Glasgowian label Clan Destine Records presents the debut album of The Dysphoria, great post punk from Tashkent, Uzbekistan.
The Dysphoria – Joy Without Ceasing [CDT-TR-224]
cassette
Plague Pits – The Light [TNP3]
Plague Pits is a collective from Bern, Switzerland. Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet.
Acid Freq. – Direct Out [DS004]
Chupacabras presents, on his label Draconian Steps, the final release of his alter ego Acid Freq. This includes 6 over driven analogue tracks to nowhere. These were the final recordings before leaving London for the Thanet Coast with the exception of the digital bonus “Thursday Night”. The recordings embrace feedback, distortion, overdrive and experimentation. Mindless repetition for mindless times.
LBEEZE / Datura Inoxia – Terror on High St. II [UNR010]
Label hencho LBEEZE returns to his label for the 10th release, linking up with one of his newest signed Up North members, Datura Inoxia. Techno EBM on side A and lofi slow EBM on side B.
The Hanged Man – Body Mind Control [SOTA068]
The Hanged Man is a nihilistic noise doom electronics project from Athens, Greece. “Body Mind Control” his tape release via Spanish label Soil Records, includes collaborations with CTPAX and Extensive Infarction and remixes by Damaged Clock, Endless Nothing and Terror Cognitive Dissonance.
Timothy J. Fairplay – Dungeon Module Volume One [DGMD003]
Timothy J. Fairplay presents ‘Dungeon Module Volume One’ an eight track compilation of tracks made by occasional visitors, Alias’s, pseudonyms, mystery producers, assumed names and alter egos who make music in Timothy’s Dungeon Module studio. Some of these tracks have appeared in Timothy’s dj sets and radio shows over the last year.There’s Timothy himself with ‘88 Manchester swimming pool party jam ‘Soap’. ‘Brain Wave’ by Humberside synth pop/new wave outsider Roland Telescopes. The robotic electro of ‘Northeast Sector’ by Zentraedi and closing side one with some deepspacetechno is MR. R.I.N.G. with ‘Mick’s Broadcast’ – taking its cue from a cut from the Running Man Soundtrack with a similar name. Side B begins with Main Street Mining and the flanger heavy jackbeat of ‘Main Street’, then we have the long over due return of Antoine Rouge with the stomping euro dance of ‘Street Sucker’. Berlin school from Longo with its disco beat and monotone ‘Dancing Boys’ refrain. Finally the raw electro of Effectron ll ‘One More Day’ made with just an 808 and a Transcendent 2000.
Letherique – Enter My Lair [SOTA067]
‘Enter My Lair’ is an ode to cinematic aesthetics. Whether through slomo doom techno or raw EBM, it recounts tales of blood-drenched dungeons haunted by evil spirits, over-the-top police chases, and epic battles from the Viking and Roman eras.
Chris Mitchell – Rip Run Ride Die [DC018]
Chris Mitchell is back on Dead Channel, delivering 7 tracks of mutated psych-apocalyptic acid, icy minimal wave, and blown out machined rhythms. Dense hammered percussion, kicking you straight in the sternum, sends you reeling into the abyss. Dire, unsettling vocals dowsed in gritty, unrelenting squelched out 303 madness. Spectral atmospherics blanket bit-crushed drums in a disconcerting fog. With ‘Rip Run Ride Die’, Mitchell melds a black sea of contorted electronics into a twisted, utterly unique vision that pulls you under..
Ian Martin – Grey Theatre [DM07]
Confused Machines welcomes one of the most eclectic artists around, Ian Martin. As an artist he is without genre or style, an open source of creativity. He is the host of SEER Radio on Intergalactic FM and also an amazing DJ, whether it’s experimental or dancefloor madness. Martin has released his music on acclaimed labels such as: Bunker Records , Pinkman, New York Haunted, Bio Rhythm to name a few. His 9 track “Grey Theatre” album for Confused Machines is a deep dive and playful exercise with his synthesizers. An emotional and mysterious listening experience. A portal to his soul. Melancholic at times, it flows like water and lurks from the shadows of reality.
J. Mono – Redate III [DDCS03]
J. Mono twists our sense of time again, coming up with the third installment of his ‘Redate’ series: an elegant selection of uncut tracks, roaming in the fields of electro, acid, IDM and EBM. Redate III in its digital format presents tracks that were written and recorded between 2014 and 2015. As the cassette version, it includes not only Redate III (as side A), but a collection of J. Mono’s various other tracks created between 2017 and 2021, that appeared beforehand on various compilation albums (as side B). In other words, with this fresh new tape you’re all set with 8 years of J. Mono experience.
Shaknis – Analog Path [SOTA066]
Shaknis with a new 4 tracks solo cassette release on Soil Records.
3.14 – Driven by Guilt (Archives 2016-2021, Part II) [SOTA065]
Greek-born DJ and producer Alex π is the founder of Pi Electronics label and event series, as well as co-founder of record label Modal Analysis. In the post pandemic era, he releases his archive of productions from the years 2016 – 2021 : a blend of Techno/EBM influences, with processed vocals and noisy textures, in a ’song’ like structure. Aiming to crossover the 80s aesthetic to a techno type of production using machines of the ’10s, the concept here is to avoid the sounding of a tool track while still staying within the boarders of dance-floor minded music. The archives will be released in two instalments: Part I on Tripalium Corp and Part II on Soil records.
Plague Pits – Poetry From The Future [TNP2]
Plague Pits is a collective from Bern, Switzerland. Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet.
Ofelia Ortodoxa – Ultra Culto [SOTA063]
Ofelia Ortodoxa is an electronic music project inspired partly in her family history and on the other hand as a criticism of the imaginary of the people of Medellin in the 80s and 90s in which society refused to accept the new trends of art. This is the project’s second release on Soil Records.
VA – Couler Sur Le Visage Vol. I
Comme Des Larmes introduces their first various artists compilation, called “Couler Sur Le Visage Vol. I”, featuring producers making Industrial Techno, Experimental Electronics, Minimal Synth, Leftfield and Post-Punk worldwide today
Mule Driver – Muladona
Mule Driver is a Tel Aviv based producer, sound artist, musician and DJ, Founder and Owner of Confused Machines label, bass player in the renounced industrial-punk band Mujahideen, and half of the library music duo Group Modular. Mule Driver’s music is a dark tribute to the sound of classic analogue machines and acid-house aesthetics, wrapped up in a unique live delivery.
“I’ve recently recorded a new project called Muladona, named after a book by the same name, about a cursed woman who turned into the devil’s mule. I started recording at the peak of the COVID pandemic here in israel, and wanted to convey the tense atmosphere of the book and of the times. In this project I’ve worked with less gear, and focused more on textures, to create an eerie, haunted and somewhat distorted sound. Every night, the Muladona, a doomed soul transformed into the Devil’s mule, visits Verge and forces him to listen to a horrific tale. Each night, as Verge huddles under his bed sheets, the monster’s supernatural tales tear his soul apart.”
FLML – Wired Cruel Run [ALV009]
The machines maniacs Bologna based duo FLML returns to Alley Version with “Wired Cruel Run”, a totally DIY 6-tracker EP of technoid experiments, drony patterns, wachy funks, inspired by the obscure side of Chicago jack-beats, early Industrial music, J.G. Ballard’s novels, low-budget VHS era horror movies.
All tracks are recorded analogically live on reel to reel.
TLXCO – Errata Corrige [FCTAPE001]
Feral Colony is the new label from U.S. based artist Chris Mitchell, focused on direct, improvised methods. The second release comes from TLXCO.
Interstellar Funk – Live at Muziekgebouw [AD018]
Artificial Dance founder Interstellar Funk releases Live At The Rest Is Noise – Muziekgebouw aan ‘t IJ. Limited to 150 cassettes, the recording documents Interstellar Funk’s performance at Amsterdam’s Muziekgebouw concert hall in October 2021. The 45-minute set ebbs and pulses, leaving behind Interstellar Funk’s penchant for hardwearing club sounds in favour of melody and texture. Some passages mirror elements from the studio album Into The Echo (Dekmantel, 2022), but the live setting allows Interstellar Funk to expand and explore richly detailed sonic spaces that highlight his skills as a composer-performer.
Levon Vincent – Silent Cities [NS46]
Levon Vincent returns with his fourth full-length studio album “Silent Cities” a striking departure from his previous records. This, his first release experimenting with the cassette format, Silent Cities is a kind of mixtape through more private moods and personal pitches (literally given Levon’s non-standard tunings). While Levon has always produced dance floor jams with the intention of raising people’s heart rates, Silent Cities began with 72 bpm: his average resting heart rate, and the concept of tuning the music he was making to his own body rather than increasing anything. This brought the tempos down to 72 bpm or even half of that, at 36bpm. Programming the record during the empty cityscape of Berlin lockdowns, this is the first time Levon’s created an album for the home stereo or for headphone listening whilst navigating through a city. A mixtape specialist in his youth; he was always wanted to play with the cassette format. The results are sure to delight any listener, with the ever-present ambient, krautrock, shoegaze, hip-hop and electro influences coming to the foreground on this work.
The Hipodrome Of Music 