Active in London’s electronic underground since the late 80s, Paul Hierophant has long worked in the space between techno, ambient, and dub, preferring atmosphere, tone, and slow-burn tension to obvious dancefloor tricks. ‘The Elder Gods’ finds him further out on the fringes of electro, where the synths loom large and the delay and reverb units are given a proper workout. The result is widescreen, ominous, and immersive.
First release from the brand new label Modular Dreams run by Sound Synthesis & UTR head honcho JDSK. This label will focus more on the deeper dreamy electro side of Sound Synthesis. MD 101 features 4 high quality cutz that will surely stand the test of time.
Reptant, the reptilian overlord surfaces again on Kalahari Oyster Cult. Combining menace and kitsch the way only the Rotterdam greats do so effortlessly, he comes in smooth af on the opening cut. Mainframe-tapping machine funk, almost sounding like the Antipodean lovechild of Kraftwerk and Egyptian Lover. From there, laced with spite and insectoid detail. Noirish cybernetics delivered with genuine vigour, all across a triple-pronged strike of electro excellence. Properly aerodynamic. Not a tribute to a classic period – rather, a continuation of what the genre’s forebears built. A tried and tested formula that never loses bite, truly heralding Reptant as a standard bearer for electro in the modern era.
Friese Ruiters (also know as Redray), brings us 2 new volumes of heavy jams from the trenches.
Friese Ruiters (also know as Redray), brings us 2 new volumes of heavy jams from the trenches.
A core member of the Clear Memory crew, Hayter steps up on Hilltown Disco with a razor-sharp vinyl release steeped in acid-tinged electro-wave. This record delivers six original tracks driven by icy electro vocals, machine-funk rhythms and a distinctly intelligent, shadow-leaning mood. Dark, forward-thinking and unapologetic —this is electro for the future.
Andrew Red Hand returns to Gigolo Records with a sharp follow-up to his breakout cut “Gritty Bass”. Stripped, driving and unapologetically raw, the new release pushes deeper into Red Hand’s signature territory: heavy low-end pressure, hypnotic loops, and late-night intensity. No compromises – just pure floor functionality. Gigolo style. No filler. Only impact.
Kerrie makes a return to Sync 24’s Cultivated Electronics camp. On her new EP, ”Waves of Reverie PT1” Kerrie once again channels a distinctive electro aesthetic rooted in acid and electro traditions but filtered through her own raw, industrial-leaning production style. A staple for fans of analogue hardware-driven electro and forward-thinking electronic music.
Mannequin Records present “Electronic Corporation 1998–2006”, a compilation bringing together rare and long unavailable recordings by the German electronic projects heimelektronik and MAS 2008. Active around the turn of the millennium, both projects share the involvement of producer Ive Müller while developing distinct collaborations and approaches to electronic music. H.E.I.M. Elektronik was founded in 1996 by Holger Erlenwein and Ive Müller (after the two artists split in 1999, Müller continued using the name), while MAS 2008 is the project of Ive Müller together with René Kirchner. Though separate entities, the two projects explored a similar sonic territory: stripped-down electro, minimal electronics and machine-driven body music shaped by analog hardware and a raw DIY production ethos. The roots of Müller’s work go back to the final years of the DDR. As a teenager he worked as a licensed DJ — officially known as a “Schallplattenunterhalter” — operating a travelling disco across Saxony. With limited access to official Western releases, music circulated through cassette recordings taped from West German radio stations such as RIAS Berlin, NDR2 and Bayern3. Together with friends he travelled between youth clubs and discos around Leipzig with a “rolling discotheque”: a Russian Wolga pulling a trailer loaded with Electro-Voice sound systems sourced through the black market. At the turn of the 2000s this background in underground electronic culture resurfaced in a series of recordings rooted in electro, EBM and minimal machine music. The tracks collected here capture this moment: cold sequences, driving rhythms and stark synthetic textures produced with a direct and uncompromising approach.
The fifth transmission in the Xtrictly Elektro series connects the past and future of the genre in one powerful statement. Side A channels the sharp, forward-driven pulse of the new school — EC13, ElektroTechnik, and Parand deliver cutting-edge vibes built for the modern floor. Side B pays tribute to the roots with Calagad 13, DJ Overdose, and Motorobot — a legendary alliance between Bass Junkie and Dynamik Bass System, returning for only their second-ever collaboration. A bridge between eras: classic heritage meets futuristic sound design — timeless, synthetic, and deeply interconnected.
The eight long play on the Exarde label comes from none other than UK electro royalty – Transparent Sound. If you have been following the music world for a while, then you would know this name as it’s been on the radars since the 1994. From the beginning it was a synergy between two artists Orson Bramley and Martin Brown, now the project solely run by Orson and he is presenting us Potent Mystery, an electro album in the best possible execution of this genre filled with melody and mystery. For the remix duties stepped up Acidulant the Maltese based hardware guru and the master of live sets from Bristol – Ben Pest. Each of these men and stellar artists have spent numerous years perfecting the craft of the electronic music which have resulted of this album being born as we can hear it now.
Detroit meets the West Coast. DJ Maaco (Detroit in Effect) and Alden Tyrell moving people the old way, part 2. Resistance is futile against the Grays…
Bogota-Berlin collective Activity FM presents their fourth release bring together a cross-continental network of artists who share their passion for high-intensity, rave-driven sounds. AFM004 sees California’s Annika Wolfe, London’s Alex Jann, Shanghai talent Ma Haiping and Buenos Aries’ Zoras features new works on this EP, covering a heady mix of techno and electro sounds.
Ekman’s ‘Into the Den’ stays locked into his sound: raw, dark, direct. Electro-driven tracks with heavy 303 pressure, built for the floor.
Italian producer TLXCO returns with “Did You Smoke?”, a raw, industrial journey through acid and electro. Four live-recorded tracks pulse with the mechanical energy, distorted textures, and unfiltered intensity that we love from TLXCO, as he turns the machines up and unleashes the chaos.
The Hipodrome Of Music 