Finally, the recordings are out from the massive IFM madness that took place mid of May in The Hague. The full video recordings from the Panama Racing Club Terrace and from the PRC itself. Also, the full recordings from the SEER and Achterhoek stages are now available.
Tickets for IFM2027 are already available, make sure you will be there.
www.intergalactic.fm
Applying the solid structures of floor-focused Berlin techno to the expressive space of introspective electronica, Answer Code Request returns to Delsin with his first album in eight years. ‘Halo’ finds Patrick Gräser broadening his sound palette more than ever before, matching atmospheric synthesis with dynamic beat constructions true to his impressive legacy while breaking new ground.
Mike Storm’s tenth album landed on Ben Sims’ Symbolism imprint with the same hardware-driven aesthetics that have defined his work across Axis and Warm Up. There was no software sequencer, no recall, just the spontaneity that comes from making sound in the moment. Now material from it gets reworked, firstly by Ø [Phase], who flips ‘Exo 1606’ into something full-bodied and thumping. After the original cut ‘Blocks’ comes a Deniro remix of ‘One Colour’ that is wrought with pent-up tension that never resolves, while a send remix strips things back to a lonely groove that has wispier synths up top and a growing sense of unease.
Crystal Vortex original group members were Michael Thomas and Gino Pemberton and they recorded only two tracks ‘Money You Are My $lave’ and ‘Who’s Jacking Your House’. These tracks are presented here on the first Immersion Records release. The group split in 89.
Berlin-based duo CYRK bring their hardware-driven homage to New-Beat ‘The Future’ to Wrong Era. This is a blistering 4-track release with all their enticing hallmarks. It includes a remix from Belgium’s Shero. The record blends their unmistakable take on electroclash and proto-house. The title track, ‘The Future,’ kicks off the EP. Vocal chops and sizzling hats launch forward, laying a foundation for the crunch of a dissonant riff. A foreboding, eerie vocal commands the track with the contagious chant ‘keep moving’. Electro fizz keeps the energy high and nods to the underground corners of the 90s. Shero, featuring Ki Jeal who provides the vocals in the break, leans into this particular decade for her remix of the track. She reimagines ‘The Future’ with breaks-led instrumentation and tastefully softens the lead. A slowed tempo break allows her spoken words to further the ethos of the original. ‘De-program’ leans into CYRK’s acidic new-beat facets with their signature sonic muscle. Percussion and a bassline that hits the chest give ‘De-program’s proto essence an undeniably infectious feel. The aptly named ‘Collision’ brings the record to a close. Sauntering shakers and body music swagger dominates. Masterfully placed acid and dissonant stabs soar with elegance over tough, overdriven synth bursts. With this release, CYRK reaffirm their abundant skills and perceptive ear, broadening New-Beat’s horizons. ‘The Future’ is a bold, forward-thinking statement: immersive, dynamic, and primed to ignite dance floors while transporting listeners to their relentless flow state.
Two rare recordings from the archives of legendary producer Richard Hewson. Rising Star (Cosmix) began life in 1984 as a vocal single performed by Debbie Sharp. Hewson reworked the original track into a percussive cosmic disco interpretation, aptly titled the “Cosmix”, experimenting with his newly acquired Bel Delay effects unit, which became central to his studio explorations at the time. Deep Song dates back even further, to the late-70s Richard Hewson Orchestra period – the creative blueprint that would later evolve into Hewson’s cult studio project, The RAH Band. Written, produced and assembled by Hewson in his home studio before additional strings and vocals were layered in, the track was inspired by his deep admiration for Miles Davis, particularly the landmark album Kind of Blue. Deep Song was originally released as a B-side under a mysterious alias in 1979.
40 years after its creation, Moß Garten – Sekvensstyrd 1981–1986 arrives as a compelling double vinyl LP, diving deep into the early Swedish DIY electronic scene. Inspired by pioneers such as Kraftwerk, Cabaret Voltaire, John Foxx, and The Human League, Mikael Isaksson developed a distinct sound situated between minimal electronics, industrial, synth wave, and experimental sound art. At its core was the sequencer: pulsing, programmed structures forming the backbone of dense, often hypnotic compositions. Working initially with his cousin Jan or friend Thomas and later evolving into a largely one-man project, recordings were made on cassette tapes and in improvised studios—often under time pressure, frequently recorded and mixed within just a few hours. These very limitations gave the tracks their raw and immediate character. Using an arsenal of analog synthesizers, early sequencers, and drum machines, the project created music that feels at once cold, mechanical, and deeply emotional. Sekvenssytrd 1981–1986 is more than a collection of archival recordings – it is a vivid document of a time when electronic music was conceived as a radical and deeply personal form of expression.
‘In a Secret Room’ is a retrospective that reopens the sonic and visual archive of KKD (Kriminal Killers Division composed by Loris Barbi, Alessandro Molinari, Guido Molinari, Giancarlo Vitali), bringing back to light a trajectory that long remained underground within the history of Italian new wave. The tracks, recorded between 1979 and 1986, reflect a constantly evolving process shaped by experimentation, improvisation, and a drive toward new languages. The project takes shape inside a former hotel in Italy’s Po Valley, transformed into a studio, rehearsal space, and visual lab. Here, among analog synthesizers, homemade electronics, and multitrack recorders, Kriminal Killer Division experimented with and pushed their available technology to its limits, developing a hybrid language: sounds captured from radio and the street, synthetic voices, guitars, and electronic sequences intertwine in compositions that move between art rock, minimal wave, and more industrial directions. This collection aims precisely to reactivate that imaginary. ‘In a Secret Room’ offers access to a hidden space where interference, noise, and intuition take form without mediation. Not a nostalgic operation, but a re-emergence: a living archive that continues to generate meaning in the present.
Anluminiu is the new project of Silent Strike, a Romanian electronic and film music composer.
STL’s music has always been free and imperfect – sketches rather than songs. He operates in a smoky and smoggy world somewhere between house, lo-fi, dub and ambient and his tracks always arrive fully formed, as if they are looping infinitely in some parallel dimension. ‘Take Me To Your Leader’ is another magnificent collection of all that, with sublime extended psychedelic workouts that range from the wonky, malfunctioning sounds of ‘M-Brainiac’ which is like the machines have taken over then realised they can’t cope, to the more cuddly and soft-edged but still ramshackle rhythms of ‘Fat Sunday’ which are as heady as can be. Brilliantly dusty and analogue as ever.
Across eight carefully selected slices of starry-eyed machine soul, Cold Blow presents an exquisite tour through backroom techno and downtempo electro. With a focus on thematic flow and an immersive listening experience, the London-based label explores works from leading lights of the 1990s and previously unreleased cuts that celebrate the human heart that can be discovered in synthetic sound practices.
New Zealand’s Eden Burns returns to Big Beat Manifesto, a series that has quietly become one of underground house music’s more reliable homes. Burns remains as prolific as ever, and these five tracks continue his knack for balancing club functionality with just enough oddness to keep things interesting. ‘Loop Of Trust’ opens in a haze of atmosphere before a broken rhythm emerges beneath it, then ‘Direction’ locks into a taut groove built from immaculate drums and very little excess. Over on the flip, ‘Time’ is the most direct of the bunch, driven by snappy percussion and rolling low-end pressure. ‘Razor’ lightens the mood through a playful melodic refrain before ‘Telephone Terror’ closes with clipped drums and dubbed-out effects. Another very strong entry from a producer who rarely misses.
To honor one of the most legendary figures in dance music history, here is the official Ron Hardy tee – a tribute to the fearless pioneer of Chicago’s underground sound, the wild spirit of the Music Box. Known for his raw edits, relentless energy, and boundary-pushing sets, he reshaped club culture and inspired generations of DJs and dancers. This release includes two monstruous tracks straight from the basement.
With Agenda EP, Tom Carruthers closes a landmark trilogy on Skylax Records, following Neutralise EP and Deepline. Three records. Fifteen tracks. One coherent vision of machine-driven house music stripped to its raw, functional core. This final chapter dives deeper into direct, club-focused energy, where groove, repetition and tension do the talking. Agenda is less reflective, more physical — built for movement, sweat, and long transitions in dark rooms.
E&S Cooperation is a collaborative project created by Serasso and Aleksander Erdmann, two artists whose paths have crossed for years through a shared passion for underground electronic music and their involvement in the BDGtroit movement. Rooted in the spirit of classic Chicago House and Detroit House, E&S Cooperation is a return to the essence of dance music — raw grooves, timeless rhythms, analog synthesizers and genuine emotion. After years of friendship, mutual inspiration and countless conversations about music, the duo finally joined forces to create a project that reflects their shared vision. Their debut release, Alliance EP, marks the beginning of this journey and serves as the opening chapter of Pure Essence Raw – a new independent imprint founded to celebrate authenticity, artistic freedom and music created without compromise to trends.
Dutch producer Frits Wentink returns to Clone Royal Oak with a set of heavy-grooving modern house cuts. Road-tested during a recent Royal Oak label night, these tracks stood out immediately as essential selections for release. A versatile collection of bassline-driven club tracks, unmistakably stamped with Frits Wentink’s pristine signature sound… and Clone Royal Oak approved.
Supreme Striker returns with its second release confirming the label’s direction: uncompromising underground music built on culture, not trends. The new chapter comes from Italian producer John De La Noise, delivering a powerful and deeply authentic EP entirely co-produced by Michele Lamacchia.
The Hipodrome Of Music 