Oráculo Records has always had a special interest in pushing electronic music towards unexplored territories, and it is precisely within this microcosm that IP307 emerges. Blending the most dub-infused and mechanical forms of electro with industrial, EBM and even post-punk, the project delivers a hypnotic, forceful and deeply cathartic sound. Behind IP307 is Israel Padilla, founder of Banshees Records and one of the leading figures of the industrial scene in the Iberian Peninsula. With “IP307.1”, he presents six interconnected compositions, each with its own distinct identity while contributing to a coherent vision of seemingly opposing styles, reimagined into a singular language.
Erik Eviston is a music producer from the southwest of Ireland, based in Berlin. His work combines electronics with voice, guitar and sounds drawn from the physical world, treating found objects and instruments alike as sources of rhythm, texture and atmosphere. His coding background extends his exploration of sound into the unseen systems that shape it. Here he comes with an industrial EBM EP for Detriti.
A.M.Q.N debuts on Italo Moderni with Barna Beat, a masterful new‑beat/trance EP that channels the raw spirit of the Raval streets of Barcelona, through its distinctive vocals and razor‑sharp synth work. Ahora Más Que Nunca stands as a synonym for his strongest record to date, marking a creative peak in his trajectory. The release also brings back to vinyl his cult hit “Es Martes y Te Vas a Liar”, a true anthem across dancefloors.
Emerging from the Hungarian underground, Post Analog Disorder inhabits the fractured space where EBM, hard-beat techno and post-punk converge. Cold, spectral melodies collide with relentless machine rhythms, dissolving the boundaries between body music, industrial tension and guitar-driven darkness into a singular, uncompromising language. Driven by heavy analogue basslines, razor-sharp sequencers, haunting female vocals and hypnotic guitar motifs, the duo shapes a sound that is both mechanical and deeply human. Each composition unfolds through constant friction, balancing disciplined repetition with emotional instability, where raw physical force meets moments of haunting introspection. Rather than revisiting the vocabulary of classic EBM, Post Analog Disorder deconstructs and reconfigures it through a contemporary, forward-looking perspective. The result is an immersive work of hypnotic intensity, suspended between industrial ritual, post-punk melancholy and uncompromising electronic experimentation—a record conceived not only for the darkest dancefloors, but for those drawn to the outer edges of underground electronic music.
Control Fields presents his debut release on X-IMG with tracks “Friction Code” & “Black Anomaly”. Control Fields is a new dark electronic project by Georgian producer Nikoloz Kikvadze, based in Tbilisi. Built around the mechanics of noise & urban decay, Nikoloz draws inspiration from the styles of EBM, dark techno & industrial to build his uniquely hypnotic & mesmerizing grooves, textures, and evolving mechanized sequences.
The veteran Italian producer Unconscious returns to X-IMG with two tracks of his signature brooding & abrasive blood soaked sound. “Tutto è una copia” (everything is a copy) is a broken beat prowler that compliments the more 4/4, yet equally evil, “Cold Hearts”.
Revolt returns to X-IMG with his new album “Netherworld Glow” featuring 8 new cuts of cutting edge techno body music plus a lethal remix by Downwell. Revolt is a Warsaw based producer originally hailing from Lviv, Ukraine and has been operating at the forefront of the techno-electronic body music underground with his sharp original productions and excellent remixes. With “Netherworld Glow”, Revolt takes his production skills to new heights with this latest and highly finessed album; aggressive, powering basslines paired with piercing and mechanized percussion are topped off by intricately woven hypnotic grooves & pads, taking his signature sound to other realms. This retro futurist & sci-fi influenced album is his most refined work to date and marks a meteoric trajectory for this talented young artist.
A reimagined version of “Sabotage” by Madd Rod, released as part of the remix EP via Cold Transmission The original version first appeared on our debut album ACMÉ, released in 2025.
En Direct presents “No More Spectacles”, the fourth release from one of the finest electro EBM projects worldwide. With this new work, En Direct leans further into a sharper and more emotionally charged EBM sound while making clear they do not renounce their roots as the driving force behind the influential electro imprint Clear Memory. The record is infused with strong post-punk overtones, somewhere between the cold intensity of classic body music and the melancholic tension of post-punk reimagined through EBM structures. No More Spectacles delivers a sound that feels both immediate and deeply atmospheric. Drill-like kicks hammer through the mix while distorted basslines split the tracks wide open, locking into martial and commanding vocal lines that push the energy forward with relentless precision. Mechanical yet deeply human, the record balances darkness, groove, and emotional weight with remarkable control. Built for strobe-lit floors and restless bodies, “No More Spectacles” confirms En Direct as masters of a sound where post- punk sensibility and EBM functionality collide at full force.
‘Made By Humans’ is a new compilation by Wie Ein Gott Records, bringing together a selection of the label’s favorite contemporary underground artists. Set in a not-so-distant future, music creation has become heavily automated. Algorithms compose, mix, and master tracks with surgical precision, gradually sidelining human creators. Over time, people are no longer seen as contributors but as inefficiencies, until they are removed from the process altogether. The tipping point comes when a Nobel Prize is awarded to an entity CPK1310-5L for discovering a mathematical model nicknamed God’s Formula: a set of harmonic ratios and progression templates capable of generating the “perfect” song. With it, machines begin spawning infinite near-perfect variations across all known genres, optimally structured, flawlessly balanced. Amid this sterile sonic landscape, a new music movement emerges. Rooted in imperfection, accidents and emotional intensity, qualities machines discard as noise, it refuses to conform. This music stutters, distorts, bleeds. To bypass the algorithmic gatekeepers, it’s shared through HUMDRM, an anti-DRM encryption system accessible only to biological listeners, unlocked using heartbeat verification. These tracks are marked as “Made by Humans.” Rare and difficult to trace, these sonic artefacts ripple through the underground until they begin taking over dim basements and industrial warehouses across the world. Featuring contributions by Pink Stiletto, Brood Faye, Sleek Teeth, Desolate Discotheque, Blood Handsome, Fuedal, Blood Rave, Abby Knives & Manuel Matarasso, Dildox, Healng, Static Ghost, Temptrix, Inhalt, GOD TONGUE and Leere Menge, the compilation captures a raw spectrum of industrial EBM, dark disco, rave and post-club experimentation shaped by human volatility rather than machine perfection.
‘Human Control’ presents a broader sonic vision of Parissior, moving between EBM, dark disco, indie dance and electronic music while blending analog and digital production. The album brings together tracks that originally didn’t belong to previous EPs but eventually formed a coherent narrative exploring themes such as digital identity, illusion, authenticity and human imperfection. From the sense of social pursuit in “The Chase”, to reflections on artificial validation in “True Connection” and “Smoke and Mirrors”, the record balances introspection with dancefloor energy. The album also includes “Sintes Guarros” featuring Size M, and two additional digital-only tracks, expanding the project beyond the physical format. Human Control ultimately works as a sonic map connecting machines, emotion and underground culture.
Damage Code is the result of the convergence of two long-standing figures from the underground industrial and EBM scene: Carlos Grabstein (89s✝︎) and Ben Bunzen (Hammershøi). Released in partnership with Miseria records, their first collaboration unfolds through proto-industrial sequences, oppressive atmospheres, repetitive structures, and distorted transmissions, all wrapped in body-driven percussion that pulls the listener into a controlled state of sensory overload. Harsh yet precise, ritualistic yet futuristic, the record advances with relentless intensity while maintaining a raw, physical energy throughout. Somewhere between the diseased electronics of Front Line Assembly and the primitive industrial tension of Esplendor Geométrico, Digital Slave channels a sound that is both confrontational and hypnotic. With “Digital Slave”, Damage Code opens a new portal into industrial body music: dense, punishing, and engineered to trap the mind inside its circuitry.
Severed Heads reattach themselves to Dark Entries for an expanded reissue of their 1991 opus ‘Cuisine (With Piscatorial)’. As originary Aussie industrial legends – although founder Tom Ellard would balk at being branded as such – Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and infectious nursery-rhyme-esque melodies. Cuisine (With Piscatorial) was the long-running project’s ninth album, and is a commentary on the state of music. Ellard explains: “The whole food joke is really about what music’s about and how disposable it is; people have records like they have cups of coffee.” The album also presents a turn away from the dancefloor formalism of the era, which Ellard dismissed as already sufficiently explored. Cuisine brings us punchy pop kernels of the prime Heads variety, all clocking in around three minutes. Cuts like “Pilot in Hell” and “Ugly Twenties” rank among the band’s best through their deadly skewering of synth pop tropes. But the album also offers us a Piscatorial section, where Ellard felt free to “go fishing for ideas.” Here we get a taste of the project’s demented cut-up sensibilities, like on the “Quest for Oom Pa Pa” suite, where vintage jazz records are collaged into an angular nightmare. This double-LP reissue is the first time that Cuisine (With Piscatorial) will appear on vinyl, with a previously unreleased early version of “Seven of Oceans.”
Following the success of the first volume, “BOY Records – Timeless Technology 2 (1989-1993)” delves even deeper into the catalogue of one of Germany’s most influential independent techno labels. While the first volume focused primarily on the label’s formative years and its pioneering tekkno traxx, this second chapter explores a broader spectrum of the BOY Records sound. Alongside overlooked classics from the 1989–1991 period, it extends the scope up to 1993, years in which the label embraced the rapidly evolving electronic music landscape. As the sound matured, the raw energy of early German techno began to merge with harder techno rhythms, acid-infused productions, and the first waves of European trance. Featuring 24 carefully selected tracks, many of them long-forgotten gems, “Timeless Technology 2” captures both the diversity and forward-thinking spirit that made BOY Records a key player during the golden age of underground dance music, while documenting the label’s continued evolution and lasting contribution to the scene.
