Ruud Lekx, with his wife Shaunna on vocals, returns to “Bordello A Parigi”. Following The Kill and From Ritual to Reason, Rude 66 delivers Resurrection; a four tracker brimming with his trademark touch. The title piece is a devilish vocoder incantation. Beats bite as Shaunna’s thickly modulated voice rasps through bending distortion that bears the unmistakable 66 mark. Lyrics are sidelined for “The Curse”. Drum and dreamscape combine in this synthesizer spell, blackened shades blending with light tones in this heady brew. This balance is something Lekx achieves time and again in his productions. He once more finds this sense of equilibrium with the stained disco darkness of “The Sleepers”. Lurking, stalking, the track counters an innocent playful melody with undercurrents that throb with menace. That menace comes to the fore with “The Luciferians”. A bare anthem of anti pop, a celebration of prowling, murderous intent plays to steady pulse and stripped melody. Brooding brilliance from a master of dutch electronics…
XXX009 provided by a really talented guy from the east of the Netherlands who goes by the name of Luca dell’Orso. Full on italo on this EP from high energy italo to more sophisticated slow burners. Machinegewehr on remix duties who takes one of the originals into a more darker approach suitable for dark basements when we’re able to party again.
Seven unreleased tracks meticulously chosen from the Schrock archive crossing and blending multiple genres from electro, wave, kosmiche and new age by Dallas analog synthesist Jake Schrock. With a literal arsenal of vintage equipment, Jake forges a wonderful, almost 80s soundtrack vibe with deep emotive washes and playful and gentle classic drum machine patterns and beats.
Half of the dark synthwave duo The Hunt, Herbert West aka Jerome Lesterps is a French electronic producer heavily influenced by 70’s and 80’s horror soundtracks. This artist tends to use vintage, analog and modular synths. Vortice Mortale is his new project in which he mixes space disco and dark synth music. It is clear as water that Herbert West loves Italian horror movies and French disco music of the past decade considering that this work “Memento Mori” is perhaps a perfect combination of powerful beats, enigmatic passages and wicked catchy melodies.
Mr Disc Organization presents the limited transparent yellow vinyl reissue of this italo classic from Sun La Shan.
Rare sought-after future disco via Italy. Tempo Dischi’s second release is one of electronic music’s seminal albums; 1978 Italian space disco album: Automat by Automat.
Ukraine’s arguably most interesting contemporary electronic music producer Mikhaylo Vityk, known as Vakula, returns to the Burek family. He came up with a new name, Rocco Siffredi, and a spaced out 3-tracker EP titled “Per Asper Ad Astra” for sublabel Barba Records.
Phantasm is a new vinyl label and collaboration between Amsterdam’s Sinchi Collective and the much-admired Night Noise outlet, based in Geneva. It kicks off with a strong EP from The Soviet Union aka Richard Baldwin, including classy remixes from Sinchi themselves and In Flagranti.
Siegmar Fricke describes his music as ‘dynamic dancable collage-pop with a 90s technoid tendency’. The music on this release is made by Yamaha sampling- keyboards, Yamaha multieffects, synthesizers and 60s magnetic tape recorder, recorded on a four-track Tascam tape-machine. From 1987 – 1993 he produced twenty four cassette releases, some on his former label ‘Bestattungsinstitut’ and some on other tape-labels all around the globe. This vinyl is a fine selection of various tapes from 1988 – 1993 slightly edited for club use and remastered by Berlin’s masterchef Kitaro from Schnittstelle. Heavy underground dancematerial for the first time on vinyl. Comes with a strong extended dancefloor remix by Manfredas.
2183. After crash landing on an alien planet, intrepid explorer Modula valiantly crawls from the wreckage of his interplanetary cruiser clinging to his life (and antique synthesizers.) Taken captive, this neo-Naples born space traveller is soon drafted into the services of the court of this other world’s ruler. His music boxes save his life and change the very face of this distant kingdom. The results have just been beamed back in time to earth and intercepted by the Bordello receiver dish. Modula’s voice crackles through and utters two words: Autostrada Galattica . Cosmic boogie, futuristic funk and deep space disco are human terms to describe these sounds sent half way across the universe to be enjoyed by we humans of the 21st century. Love, sacrifice and musical riches from a synthesizer super nova.
Red Laser presents a unique double gatefold LP from Red Laser original Kid Machine. He delivers a 5 star upgrade to the signature sound that people worldwide have fallen in love with. 808 kicks and DX 7 licks bubble under the atmospheric chord changes creating a soundtrack which is just as comfortable on the dance floor as it is on a midnight drive. Alien Dance darts around to irregular delight. The dramatic score of Asteroids builds until it soars high above the grid. The bassline on Beast drills a blackened dance floor in preparation to be replaced with 80’s discotheque neon squares. Beyond Cygnus takes flight and drifts across a Martian plane. The 808 kicks and orchestral synth stabs of Conquest crush all known reality into a space the size of a photon and the weight of its gravity is unbeatable. Standing out amongst the pack is the apply titled ‘Forever Machine’. A proper Manctalo synth anthem guaranteed to deliver speaker destruction.The LP closes with classic Machine style bangers ‘Flight Manoeuvres’ and ‘Seconds From Oblivion’. They bring this galactic odyssey to a confident end. This is a cracking journey through the outer rim and back.
The long fabled ‘Elisabetta’ project, conceived by Giuseppe Alcheri, scored by Marco Segreti and eventually cancelled entirely by shady producers has long been lamented by fans of Italian Cinema and Disco aficionados alike. ‘Elisabetta’ was to be a return to Alcheri’s erotic thriller roots after (what some may consider talent wasted in) the Euro-Crime genre of the late 70s. Though, despite the predictable trappings of previous efforts, Alcheri’s flair for stylised dramatics and profound statements on the human condition bubbled under the surface, even in films such as “Legge Rotto” and “Sono Unica Difesa di Questa Citta”, but it was the melancholic power of early hits such as “Angelo Della Pelle” or “Pianto Vergine” that serious fans were crying out for. All of which was to be delivered with ‘Elisabetta’ which promised to be his most ambitious and emotional film in years. Concerning a writer driven to suicide by a lost love, told mostly through typewriter monologues, conversations with “Little Grey”, a pigeon and late night cruises through the discotheques of the mid 1980s, ‘Elisabetta’ was to be an epic poem on the nature of love and fidelity, sadly lost much like the lover in the film. Marco Segreti’s credentials should need no introduction, originally the drummer and leader of “Bruciando Roma” a group of anarcho-session musicians, playing on many 70s disco hits, the synthesizer revolution of the 1980s allowed him to break out into independence. Dripping with vintage reverbs and mourning melodies, the soundtrack, presented here for the first time ever is all that remains of this remarkable project.
Space Art was the French electronic duo of Dominique Perrier (keyboards, vocoder) and Roger Rizzitelli (drums, percussion). Between 1977 and 1981, they released three albums of comsic synth pop, in which they laid much groundwork for French electronic music to follow. Space Art’s third single “Nous Savons Tout” was released in 1978 on IF Records. Their sound was similar to Jarre’s early analog albums, but with the addition of real drums. Dominique plays an ARP Odyssey, Clavinet, Eminent, and Minimoog, maximizing their warm textures. Roger plays the drums in an intricate fashion, influenced subtly by jazz fusion. “Nous Savons Tout” features an early prototype of the Vocoder, which the band used to create the chorus. On the flip is the slower ”Melodie Moderne”, an electronic take on classical rock songs of the 1970s. Both tracks were recorded at Studio Ferber Paris in June 1978. Like Richard Pinhas/Heldon and Yellow Magic Orchestra, Space Art created their own brand of dark space disco, paving the way for bands like Air and Mellow.
All good things come to an end, and The Very Polish Cut-Outs is no different. The fifth sampler will be the last in the much loved & long running series. For the farewell record, label boss Zambon has selected five unique reworks from top producers from Poland and beyond.
A Visitor From Another Meaning returns to earth, and vinyl. The Viewlexx veteran is back on our world with Lost Encounters I, four cuts from the vaults. Beamed in from a distant galaxy is the blazing brilliance of “Dance of the Happy Shadows.” Past film score greats immediately come to mind. Vangelis. Carpenter. Moroder. “I Rarely Talk to Strangers” pulses with crisp beats and rumbling arpeggios, cloudy skies ready to rain on a polluted L.A. in 2019. The blue dot is left behind for the elation of “J is for Jupiter.” The stars are the place to be. “J is for Jupiter II” drifts from cosmic currents before illuminating the heavens for the lead out into end credits.
Nico Motte, the man behind the visual identity of the Parisian imprint Antinote, makes an impressive come-back on the label’s catalogue with Life Goes On If You Are Lucky. Each song seems to be the result of a long session of orchestration by Nico Motte, composer, arranger and conductor, who has been attributing to each electronic component a specific role to play in these 7 little instrumental suites, disturbed from time to time by human elements – a saxophone on Terra d’Amore, the voicefrom Syracuse’s Isabelle on Tacotac – only to reminds us that Life Goes On If You Are Lucky is above all about human fragility.