Legendary Vibraphone Records re-issues another holy grail “The Bermuda Trinagle” from 1992. The Bermuda Triangle is a pseudonym of The True Underground Sound Of Rome and is composed by Mauro Tannino and Stefano Di Carlo.
Originally released in 1981, this cosmic italian disco anthem written by Claudio Gizzi has charmed diggers the world over with its subdued mannerism and breathy vocals. Sounding like a Julee Cruise soundtrack cut meeting a Tuscan ‘theque, the song hears Italian TV presenter/actress Patrizia Pellegrino utter deep-resonating lyrics into a funky and dark beatscape, in what has been described as an ‘erotic futuristic ode to the cosmos’. Remastered and pressed to wax once more for your pleasure, ‘Miss You’ is a charmer and relationship-rekindler for the ages.
Cult Argentinian darkwave act Euroshima’s Gala sees a vinyl reissue courtesy of Dark Entries. Euroshima was formed in 1986 by Fabián Iribarne, José Wyszogrod, Ricardo Parrabere, and vocalist Wanda. Originally released in 1987 on Polygram, Gala was a success throughout South America. But to the band’s dismay, they received minimal support from the record label, which meant the album would linger in obscurity outside of the region. This reissue is co-presented with Twilight Records.
Tresor Records announce forthcoming special editions of its entire catalogue of Drexciya and related projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor’s Drexciya-related catalogue. The series starts with Neptune’s Lair, first released in 1999.
Originally released in 1990 ‘Voaria’ was written by Benjamin Nhassavele and produced & arranged by the late Tata Sibeko, the revered South African producer and member of Kabasa. Taken from the LP of the same name ‘Voaria’ was released at a time when early house music was emerging as a key influence in the South African musical landscape, an evolvement of the Bubblegum pop sound that had fused disco and boogie with township funk. Characterised by Roland kick drums, Yamaha DX7s and Juno Synthesisers the Kwaito sound is the musical heartbeat of ‘Voaria’. Featuring Benjamin on lead vocals ‘Voaria’ comes in 2 versions, a main House mix on the A side and the Clubhouse mix on the flip which switches up the arrangement placing more emphasis on the groove.
The sixth release on Italian imprint Tempo Dischi comes from Alessandro Bernabeo, aka Raduan, the Italian DJ and producer behind ‘Taki-Naki-Naki’, one of the most eclectic and unconventional electronic records made in Italy in the late 1980s.
Joey Beltram 1991 timeless classic is back on vinyl, originally released on Nu Groove. This reissue from brand new imprint Orange Wedge hears the original in fully-remastered glory, charting the proto-bleep tones of a trio of quizzical ‘Quad’ tunes. These B-side tracks are very nicely intro’ed by ‘C.O.D.E.S.’, a trance track which seems to revel quite well in the wonder of cyberspace, lilting between two chords in permanent alternation.
Originally released in 2000 this ep showcases the unique sound that is synonymous with Hood: simple but effective minimalism for the dance floor. This 4 tracker is essential for anyone considering themselves a Techno fan.
Originally released on M-Plant subsidiary label, Duet in 2002. The record gets its hypnotic grooves remastered by Thomas Heckman for its 20th year anniversary,.
Reissue of this italo disco classic from 1985 with Flemming Dalum and Van Edelsteyn remixes.
Communique Records USA, reactivated the superb house-sublabel Sensuist Records and SEN006 comes from Chris Brann also known for the The Ananda Project and Wamdue Project. The first re-issue since 1997 will be available on solid 180 Gramm vinyl.
Strut present the first box set release to bring together the 1970s recordings of The Pyramids, led by Idris Ackamoor. As students at Antioch College, Ohio, alto saxophonist Idris Ackamoor, flautist Margaux Simmons and bass player Kimathi Asante created three lasting monuments in sound – Lalibela, King of Kings, and Birth / Speed / Merging, a trio of albums produced without any label backing or distribution between 1972 and 1976. Their music is unique among the varied canon of avant-garde and experimental music of 1970s America: high intensity African-styled percussion topped with songs, chants, and horns, laced with African instruments and arranged into long, flowing suites that surge and roll.
Official reissue of dreamy Italian early house project, originally released in 1990, a total balearic house anthem this EP comes with 3 mixes, remastered.
This legendary Italo Disco song was first released exactly 40 years ago. On this occasion, ZYX releases a strictly limited edition colored vinyl with an exclusive remix by Flemming Dalum.
Official 2022 Reissue. A Split Second’s cult coldwave EP Flesh was dropped back in 1986 on Antler Records. The band of Marc Heyndrickx, and Peter Bonne (aka Chrismar Chayell) only formed a year earlier but his debut single made a huge impact and has become a real classic of the EBM and wave world ever since. Numerous albums followed well into the 90s but rarely did the pair ever top this – the jerking rhythms, ravey electronics and retro-future chords all resonating as much with audiences now as they did back then.
Re-issue of seminal Mr. Fingers album ‘Amnesia’, available officially for the first time in 32 years on Larry Heard’s own Alleviated Records. This remastered collection of early Mr. Fingers works is an absolute must have.
Classic 1995 techno-house cuts by Glenn Underground under the moniker of Jellybean.
What is Plus instruments? The title implies the secondary nature of the tools used to produce the sounds, maybe even of the sounds themselves. The means of making sound are not important, but the sounds themselve, but even beyond them there is a force, a grumbling. Maybe best represented by the first sound heard on Plus Instruments “Februauri- April 81”, a sound that is more felt than heard. The grumbling persists throughout the album, not in the same sonic way but things gyrate and repeat until they are mineral and not purely auditory. Using toys, drum machines, and other homemade electronics designed by front person Truus de Groot, the band manages to obscure every song into a hard to maintain mix of No Wave drive, New Wave sheen, and dance music groove. Originally established in The Netherlands in 1979 by Truus de Groot in various line-ups, she hooked up with Lee Ranaldo and David Linton in 1981 when she first ventured to NYC. A trio that smashes the sound of early 80s New York with the equally as progressive European experimentation of the time. Completely without total contemporaries, Plus instruments make music free of bounds from time, labels, and place. Originally released by Kremlin records in 1981 run by Sonic Youth’s future manager Carlos van Hijfte, Domani Sounds proudly presents Februari-April 81′ featuring brand new liner notes by van Hijfte himself.
E&S Brothers’ 1985 album Taduma holds a unique yet overlooked place in the history of South African dance music. When Shadrack Ndlovu and Ernest Segeel teamed up with Dane Stevenson, owner of Blue Tree Studio in downtown Johannesburg, and journeyman producer Taso Stephanou, South Africa’s bubblegum era had just begun, spurred on by the success of Shangaan disco. The relative success of their debut 12” ‘Don’t Bang The Taxi Door’, marketed aggressively at taxi ranks throughout the country, helped put the Blue Tree label on the map and E&S were invited back to record a full album: Taduma, featuring on keyboards Dr Buke, an in-demand session player from Soweto. Rooted in Africa, yet purely electronic, Taduma was a moderate hit, spurred by tracks like ‘Taxi Door’ and ‘Mhane’, its hypnotic refrain ‘Mhane, famba na wena’ meaning ‘Mother, I am going to you’. Other tracks like ‘Mapantsula’ and ‘Be Careful’ place Taduma within the street-savvy ‘pantsula’ style and dance synonymous with consecutive waves of music from disco to kwaito, house and beyond, while ‘Sikele Masike’ repurposes a traditional Shangaan work song. Vocally E & S are closer to rapping than singing, in a combination of English and vernacular – predating other credited pioneers of kwaito in SA like Senyaka and Spokes H. Driving the music instead of vocals are waves of searing synths over rudimentary but explosive drum machine sounds – the word ‘Taduma’ meaning the sound of the drum.
Long-awaited Re-issue of The Hasbeens’ ”Make The World Go Away” Clone release. 3 timeless energetic mechanical Disco tracks with a dark new-wave/synth atmosphere merged with some artifical hyper Italo happiness for some bipolar dancefloor energy. Remastered versions of the already heavy 2006 release by Alden Tyrell and DJ Overdose, now on the Clone West Coast Series.