Hypnus Records presents Yatras by Rambadu. “Yatras” embody an in and outward quest where we may meet ourselves and others. Listen carefully to visualize the paths it reveals. Subdued messages reach the mind’s eye.
Rambadu – Yatras [HYPNUS041]
ambient techno
Terrence Dixon – Studio Space LP
New self-released album from the Minimal Detroit Audio mainman, Terrence Dixon. Recorded at 3rd floor studios on the West side of Detroit.
Field of Mist – Biospore Farmers [ITX030]
Munich label Ilian Tape has another entry in its fine ITX Series here called ‘Biospore Farmers’ from Fields of Mist, describing it as “Sunrise Beams Through Orbital Mist.” In less abstract terms, it is a gorgeously hazy and lo-fi electro-exploration. The first two cuts are slow, doleful and reflective with grainy pads and deep space ambiance swirling around nice rough-edged broken beats. The B-side picks up the pace with the brilliantly kinetic bounce of ‘Astral Projection Spores’ and then the skittish and celestial trip that is ‘Orbital Mist’.
Donato Dozzy – Magda LP [SPAZIO028]
Donato Dozzy presents his next studio album entitled ‘Magda’. An emotional hommage to family and the Adriatic Sea. Over the course of six tracks he explores colorful emotions and sounds connecting to his deepest inner feelings. Speaking through music and showing gratitude to his auntie, one of the strongest women in Donato’s life and a real life teacher.
Terrence Dixon – Edge Of The Visible Universe LP
The “Edge Of The Visible Universe” is a 24 tracks album by Terrence Dixon. The album was recorded in Detroit and Amsterdam and is only be available exclusively on band camp in digital format only.
The album will be followed soon by a vinyl release with the same name featuring four club oriented tracks under the Population one alias.
The Black Dog – My Brutal Life LP [DUSTV118]
“My Brutal Life” delves into the profound aspects of our artistic endeavors encompassing brutalism, the environment, and humanity. Throughout our ongoing creative journey, we consistently gravitate towards these themes, documenting and exploring the human experience within these environments. Our unwavering fixation on Symmetry, Synchronisation, and Repetition are the driving force in our artistic expression. Moreover, we strive to peel away superficial layers to expose the underlying emotional strata of the human aspect, unearthing the often overlooked beauty within the ordinary. Although frequently disregarded, the human aspect resonates with echoes from the past, enlightening and guiding our artistic process. Even the failures encountered serve as poignant reminders of the delicate structures we construct. My Brutal Life constitutes a pivotal component within an enduring exhibition, meticulously crafted to delve into the aesthetic and human facets of brutalism.
Dorisburg & Sebastian Mullaert – That Who Remembers LP [SPAZIO027]
To prepare for “That Who Remembers”, Dorisburg (aka Alexander Berg) and Sebastian Mullaert set up their equipment in Malmo’s empty Inkonst venue, spending several days immersed in its atmosphere, using the lights, smoke machine, and Soundsystem to create an authentic club environment where they could freely improvise. The result is a suite of free-flowing sounds that draws on both artists’ backgrounds in reduced techno and ambient music, sailing thoughtfully through near-future landscapes and punctuating them with shimmering, kosmische textures, decaying sonic memories, and fragile rhythms. Not dance music exactly, it’s music that instead considers the spirit of an empty dancefloor, wondering which elements might remain when feet have left the building entirely.
Dolphins – 40G [PBD22]
Pinkman’s resurrection of its Broken Dreams series is marked by a release of Dolphins – Benedikt Frey’s project with Markus Woernle and Nadia D’Alo. 40G evokes landscapes of doom, disorienting pleasure, and the surreal visions that occupy a sleepless night; the soundtrack to a Lynchian fantasy about the creatures that haunt the murky waters of the modern mind. It’s an album for finding yourself on a stranger’s couch, tearing at the fraying edges of another endless night, wrapped beneath a blanket of drugged-out kraut.
Function – Green EP [INF-025]
To relaunch his seminal imprint, Infrastructure New York, Function presents his new 12″, Green EP. Celebrating 27 years of Function releases this year and the label’s 25th anniversary, the label will serve as an outlet for his new material, reissues of out of print classics from Synewave, Sandwell District and Ostgut Ton (and of course, Infrastructure), as well as developing new artists. Green EP encapsulates the same raw power and hypnotic energy of his genre defining Sandwell District releases updated with a modern flair.
Monolake – Hongkong [FIELD35]
Field Records presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right, a genre classic.
The Black Dog – The Grey Album [DUSTV113]
The Black Dog exploring the old ways… ”We pushed further by adopting old practices, working with one synth per person and limiting the use of our computers. We only stopped short of putting everything on beer crates. It seems like madness these days, but there is raw creativity within these confines.”
Donato Dozzy & Sabla – Crono [GOD032]
Gang Of Ducks welcomes back to the catalogue its co-founder Sabla, back to his spiritual home, with a collaborative EP alongside one of the most revered and transcendental artists out there, Donato Dozzy. In an era where information runs fast, and just one year ago feels like ages ago, the music inside this EP comfortably sits in a time bubble, absorbing old and new influences and melting them organically.
DYL – Fjord [NOUS031]
Eduard Costea aka DYL is a Romania-based (born in Deva & living in Cluj-Napoca) experimental producer. He lands on Nous’klaer with Fjord: a deep dive that starts out soothing and gets deceptively heavy and hypnotic as you swim further offshore – filled with immense echoes that can feel eerie and comforting all at once.
Immediate Proximity – IMPROX 1 [IMPROX1]
Futuristic electronics by Niels Luinenburg (Delta Funktionen) under his new guise Immediate Proximity – in collab with Diana Napirelly. Ambient, Bass, Electro and Techno are the main identifiers for their output. Deep and emotive is the mood, but at the same time the music is playful and has a robust and confident character. This distinct direction, which was laid-out on the pair’s debut LP ‘2334’, has now led to the start of their own label: IMPROX. On IMPROX, the duo experiments vivaciously with color, rhythm, space and tempo. Hi-tech, yet tribalistic rhythms are interlaced with elusive sci-fi themes. Big stage anthems are comfortably combined with cinematic ambient excursions. And through self engineered audio-gen modules, backed by a stark focus on sound design, the IMPROX series marks a powerful upgrade to Luinenburg’s production capabilities.
Lake Haze – Pure Movements EP [SNF088]
Following the Lake Haze’s last Shall Not Fade release – a worldbuilding album that paid tribute to video game aesthetics – Pure Movements EP proves yet again his versatility. Whilst Henosis LP dabbled in ambient, his latest sees this direction take full form. Contemplative ambience invites us to melt into it, with reverb-drenched acid melodies adding enough unease to keep us on our toes. Add in some deep, off-kilter bass throbs and this one is a real treat to the ears. Lock in and drift away.
Ultra Random Analog Orchestra – EP3 [3ELP2020013]
Ultra Random Analog Orchestra is a new project by Brendon Moeller. Starting by sculpting an audio collage in realtime, using a eurorack modular system, Brendon Moeller keeps randomness at the front of his methodology. Whether inputting found samples or designing sounds from scratch using oscillators and/or noise sources, he begins haphazardly sequencing, filtering, modulating and arranging the randomness. A spirit of experimentation and spontaneity drives these productions.
Jeff Mills – Metropolis Metropolis [AX107]
”Metropolis Metropolis” album is an abbreviated version of the most recent electronic music soundtrack for Fritz Lang’s Metropolis (1927) by Jeff Mills. Unlike his first soundtrack version (released in 2011) where tracks addressed specific segments of the film in a track listing form, this version is more a symbiotic mix of compositions that proposes a nuanced representation of the plot and storyline. As an electronic symphonic music creation, Mills proposes a few interesting points in the schematics of this album. First, the positioning and role of the listener as the soundtrack is based on the environment of the scenes, rather than pure transcription and second, as a storyline that takes place in the year 2000, the choice of sound elements refer to some future commonality and foresight between the genres of Classical and Electronic music – between man and machine.
Ultra Random Analog Orchestra – EP2 [3ELP2020012]
Third Ear presents a new Brendon Moeller project … Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12″ and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Brendon says, “the ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a Eurorack modular system.”
Erika – Anevite Void [IT050]
For Erika’s second album “Anevite Void”, she explores her live process as it permeates everything she does, including documenting the process of life in the elaborate sci fi mythology she created. Erika began performing live in Ectomorph in 1997 when she was gifted a TR-606 by BMG and asked to join the group. This grew to her building her own studio, performing solo as Erika, collaborating with people like Jay Ahern and Noncompliant, and performing as a member of Circle of Live. Her depth of thought and clarity of vision has led to her mentoring people on live performance through the In Bloom platform, where she has made a large impact on many up and coming musicians. “Anevite Void”, Erika’s new album, finds her organically writing songs for her live shows, allowing them to take shape through performance, and later recording them in the studio, making this the first album she has entirely written and produced on her own. Mixed by long time collaborator BMG, she finds this record as the launching point for a new process for her.
Feral – Crossroads [HYPNUS034]
Crossroads explores the mysterious terrains of contemporary deep minimal techno with the Feral’s distinct and inimitable tribal sound.
The Hipodrome Of Music 