H.E.I.M. Elektronik & MAS 2008 – Electronic Corporation 1998–2006 [MNQ165]

Mannequin Records present “Electronic Corporation 1998–2006”, a compilation bringing together rare and long unavailable recordings by the German electronic projects heimelektronik and MAS 2008. Active around the turn of the millennium, both projects share the involvement of producer Ive Müller while developing distinct collaborations and approaches to electronic music. H.E.I.M. Elektronik was founded in 1996 by Holger Erlenwein and Ive Müller (after the two artists split in 1999, Müller continued using the name), while MAS 2008 is the project of Ive Müller together with René Kirchner. Though separate entities, the two projects explored a similar sonic territory: stripped-down electro, minimal electronics and machine-driven body music shaped by analog hardware and a raw DIY production ethos. The roots of Müller’s work go back to the final years of the DDR. As a teenager he worked as a licensed DJ — officially known as a “Schallplattenunterhalter” — operating a travelling disco across Saxony. With limited access to official Western releases, music circulated through cassette recordings taped from West German radio stations such as RIAS Berlin, NDR2 and Bayern3. Together with friends he travelled between youth clubs and discos around Leipzig with a “rolling discotheque”: a Russian Wolga pulling a trailer loaded with Electro-Voice sound systems sourced through the black market. At the turn of the 2000s this background in underground electronic culture resurfaced in a series of recordings rooted in electro, EBM and minimal machine music. The tracks collected here capture this moment: cold sequences, driving rhythms and stark synthetic textures produced with a direct and uncompromising approach.

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H.E.I.M. Elektronik & MAS 2008 – Electronic Corporation 1998–2006 [MNQ165]

A Split-Second – Balistic Statues LP [MEC103]

Belgian electronic body-music pioneers A Split-Second deliver an expanded reissue of their influential 1987 debut ‘Ballistic Statues’, a landmark of the New Beat and EBM movement. Blending dark electronics, cold-wave tension and precision-driven sequencing, the album helped define a pivotal moment in the late-80s European underground. This new edition brings together all tracks from the original album and enhances them with essential recordings from the same era, including the band’s complete 1986 debut EP (A Split-Second), the cult Smell of Buddha, and additional period material. ‘Ballistic Statues’ remains a defining statement—raw, innovative and far ahead of its time. This reissue brings together the core foundations of A Split-Second in one essential collection making it ideal for both long-time followers and new listeners discovering the band.

CD / vinyl

A Split-Second – Balistic Statues LP [MEC103]

TLXCO – Did You Smoke? [SLVMNCR013]

Italian producer TLXCO returns with “Did You Smoke?”, a raw, industrial journey through acid and electro. Four live-recorded tracks pulse with the mechanical energy, distorted textures, and unfiltered intensity that we love from TLXCO, as he turns the machines up and unleashes the chaos.

TLXCO – Did You Smoke? [SLVMNCR013]

Cabaret Voltaire – But What Time Is It Really? [MEME26CD10]

Marking 50 years since the live launch of one of Britain’s most influential electronic bands (at the Sheffield Students Union Refectory on 13 May 1975), Stephen Mallinder and Chris Watson reactivated the Cabaret Voltaire name for an exclusive live performance at the Forge Warehouse, Sheffield. A 4 date tour of the UK followed in November 2025. They were joined by Eric Random and Oliver Harrap.
“But What Time Is It Really?” was recorded on the Oct-Nov 2025 UK Tour and perfectly captures the mood of the UK dates. Fans travelled across the world to see the band present new arrangements of classic Cabs tracks such as ‘Sensoria’, ‘Crackdown’, ‘Do Right’ and ‘Spies in the Wires’ alongside ‘Tinsley Viaduct’, a contemporary piece of musique concrète composed by Chris Watson. 

Stephen Mallinder: Vocals, bass, keyboards, samples
Chris Watson: organ, modular synths, samples, field recordings
Eric Random: Keyboards, guitar
Oliver Harrap: Electronic percussion

In memory of Richard H. Kirk.

Cabaret Voltaire – But What Time Is It Really? [MEME26CD10]

Black Dot – Lust [KRI014]

Christian Kroupa & Le Chocolat Noir (Black Dot) return to Kri 3 years after their debut, picking up the thread where it all began. Since their first release, and outings on Mechatronica and Italo Moderni in between, the duo continues to refine their stripped, nocturnal electro sound – sharp, eclectic, and built for late hours. Duo’s signature futuristic melancholia on Lust EP includes six tracks ranging from EBM club domination to electro after-hours relaxation, laced with melodic synth lines, a haunting Slavic vocal, and spiced with club-ready remixes by Innershades and Charlie.

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Black Dot – Lust [KRI014]

The Wheel of Rituals – Contextual Devices and Systems [CM27]

The Wheel of Rituals, ‘Contextual Devices and Systems’ (2026). Concept and art by R.A. User. Digital audio, digital photography (and found footage), music composition, album, two-sided lathe cut recorded and riso print. Duration: 58 minutes (album), 10min 35s (lathe), 24 pages zine. This publication presents two modalities of archaeological inquiry: various items and material remnants salvaged from post-conflict landscape of northern France, and recontextualized digital captures extracted from contemporary popular media. Through processes of cut-up poetry, these temporal artifacts generate new intertextual configurations: audio graphics. The juxtaposition of geographical and media archaeologies functions as a literary methodology for examining conditions of contemporary culture – each fragment serving as contextual device within a speculative system of meaning.

The Wheel of Rituals – Contextual Devices and Systems [CM27]

Spammerheads – The Mire Chronicles Remixes [Banshees]

Banshees Records present a remix compilation for “The Mire Chronicles, ” the latest album by Spammerheads, an Electronic Music project based in Valencia (Spain). Includes six remixes by Black Dot, Israel Padilla, L.F.T., Scannoir, Velvet May and Years Of Denial.

Spammerheads – The Mire Chronicles Remixes [Banshees]

Romphea – Blind Protocols [HIL014]

Romphea lands on Scottish imprint Hilltown Disco with his debut EP, Blind Protocols. A producer who’s been making serious waves worldwide, Romphea’s forward-thinking take on electro has already found a home on respected labels such as Pinkman, Tiger Weeds, FERMA, and recently on Hilltown Disco’s charity compilation. Romphea distills his sound on ‘Blind Protocols’ into a fierce club-ready statement. The A-side delivers three break-neck electro cuts, loaded with acidic pressure and gripping, sweat-driven drum workouts. Flip it over and the EP slips into darker territory, leaning into EBM influences with two killer remixes from Hayter and Timothy J. Fairplay.

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Romphea – Blind Protocols [HIL014]

Asymetric80 – Frenetic Habits EP [INDMEK-011]

Asymetric80 lands at Industrias Mekanikas with an unapologetic statement: a direct immersion into the aesthetics of collapse and extreme habits. The work places you in the center of a post-apocalyptic scenario, where survival no longer relies on calm, but on your ability to endure mechanical tension. The sound is built upon solidity and saturation. You won’t find fragility here, but rather an architecture of EBM, New Beat, and Industrial Techno designed to dominate any sound system that dares to play it.

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Asymetric80 – Frenetic Habits EP [INDMEK-011]

Panico En Directo – Terror For Kids [VKT003]

Voykot closes the trilogy with Panico En Directo unleashing its darkest chapter: Terror for kids. The definitive third act where terrifying melodies and aggressive soundscapes come with no parental advisory. Sounds mutated into pure shadows, an uncompromising immersion into electronic darkness that completes the cycle of a perfect nightmare.

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Panico En Directo – Terror For Kids [VKT003]

Estado De Bienestar – Capítulo III : La Anarquía Sónica [OR148]

Estado De Bienestar keeps pushing deeper into sonic chaos with “La Anarquía Sónica” — a raw, proto, and visceral journey built on hand-crafted beats, deliciously unhinged basslines and immersive field recordings. Music for the restless. For those obsessed with sound. For anyone tired of hearing the same thing over and over again. Dystopian music for a universal shift. This time, Estado De Bienestar joins forces with Belgian synth guru Peter Bonne / Chayell Zenn (Linear Movement, Twilight Ritual) to rework “The Enochian Keepers of Time” into an emo-electro industrial aberration titled “Guardianes del Tiempo.”

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Estado De Bienestar – Capítulo III : La Anarquía Sónica [OR148]

D.A.F. – El Que (Terence Fixmer remixes) [MNQ169]

Mannequin Records present a special release that bridges two generations of electronic body music: DAF’s iconic track “El Que” reimagined by French techno and EBM pioneer Terence Fixmer.

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D.A.F. – El Que (Terence Fixmer remixes) [MNQ169]

Endless Nothing – Forever Gone [X-IMG82]

Italian producer Endless Nothing presents his debut X-IMG release “Forever Gone”, a tightly assembled and refined seven track album of brooding club cuts and finessed sound design topped off by a remix from SARIN. With sonic and creative concepts rooted in exploring themes of urban isolation and the harshness of modern capitalist existence, Endless Nothing weaves between techno, body music and post-punk influences to deliver his distinct sound characterized by crushing basslines, martial rhythms, and distorted, nihilistic atmospheres. Beyond his original productions, Endless Nothing has also made a name for himself as a remixer, working with key operators within the dark electronics underworld.

Endless Nothing – Forever Gone [X-IMG82]

Bound By Endogamy – Steamy Highways Have No End [PNKMN060]

After the storm of their self-titled debut, Geneva duo Bound By Endogamy return to Pinkman with an album that trades brute force for precision. The rage remains, but it’s sharpened, disciplined, and driven by melancholy rather than rupture. Their minimal synth and industrial instincts rise to the surface, carving out room for melody without softening their confrontational edge. Angular basslines coil beneath Kleio Thomaïdes’ voice, at times detached and at times devastating, while Shlomo Balexert’s drum programming and synth work build a taut metallic tension. The result is both intimate and mechanical: love songs for disenchanted souls, post-punk electronics stripped to the bare wire. Bound By Endogamy have always blurred the line between performance and survival, and here they do it with minimal gestures and maximum impact.

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Bound By Endogamy – Steamy Highways Have No End [PNKMN060]

Golden Axe – Mirage [SRNDS006]

‘Mirage’ is a musical phenomenon that arises in the atmosphere due to refraction and total internal reflection of analog sound rays at the boundary between layers of trance of varying density, tribal ambient, and futuristic dub. Thanks to this effect, the observer sees imaginary images of distant objects that are normally hidden behind the horizon, as well as their distorted shapes or reflections.

Golden Axe – Mirage [SRNDS006]