Finally, the recordings are out from the massive IFM madness that took place mid of May in The Hague. The full video recordings from the Panama Racing Club Terrace and from the PRC itself. Also, the full recordings from the SEER and Achterhoek stages are now available.
Tickets for IFM2027 are already available, make sure you will be there.
www.intergalactic.fm
We want to enjoy all the best that summer has to offer, so on July 9th we’re hosting the first backyard party of the season in Sibiu. We’ll take care of the food, drinks, and music, and you bring the laughter, memorable stories, and dancing.
The location is secret, we will disclose it in the day of the event, and we have limited places for 30 people.
pdqb shows no signs of slowing down. Relentlessly productive and constantly locked into transmission mode, it delivers 13 tracks of its unmistakable electro-cognition sound. Sharp, futuristic, body-moving music wired straight into the nervous system. The remix lineup is equally heavyweight. Four elite reworks from four serious operators, each one twisting the source code into new dimensions; Egyptian Lover, Felix Da Housecat, Sniper Mode and Umwelt.
Clone West Coast Series presents Vaporwave part 1 and 2, a collection of electro tracks from dynArec.
Gladio Operations releases its sixteenth release, and bears the signature of Brice Kelly, marking the American artist’s return to the label. This EP, titled ‘Beyond The Singularity’ ,once again showcases the producer’s distinctive style, crafting his unique electro sound.
The debut release from NACHT Label is out, featuring four strong analogue techno tracks. Hand stamped, vinyl only.
Techno architect Damon Wild returns to Sonic Groove with a masterclass in deep-space hypnotism. The Synewave founder bridges classic 90s grit with sharp, modern production across six tracks of driving, futuristic acid and mental, dubbed-out atmospheres. From broken beats to haunting vocal snippets, this is deep, spontaneous music from a true pioneer of the hypnotic sound.
4th installment of Sound Synthesis techno approach is on the way with his Submersive Underground. ‘What Is Reality EP’ features 4 perfectly executed and driving atmospheric bangers.
‘The Trip To Vega’ is the new album by Jeff Mills and is about deep outer space odyssey that occurs in the process of traveling from Earth through the Cosmos to another ”favorable” star system 25.3 light-years away.
Robert Hood’s ”Spectra” EP, originally released in 2001, stands as a defining example of his stripped-back, conceptual approach to techno. It sees Robert Hood operating at his most stripped-down and hypnotic, built from tightly looped drum patterns and shadowy synth fragments that slowly evolve. Hood’s precision is evident in every detail, as he balances repetition with crisp percussion and a tightly controlled groove.
One of the true, undisputed pioneers of Dutch techno, Steve Rachmad appears on Dekmantel for an EP of peerless machine music. On the 3-6-9 EP, the artist also known as Sterac, Parallel 9 and many other names plies a powerful trade in funked up, gritty and soulful techno made the proper way.
Maria is the debut album from renowned Brazilian electric bassist and composer Moyses Dos Santos. A homecoming for the London-based artist, Moyses’ debut reconnects him with his North-Eastern roots while assembling an international cast of collaborators including legendary Brazilian arranger Arthur Verocai, US trumpet sensation Theo Croker and London-based vocal star Lynda Dawn. Drawing on the lineage of North American electric bass artists, Moyses runs Brazilian musical traditions through jazz, funk, soul and disco: his sound charged with the cosmopolitan energy of London’s contemporary jazz scene.
Memoirs of Self-Sabotage unfolds as a musical drift: fragments written and recorded on tour between France and Italy, shaped by precariousness, administrative tension, loss, and paranoia. The tracks emerge like scenes from a psychological film noir—a distorted discotheque of monologues, songs, skits, and anachronisms—where the voice oscillates between seduction and rupture. At its core lies a troubling insight: the most insidious exploitation is that of one’s own intimacy. As emotions and desires become commodities, the project resists absorption. Each track becomes a site of desertion—refusing roles, codes, and systems of control, even those posing as critique. Alliances blur, betrayals loom; lucidity tips into paranoia. Warped echoes of nostalgia, cinematic layers, voices in tension: the music becomes anunstable space, a laboratory of drift and survival. Neither record, manifesto, nor autobiography, it unfolds as a mental disco where desire, fear, and self-sabotage coexist.
‘Practical Limits of Nihilism’ is a double album by Das Ding containing 14 brand new tracks. On the album, Danny Bosten searches for meaning in an incomprehensible world in which even nihilism does not offer a way out anymore. Created on self-built analogue synths and drum machines, Practical Limits of Nihilism sees the typical Das Ding sound evolving into new territory, including 4 vocal tracks. The atmosphere varies from dark wave to ambient trance and italo, while remaining true to itself. The artwork on the gatefold sleeve was also created by Danny Bosten and reflects a collapsing world, leading to the emptiness that is symbolised by the white vinyl the album is pressed on.
As part of the 13 years celebratory of broken gear and perseverance, New York Haunted compiled a compilation of heavy duty electro, electro funk, electro breaks for you. A top notch selection of dance floor oriented electro cuts from the likes of Cliff Dalton, Club Mayz, Jauzas The Shining or Nachtwald.
Introducing Cold Voltage – a new series wired for tension, circuitry, and raw machine emotion. This first volume sets the tone: cold, direct, and built for dark rooms. On the A-side, Elena Sizova opens with “The Balls”, an experimental descent of bouncing basslines and cavernous synth textures. Filmmaker follows, delivering his unmistakable dark wave electro signature – sharp, shadowed, and hypnotic. Violet Poison & Echo Protocol close the A side with “Into the Silent Blue”, an electro vocal cut designed to ignite the floor. Flip to the B-side: Jennifer Touch strikes with “Don’t”, a rolling, snare-driven machine track that hits without warning. Mr. Funghi pushes further into EBM/Techno territory with “Off for the Weekend”, a relentless piece built to tear down walls. Closing the release, The Spy delivers “Track Reaper”, a dramatic Italo wave finale that lingers long after the last note fades.
Ingo Hammer lands again on Industrial Lies with ‘Hammer to Fall’, the ultimate record for tough times. As the apocalypse approaches, the mysterious European producer drops the hypnotic techno of ‘Lucky’ and the pulsating, bass heavy ‘Tenth Gen’. Shifting focus, he delivers dubbed out sleazy disco on ‘Dirty Glow’ and explores gnarly, sewer electro with ‘Mind Control’. The world is burning and ‘Hammer to Fall’ is the soundtrack to the party at the end of the universe.
The Hipodrome Of Music 