
Transparent Sound LIVE @ Dimensions Festival 2026



Obergman operates somewhere in the space between deep electronics, Detroit-influenced machine music and late-night dancefloor hypnosis. Since the mid 90’s, his unique explorations in sound and groove has seen him release on such esteemed labels as Skam, Börft, Abstract Forms and most recently Craigie Knowes and Orson Records. For his debut release on Cyphon Recordings, Obergman delivers four cuts of atmospheric, machine-driven music under the suitably cosmic title Periodic Motion.

Fresh, Rare & Classic Dalmatas, as the title suggests, this compilation brings together 26 tracks selected from demos received over the past period, featuring promising emerging artists and fresh faces in the Dalmata Daniel story alongside familiar producers from the label’s roster. The selection spans both Hungarian and international artists, covering a broad range of sounds from electro, acid and IDM to breaks, house, techno, EBM, industrial, dark disco and beyond. Includes tracks from artists like Analogous Doom, Cybernetic Research Unit, Hadron Lundgren, Harold Helman, Hayter, Imre Kiss, J. Mono, LVRIN, Mule Driver, Pleasure Model, Rapha, Roberto Auser, Shokh, SILF or VLR.

Transparent Sound (Orson Bramley) is a true cult architect of the UK electro scene. Since 1992, he’s been bridging the gap between Detroit techno, acid, and rave futurism. He now lands on No Static / Automatic for a very special release, The Lost Tapes — a new EP of lost recordings from the early 2000s London era. Dug out of DAT tapes and CDRs, recorded in Orson’s home studio with borrowed and loaned gear and car boot sale finds. Raw, unpolished, and proper electro history. The EP features 3 original tracks and a remix from NS/A label boss ARA-U .

Bruto Industries presents Slammer Weapons EP by Colombian producer Filmmaker, the label’s third 12-inch release. Five original tracks built on EBM, industrial, and electro, infused with elements of dungeon synth and centered around a raw, dark, and distinctive sonic identity. The tracks explore a range of tempos and have been conceived as club tools: sonic weapons designed to work at varying levels of intensity. Dob41 closes out the EP with a remix of “Swordmaster,” reimagining the original track with a more extreme and direct approach.

Chino, AKA Artur Oles, makes his debut on brokntoys with The Chase, a new EP drawing on new beat, electro and acid influences. Across three tracks, the Polish producer builds a slow, tense atmosphere where nothing is hurried and the pressure only tightens. Closing the record, Not Waving cuts loose with a driving acid trance rework, pure propulsive 90s rave.

Hackney Electronica come to Dark Entries with the Feedback Memory EP, featuring 5 cuts of acidic rave-inflected wave. Quinn Whalley (Paranoid London), Unai Trotti (Cartulis Music), and Margo Broom (Hermitage Working Studios) formed Hackney Electronica during COVID era. Trotti and Whalley were spending countless hours digging through records and making music during lockdown. As their sound took shape – heavy and hypnotic – they invited Broom to join, cementing the motley trio. Following their debut EP, Synaptic Shadows, the five pieces on Feedback Memory muse on the loss of self in the digital era and the fine line between pleasure and paranoia. Each track pulses like a memory from the backstreets of Hackney, where the night transforms the city into an electrified maze of fleeting highs and inevitable crashes. Their hard-hitting dancefloor indulgences shine on “Trapped in the Circuit” and “Six Foot Seven,” which features Mutado Pintado on vocals, while tweaked-out wave sounds blossom on “Feedback Memory” and “Lost Trip – Destino.” Things close out with “Compressed Air,” a lush, breakbeat-laced affair that veers into trip-hop territory. Housed in a sleeve designed by Germán Bardo, Feedback Memory continues Hackney Electronica’s tumultuous journey through the flickering alleys of the mind, where tension and transcendence intertwine.

Mechatronica presents the newest installment in the White Label Series: “All That Matters” by Italo Brutalo. Across six tracks, Italo Brutalo opens another chapter in his ongoing exploration of machines, emotion and cosmic dance music. Built around the pure energy of EBM and neo-italo, the EP combines commanding rhythms and 80’s inspired bass lines & synth work, shaped through his unmistakable analog-driven approach. Known for pushing vintage hardware beyond its limits, Italo Brutalo has spent over two decades creating a sound that moves freely between genres & moods with analog synths and drum machines at the forefront. On “All That Matters”, he takes you on a trip through his universe; at times euphoric & vibrant, at others cold & eerie, with a distinctive physical sound laden with melodic depth that so defines his productions. “All That Matters” is a statement of synth heavy body music crafted through analog machines, musical instinct and experience.

Phoenix-based DJ and producer Paul West lands on eudemonia with a 5-track EP. The record delivers a wonderful blend of breakbeats, house, electro, and Detroit techno, keeping the energy raw, warm, and deeply atmospheric throughout. The A-side builds intensity towards its third track, the spacey title track “Nebulae”. Flipping over to the B-side, the journey comes to a close with the playful, melodic tones of „Stardust”.

Warehouse Manifesto presents a limited vinyl release from label boss Gamadon with the original track Termination and five amazing remixes. Each remix is a collaboration between two different artists. The original tracks is a mind-bending, hard-edged electro stomper, shaped with harsh, distorted industrial beats, warped synths and hypnotic bleeps that will make you bounce. Power & X-Tuder’s menacing remix growls throughout and drenches you in dystopian dread. Nasty Boxes & Robodrum’s cyber-punk banger is filled with cinematic soundscapes and 80’s synth-lines, that invite you on an epic electro journey. Code Rising & Geon bring some Miami Bass to the table and provide us with a brutal, percussion heavy, monster. ADJ & Errorbeauty’s remix is a metallic, blisteringly harsh journey across a desolate electro wasteland. EXM & Kim Cosmik end the proceedings with an experimental, IDM, glitchy, anthem.

Cultivated Electronics celebrates two decades at the forefront of electro with its landmark 50th release on the main label, returning to the very beginning with a new release from Signal Type – the collaborative project of label head Sync 24 and Matt Whitehead. The anniversary EP pays homage to the sound that launched Cultivated Electronics back on CE001 A1, with Signal Type delivering ”Break Through”, a snappy, driving and psychedelic electro workout built firmly for the dancefloor. Funky, spacey and packed with the restless energy that has defined the label since its inception, the track feels both like a nod to CE’s roots and a statement of where the label stands today. The celebrations continue with three remixes from long-standing Cultivated Electronics collaborators and influential figures within the electro scene: Radioactive Man, Silicon Scally and Morphology.

Step into the backroom of the Bordello, the lights dim and the soundtrack adopts a different tone. L.F.T. leans against the wall. Nestled under his arm, Sonic Boom: four tracks of acid-inflected electro disruption. Love, Fist, Tears is no stranger to the more gnarled side of the machines, and that unadulterated rawness is evident from the needle drop of “Locked in My Head.” From its bent and buckled intro, the track launches a beat that punches before drawing the listener in for more. Vocoder lyrics are mangled with distortion, static soaked chords blighted by corrosive chemicals and industrial decay as the knives are drawn from the outset (and this is only the beginning). Blistered and cracked beats are doused in a pestilent haze for “Las Plagas” and a message of intent is firmly stated: there will be no let up on Sonic Boom, no reprieve. “Ningen” opens the flip. Grisly, petrol smeared beats splutter below a juddering synthline that coils and twists with serpentine menace. A probing tom is lanced before being set alight in the finale. Sinister and unsettling, “Schmutzig Personality” is as physically powerful as it is psychologically gripping. Barrages of drums rain down, barbed snares and sharpened claps, as an assault of acid is further weaponised by machined vocals.

The third part of “The Nightstalker” Saga emerges from the depths of dystopia, the last part of a Childhood Intelligence original tale written/produced by Dan Piu & Gary Rich. “Flowers Of Agony” presents yet another shade of the duo’s analogue machine soul. Technoid brain dance electro from alien mysterious worlds. The album travels through various types of electro infused works, the live-arrangement dynamics and “The Nightstalker” Klangbild shines through each of the traxx, taking the listener through psychedelic cybernetic universes with strong techno force, bridging elements of the past works and taking them further into the future. Deep mind Influence intensifies the more listening time spent. This last chapter of a 3-Story Saga, is the essence, yet evolution of an analogue band, a 20 year friendship – the current zeitgeist & the partnership with Childhood Intelligence. For the future listener, we hope you might unravel the keys to this puzzle and find your own means to define and represent your true self in underground culture.

Rubadub presents this uncovered early-90s transmission from Heinrich Mueller (Drexciya / Arpanet / Dopplereffekt etc.) under his Intellitronic alias.The lead track “Pixel” has only ever appeared on the Magic Tracks (Deep Detroit Volume Two) CD compiled by Juan Atkins in 1993, whilst the rest remained unreleased, until now. Four tracks of stripped-back machine funk referencing pre-millennium printing technology.

The latest release from the Gladio Operations label showcases a new collaboration between two heavyweights of the European electro scene. This seventeenth release brings us a collaboration between Jauzas The Shining, a regular on the label, and the eagerly awaited debut of Swedish producer Obergman. This EP, entitled “Continuum Analysis”, opens with “Analysis Of My Ego” and “Untitled”, two powerful tracks by Jauzas The Shining, featuring the classic, forceful and dark basslines, beautifully accompanied by deep vocals, very much to the French producer’s taste. The final track is by the Swedish artist, who treats us to “Kap Flora”, a journey to be savoured amidst consistent basslines and arpeggios, which draws us into a soundscape that flirts with trance sounds. Side B opens with two tracks by Obergman: the first, “Continuum Bender”, with its intriguing and mysterious passages, gives way to “Closed Surface”, a track that slows the tempo down compared to the previous ones, and in which we hear a gentle line of more synthetic and relaxed sounds. The EP closes with the track “Con Gusto” by the French artist, a rhythmic journey with a fast-paced development, enhanced by cinematic vocals.

Protocolo SysEx returns to Distrito 91 with “Singularity” EP, the second chapter of the trilogy started with “Geometría Virtual”. Seven tracks exploring the point where artificial intelligence crosses the threshold into superintelligence. All signals encoded and programmed by Fabio Vinuesa at D91 HQ Madrid, 2026.