Cavalry Stone duo its back on Soil Records along side with another Soil Records member like Rambal Cochet and a very warm welcome to Toni as he already work with the group Moken also already on the crew. A quite different way of EBM with two remix that goes from industrial to Goa/Trance feeling.
3 Years Compilation from Soil Records, coming with tracks by Bestial Mouths, Notausgang, TYVYT-IYTYI, Mimmo, Larionov & Daniel Holt, Urban Matrix and more.
Soil Records presents the third volume of Tears For Fears cassette compilation. The release includes 22 tracks from the likes of Adrian Marth, Anatolian Weapons, Chino, Crossover Network, Fragedis, Le Chocolat Noir, Ober Dada & Lera Foer, Sons Of Traders, Violet Poison and many more.
Marguerite Records announced its first release scheduled for 2021: ‘MRG010’, a Various Artist compilation celebrating the label’s tenth output. A side opens up with ‘My unknown friend’ by the charming Diana Berti, a blue starry-eyed minimal synth jam, followed up by Mayo’s slo-mo acid affair ‘SloMos’. A3 is ‘Miss your stupid face’, a crunchy, metallic downbeat cut by SYNTETYK boss Dzuma, and what a better way to follow such delight than a snake charming rollercoaster by Exhausted Modern? Closing up the first side is ‘Same shit fail (shame)’, a mesmerizing slow tempo deep track by Lyon’s Big Science head honcho Warzou. Flip side is unwrapped by ‘Weaklink’ a Lliasons Dangerousesque floorfiller from Lost Soul Enterprises boss R Gamble, while ‘Alpha’ on B2 marks the return of Bianco Negativo on their label with a dreamy minimal synth // ambient techno hybrid. Sitting on B3 is the high tension cinematic EBM roller ‘Duty-bound majority’ by Colombian artist Filmmaker; B4 switches the vibe and turns full speed with a mutant electro excursion by LIES affiliated Chupacabras. Madmoizel’s ‘Culture 19’, a powerful yet playful raw post punk gem, brings the compilation to its final chapter.
Baroque brings his first release on Soil Records, E.B.M focused and industrial textures on the background make a really strong release.
Undersound Recordings announce the first cassette release on the label. The tape contains a 27 minutes live jam session by Wedding Acid Group, recorded at Ballacid Studio in 2016. This rare recording was made to check and memorize the patterns for live situations, jamming on analog machines, such as Elektron Monomachine, Mutable Instruments Shruthi 1, Cyclone Analogic TT-303 and Roland TR-909. The tape allows to listen to the recording uninterrupted, from beginning to end, with which the energy of WAG comes into full effect.
Snow white cassette in a special neon green snap box with printed foil inlay. The album is a relic of three sessions that were created next to or in bed. A small case equipped with a looper, an EQ, a chorus and a delay is the basis. Each track is unique due to the different sound devices used, whether it is a synthesizer, microphone or tablet. Searching for the mood of the moment, even if the next moment can be completely different, if not even should. A field recorder is an infinite tool for capturing these moments. Also, these songs are indeed infinite. In the sense of a spiral-shaped interplay of musical influences, states of the moment, errors and coincidences, almost like the magnetic tape of a MC. Fortunately, the acoustic proof of this creative process is now available on an appropriate sound carrier. Expect swirling excursions into brightly illuminated Ambient territories, Lo-fi beat adventures in the outskirts of hidden rave countries and inverted Hip-Hop-experiments from the parking lots of long forgotten shopping centers. ”Das unendliche Konstrukt” translates into ”The Infinite Construct”. And that is what this tape here truly is. Constructs are facts that are intellectually claimed but not directly tangible. The same can be said about the music that Jacob Stoy made in 2020 instead of writing Corona diaries. This is music that must be felt. But if you try to grasp it only with your mental powers, it will slip through your fingers.
The new Phormix Tapes release comes from a Greek artist based in Trikala, Tatat.
With retro sensibilities, complementing it with some mid- to -late ’80s sonic influence. Everything is written live, with hardware synths, drum machines and pedals, out in one channel. The album consists of 10 inner emotional musical vignettes which meant to catalyze a wave in sense of nostaligic enchantment that synthwave die-hards will love.
J. Mono is back on Dalmata Daniel with the Redate II release, an emotionally filled journey of 12 songs, recorded between 2015-2018, all showing deep thoughtfulness of composition, mastering soundwaves and harmonies. There are no cuts or edits, all songs are live recordings from J. Mono’s home studio. The songs vary in tempo and genre, a unique mix of acid, idm and electro with pulsating bass and drums. – all of them filled with a range of emotions, melancholy and inwardness.
“Crollo Nervoso” (Nervous Breakdown) is a collection of tracks recorded in Berlin Schönlein Strasse between 2018 and 2020 by Italian super-duo (and cousins) TANS & Mike Tansella Jr. as Sons Of Traders. This is their 2nd full album, with over 80 minutes of sonic mayhem from SOT mostly inspired by Genesis P. Orridge, 242, A.S.F., Esplendor Geometrico etc. in the Italian 80’s wave tradition. Additionally there are over 24 minutes of remixes by the likes of Chris Mitchell, Chupacabras, Elena Sizova, Jaundice, and Memory Clap Acid.
PHXS012 release is coming from Rudiment based in St Petrsburg, Russia. This is the 3rd solo release of the artist called L.I.N.E.S. 6 extraordinary tracks ready to touch your psychosynthesis holding them each in symmetrical regard of 80/90’s synth-pop EBM and Electro.
Rotterdamn’s ever prolific DJ Overdose delivers his first full length for L.I.E.S., “Emulator Amour”. The well seasoned electro veteran gives us a 13 track master class workout in the genre, exploring all ends and styles. From the classic cowbell electro of “Razor”, to the West Coast boogie of “Bow to the Devourer” or the icy electro bass of “Turns Out Eddy Has No Friends” Overdose leaves no stone unturned. One of the artists most complete works in his vast catalog which ties all his influences together and presents them in true Overdose form. Not to be missed. A true classic from a Dutch master.
Italo Moderni brings Modernation Vol.1 it’s the first compilation on cassette and digital from 4. Another dimension of obscurities and eighties weird sounds, all focused on a new club era of madness and sad situations. Best moment to get some inspiration with the best wizards from our modern music life.
This selection of ultra rare tracks represents the sound of the postpunk Dutch band Necronomicon and their label Fetisj from the period 1981-1982. All selections have been mastered from the original released cassettes and unreleased demo-cassettes.
Up North is a independent Record / Tape Label founded by LBEEZE. Prioritizing in Electronic Body Music, Post-Punk, Techno, Experimental, Live cuts and even Hip-Hop. From showcasing new talent from all over the globe, to throwing parties in the heart of Melbourne. This new compilation brings EBM/ experimetal cuts from all over the world.
The next release on Phormix Tapes welcomes LBEEZE’s live lost breaks and heartbreaks EBM styled cuts. That’s the first solo release of the half Australian and half Transylvanian artist consisting of 10 tracks, 35 minutes of music. The album “Induced Expressions” is programmed to make you dance and remember the good times.
What beats an arpeggiated bass line over a teutonic 90 bpm kick and snare with eerie distorted vocals? I’ve been looking for years and I still don’t know if anything hits that sweet spot quite as well. John Carpenter esque Horror soundtrack synths creep along reverb drenched industrial drums, splattered with existential dread and spectral chants. Ryan is known for various monikers such as PC World / To Live & Die in Rayleigh (some of which are lined up for future Beat Concern drops) and his Club Mutante night which brings together the world of live techno, Industrial, EBM and noise. Punk ethics standing alongside dance floor machine funk. A Civil Terror.
Filmmaker sharing some mythical and magical sounds on the latest Phormix release. Dystopian panoramas have been a recurrent panorama on Filmmaker’s tracks and for this work the direction focused on some core elements like the entropy and chaos magic to bring a musical tribute to the goddess Eris. Filmmaker’s birth name, Fauns (derived from Faunus) has surrounded his life with inspiration from greco-roman mythology so all the energy put on ‘Discordian Disco’ is fed by the multicontextual universe and synchronicities that shaped it into a memorable tape. During the days off his touring in New Zealand, Faunes stayed in Wellington, city where these 10 tracks were recorded using his Deluge, motivated by how the other artists on this tour developed various uses and styles for this instrument also crafted in that land. The result is a collection of wave grooves and lo-fi creamed melodies which also included a special collaboration with the Belgian producer Naomie Klaus (ex Laura Palmer) on the track ‘Golden Apple’ where she delivered both male and female vocals with lynchian tones and tribal vibes. Besides the symbolism of this release, Filmmaker wants to dedicate this album to his most eclectic listeners for highlighting the soul reflected on the music since the beginning. Discordian Disco aims to cause a unique remembrance on the auditory memory of anyone who listens to it from start to finish as is the last Filmmaker’s full-length on this 2020.
3 years after the original vinyl press, Pinkman and Tear Apart Tapes (Das Ding’s own imprint) join forces for a fresh take on ‘Industrial Universal’. The cassette features the re-release of the 4 tracks from the sold out EP on the A-side, and 4 new productions on the B-side. Industrial Universal 1.1 adds an extra turmoil and energy into the already time tested cocktail, delivered in Das Dings style.
PHXS07 comes from the Athenian experimentalist Bill Anagnos. It is the final outcome of several projects and performances held in 2019. Throughout long periods of almost complete isolation and loneliness and with a basic amount of audio equipment those 11 tracks are mainly fragments of manually managed and arranged in house performances using two analog synthesisers, a turntable, a loop station and a cheap sampler. Obvious is the influence of Kraut rock and retro wave due to the severe use of synthesisers and locked grooves.