed up and reissued on Best, Loui$’ “Magic Dance” is something of a perennial classic, but that doesn’t diminish its value in getting another airing. Loui$ released a modest wedge of killer party anthems in his 80s peak, but this debut 12″ in 1985 was the glittering prize. Of all the versions of this release, the rare Blow Up Records edition is the one that gets a look in here, and it’s all about that special disco mix of “Pink Footpath”. From gutsy analogue bass to shimmering lead pads, it’s a dreamy dancefloor jam in every way.
G.A.N.G. was a short-lived studio project from Giorgio Giordano, Giorgio Dolce and Roberto Zanetti (Savage). In 1983 they released “Incantations”, a plush cosmic disco burner that rides a slow tempo but hits heavy with its rich layers of synth and slick guitar licks. Best are giving it a fresh airing with this on-point reissue, bringing the chugging bass arps back into the fold of a sympathetic scene that celebrates just this kind of evocative, sensual slow-mo party fodder. The original mix elevates in the second half with a soaring vocal from Stefania Dal Pino, but if that doesn’t appeal there’s a purely instrumental take on the B side that focuses purely on the groove.