Yesterday we presented the preferences of our readers from last year, now this is a list of 20 albums from 2019 that made an impression on us.
We have three pure electro albums from E.R.P., Jeremiah R. and Plant43 and the new electro-synthy album of veteran David Carretta, his first solo album for ten years. On the darker side of the synth palette we have two EBM/synth-pop albums from Boy Harsher and Years Of Denial, the debut album of Kris Baha, the third album of Greek producer June, a new one from Jason Letkiewicz aka Steve Summers under his new moniker Opposing Currents and two more industrial albums from Autumns and Colombian Filmmaker.
On the other had we have two acid gems from DimDJ and Paranoid London, the first ever Gladio album, the second album from Mannequin boss Alessandro Adriani and an experimental/ambient album from veteran Function on Tresor.
So, here it is compiled in chronological order.
Greek artist June makes his debut on Mannequin Records with the ‘Silver Demon’ LP. The album explores a futuristic dystopian world where transcendence and oppression coexist, where claustrophobia and infinite openness coincide. A world of contrasts that is the product of the artist‘s active imagination and conscious effort to confront the subconscious. The album was recorded using original techniques from the golden era of electronic music (late 70s to mid 80s) with an arsenal of vintage analog synthesizers, drum machines and effect processors (originating) from the same time period. While the aesthetics of the classic precursors emerge through the minimal, deep, dark architecture of June’s music, Silver Demon prevails with the artist’s characteristic originality.
Exploring the balances between pop song writing structures, 80s cold wave bedroom style electronic production, and dreary gloom rock, Paris based Mathilde Mallen aka Dissemblance presents her debut lp “Over the Sand” for Mannequin Records. Over the ten tracks Dissemblance treads the fringes of a blurred dream world, using her bass guitar, voice, and drum machine as the backbone to create haunting yet soothing pop atmospheres in her songs.
Mannequin Records presents a rare lost demo tape recording of Caroline K – real name Caroline Kaye Walters – founder member of Nocturnal Emissions, one of the best UK experimental/industrial music groups in the 1980s. With the help of Beverley Ireland – a mysterious friend of Caroline, who nobody seems to know anything nowdays – on the vocals, Caroline used a full weapon gear made of Sequential Circuit Six Tracks and Drumtracks, Roland SH-101, Roland Tr-808, Powertran Vocoder, EMS Synthi, some Casio, all recorded on a Fostex 8 tracks reel-to-reel. Presented in 4 different versions – Original, Dub, Instrumental and Alessandro Adriani Edit – ‘Dont Believe It’s Over’ was recorded in 1983 at Caroline’s home studio in Brixton.
Mannequin Records presents an outstanding collaboration between Michel Amato (The Hacker) and Alessandro Adriani. What began as a B2B DJ set between two like-minded, seasoned veterans organically developed into a full force enthralling studio project and live set. Amato & Adriani is the new found project by Michel Amato and producer and Mannequin Records label head honcho Alessandro Adriani. The collaboration fuses contemporary ideas with the duo’s shared love for electro, EBM, Post-punk, Wave and the natural synergy to be found in the creative moment. Each artists production style and philosophy, when combined, elevates something new in one and other. The result, an innovative hybrid of classic sounds fueled by two creative forces working in pure synchronisation.