Legowelt with another free offering on his Nightwind Records. Written, performed and produced by Danny Wolfers at the North Sea Institute For the Overmind Scheveningen Holland. Across the ten tracks, you will find shades of house, electro, techno and Italo but what most notably ties them all together is Legowelt’s signature use of distortion. The album is dripping in Lo-Fi tactics and features plenty of vocal work throughout.
New Gesloten Cirkel release on his bandcamp via his Ratsnake alias. On Acidophile, the enigmatic producer delivers four acid tracks fresh our the studio. Released as a pay-what-you-want download through the Gesloten Cirkel Bandcamp.
Brokntoys presents “Cold Light, Low Tide” a free digital compilation of tracks from affiliated artists, featuring Black Propaganda, Obergman, K100 Signal, Trance Remix, Annechoic, Non Punire and XY0815.
RØDHÅD has continuously pushed the boundaries of modern techno to new hypnotic and theatrical heights on his Dystopian party-turned-label imprint, where he released his debut Anxious back in 2017. This time, RØDHÅD tunes into a place of reflection and reformation on his most avant-garde project to date: WSNWG – BACK TO ZERO. Intended to provide a space for solo releases, the imprint comes at a crucial turning point, as society circles in on itself during the pandemic. RØDHÅD christens the label with MOOD, his first ambient experimentalist release, comprised of his own solo archival material mostly from 2017/2018, working on a plane of spontaneity, devoid of set structures. The result is a life-giving, intimate and solipsistic work. Awash with field recordings, droning loops and subtle granulations, the sparse soundscapes on the 18- track album are deeply profound and satisfying. Crafting emotive textures through detailed layering of ethereal pads and simple synth melodies on ‘When They Returned After Midnight’ reflects the producer’s meditative sensibilities, whilst more beat-driven tracks such as ‘He Didn’t Seem The Kind of Guy Who Would Just Talk To A Stranger’ and ‘Pigeons Dancing On The Roof’ employ trip-hop beats atop washed synths and textural loops for a more downtempo affair. The album often has the dynamics of a sci-fi film score; the slow-building distortion on ‘A Huge Plume of Ash Rose From a Volcano’ carries a profound weight and substance, whilst the eerie ‘Like Sleepwalkers Ghosting Through A Dream’ breathes as if it had a life of its own.
Arnaud Rebotini started to give away free tracks on his soundcloud page a month ago in his “Quarantine” series. Since then he release 8 EP with tracks by himself and remixes from producers from all around the world. “To (Wo)Men On The Assembly Line”, the last EP of the series, is including an original and 6 remixes from David Carretta, Djedjotronic, Jensen Interceptor & Kris Baha, Max Durante and Perel.
“We are now in our last week of strict confinement. So I’m going to interrupt this weekly EP series but with the eight title, I want to pay tribute to the women and men who have allowed the country to continue to operate during this period. But also to all those who will resume their work in factories, in the construction, food processing and services that will boost the economy, often in jobs that are poorly regarded and low paid but so essential to the functioning of our society.’
New Gesloten Cirkel release on his bandcamp via his Ratsnake alias. On ПЛЕДЖЕ, the enigmatic producer compiles six tracks fresh our the studio and a bonus live version. Oozing in raw synthesis, fiery acid lines and classic hardware drum sounds they both embody a sound that is the elixir of life for the true analog freaks. Released as a pay-what-you-want download through the Gesloten Cirkel Bandcamp.
Free download compilation from Athenian outfit Phormix; including tracks by Anatolian Weapons, Baz Reznik, Celldod, DJ Loser, Fragedis, Morah, Outermost, Penelope’s Fiance, Unhuman and many more.
“Here’s a free compilation to celebrate our 20th birthday, which fittingly falls right in the middle of the biggest crises the world has faced this century. This is not a retrospective, in times like these it important to look to the future. It features exclusive tracks by label mainstays and some up and coming artists from the West Coast and beyond. Up to you to figure out which is which.”
Recorded at the North Sea Institute for the Overmind in Scheveningen Holland.
“Yesterday I released a free/pay-what-you-want album on Bandcamp called TIPS FOR LIFE to hopefully brighten your days up a bit. Its Nightwind Records NW023 and its got 12 tracks on it ranging from Slowjam Memphis Rapbeats to Poldertechno and everything in between” – Legowelt
December returns to Pinkman Broken Dreams with 4 hybrids of arranged chaos where rugged rhythms and breaks wrestle with dystopian melodies and occult vocals. A complete meltdown which viciously takes you into a delirious state. The future is near…
Includes a free download for a Mick Wills cut!
Essential supplies of lethal dancefloor munition on the first release on Artificial Horizon label. Opening up the compilation is Antoni Maiovvi’s android lullaby ‘The Wolf Void’ followed by the pulsating analog rhythms of Das Ding’s epic (almost) 9- minute synthetic trip ‘Insect Apocalypse’. On the flip, Itako carries forward the sinister momentum leaving us in a dark state of hypnosis with its spectral synth and acid lines. Last but by no means least, Timothy J. Fairplay closes off the release in classic Fairplay style with an FX laden soundtrack for dystopian dreams that ascends to ethereal heights.
The bandcamp includes a free download of a Mick Wills cut for M Track.
The main motivation behind the creation of Oraculo Records label was to release directly the material produced by the label managers Nico Cabanas and Vanessa Asbert under Synths Versus Me alias so to celebrate the reference OR50 they present an EP with a selection of unreleased material on vinyl, including their very acclaimed and awaited version of “Goodbye Horses”.
This record is available as gift / free digital download at Oraculo Records bandcamp.
Miron Ghiu, once in his youth a winner at international philosophy competitions and a journalist specialized in music and new media, has been experimenting for almost 10 years in the field of sound art, both on his own and as a member of the ambient /drone/noise Nava Spațială duo. He finds his inspiration in Dada and deconstructivist techniques and he likes to play with chance and improvisation. He feels best in art galleries, where the audience actually listens to the surrounding ambient music without looking for beats to dance on, but also in music venues. He has created the sound design for a few theatre plays, peformed in various independent spaces as well as on the stage of a major Romanian theatre. He is also a DJ. Most of the music he composes, either ambient or noise, is available on several Soundcloud accounts and on several discs released in various parts of the world.
In the second part of the Unlocking Sounds collaboration between the Netherlands Institute for Sound and Vision’s RE:VIVE initiative, the Research Center for Material Culture and Amsterdam’s Tropenmuseum, Dutch producer Parrish Smith digs through the Tropenmuseum’s ethnographic music archive and reads between the lines of ethnomusicology to confront the Netherlands’ colonial past. Assisted by the writings of Surinamese slave resistance writer Anton de Kom, Smith delivers a gripping social commentary entitled GENESIS BLACK.
The year is 2051. The human race has split into two groups. One maintained their basic human state, while the other transformed by tapping into their psychospiritual lifeforce potential. The second group created a higher dimensional civilization. They called it Xymeria.
Repetitive Strain Injury (R.S.I.): an injury caused by repetitive tasks, forceful exertions, vibrations, mechanical compression, or sustained or awkward positions. “RSI” is an umbrella term used to refer to several discrete conditions that can be both physical and psychological in nature. Also known as cumulative trauma disorders, repetitive stress injuries, repetitive motion injuries or disorders. The release consists of six tracks written, recorded and mixed by Josh Younggren from Minneapolis.
A tribute to Andreas Gehm (1972 – 2016), German producer, king of acid and inspiration to many including the artists in this compilation. All proceeds will go towards funding Andreas Gehm’s post-mortem affairs, managed by his best friend, Joe Kurta. Long live the king. Tracks by Basic Soul Unit, KiNK, L/F/D/M, Marco Bernardi, Mark Forshaw, Rivet, Tzusing and Umwelt.
Includes a free download on bandcamp.
Composed and recorded in 2014.
Free tracks from Birth Of Frequency, Zadig and Voiski on the Construct Re-Form label.
