The next chapter in Axis Expressionist Series. A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project as well as new unreleased works.
Rubadub presents this uncovered early-90s transmission from Heinrich Mueller (Drexciya / Arpanet / Dopplereffekt etc.) under his Intellitronic alias.The lead track “Pixel” has only ever appeared on the Magic Tracks (Deep Detroit Volume Two) CD compiled by Juan Atkins in 1993, whilst the rest remained unreleased, until now. Four tracks of stripped-back machine funk referencing pre-millennium printing technology.
Originally released on Music Man Records in 2001 and repressed in 2007, Virton stands as one of the defining recordings from Steve Rachmad’s Ignacio project. The release also features a remix by Chris Liebing, bringing a tougher and more driving interpretation while preserving the hypnotic essence of the original composition.
Originally released on the Escape From South Warren LP via Motech Records in 2015, “We Get Down” was born from a hypnotic Turkish loop sample twisted into a raw modern dance weapon — driven by Gary Martin’s preacher-style spoken vocals and underground Detroit energy. Now it comes with remixs from youANDme and DJ 3000.
M-Plant’s Perpetual Masters series continues. Originally released in 2001, ”Invincible” stands as another defining example of his stripped-back, approach to Techno while still radiating tough funk and groove.
‘The Trip To Vega’ is the new album by Jeff Mills and is about deep outer space odyssey that occurs in the process of traveling from Earth through the Cosmos to another ”favorable” star system 25.3 light-years away.
Robert Hood’s ”Spectra” EP, originally released in 2001, stands as a defining example of his stripped-back, conceptual approach to techno. It sees Robert Hood operating at his most stripped-down and hypnotic, built from tightly looped drum patterns and shadowy synth fragments that slowly evolve. Hood’s precision is evident in every detail, as he balances repetition with crisp percussion and a tightly controlled groove.
One of the true, undisputed pioneers of Dutch techno, Steve Rachmad appears on Dekmantel for an EP of peerless machine music. On the 3-6-9 EP, the artist also known as Sterac, Parallel 9 and many other names plies a powerful trade in funked up, gritty and soulful techno made the proper way.
A defining track of the late 80s and early house movement, Good Life remains a timeless anthem, driven by uplifting melodies, soulful vocals and unmistakable Detroit energy. This edition features a remastered version of the original alongside an Inner City edit of the Carl Craig remix, plus a Dub Mix, offering both classic playback and updated DJ functionality.
Following the celebrated reissue of Classics Vol. 1, Metroplex unveils Model 500 – Classics Vol. 2, a powerful new collection of essential works from Juan Atkins – pioneer of Techno and architect of some of the most forward-thinking electronic music ever recorded. Bringing together key cuts, rare mixes, and long-sought favorites from across Atkins’ groundbreaking output, this compilation highlights the full spectrum of his sonic universe: deep, rolling machine funk, shimmering electro-techno hybrids, and timeless futurist grooves that helped shape generations of electronic artists. Each track has been carefully remastered to enhance its original energy while preserving the raw spirit and space that define the Model 500 sound. From expansive, atmospheric journeys to soulful vocal transmissions and Detroit-powered rhythmic science, Classics Vol. 2 presents Juan Atkins at his most inspired–an essential document of a visionary whose influence continues to echo across dancefloors worldwide. Three decades on, these tracks have lost none of their immediacy, imagination, or futuristic pull. Restored for a new era, Classics Vol. 2 celebrates the legacy of Model 500 with pristine sound and renewed force. Pure Detroit heritage. Eternal future music.
For the 30th anniversary, Logistic Records reissue three absolute minimal techno statements by Robert Hood. These tracks define the birth of minimal techno — reduced to rhythm, pressure and repetition. No ornament. No compromise. Just structure, tension and movement. Originally released on Logistic, they remain as powerful and modern today as they were in the early 90s. Functional. Spiritual. Underground.
Mysterious Detroit producer Bright Raven is back with another fine classic sounding Detroit techno release. Corktown EP features 4 tracks of deep, bleepy and warm sounding 313 techno.
Originally released in 1999 on the Duet imprint, Robert Hood’s ”Sophisticcato” stands as a concise but potent example of his late-’90s minimal techno philosophy. Built around four tracks, including the title cut, ”The First Night” andtwo versions of ”Cobra Seed”, the record features his signature approach with stripped-back drum patterns and hypnotic loops that prioritise rhythm over unnecessary embellishment.
An uncontrolled awakening of the inner intelligent groove… This is the third gargantuan installment for this unassailable vanguard. Four tracks of the undiluted, high-tech energy you would expect from these storied creators.
Circuitry Electronic launches with a release that stands as a statement of intent – an artist with few true peers within English electronic music, with an album that jumps out of the speakers and slaps you around the chops. G-Man is Gez Varley – one half of Sheffield pioneers LFO, and thirty years into his solo career, with his first vinyl album release since Avanti on Force Inc way back in 2002.
2026 sees Robert Hood going back to his minimal techno roots and then flip things forward with remastered releases from his ground-breaking label, M-Plant. Robert Hood’s “Psychic / Pole Position” is a classic which features his stripped-back minimal techno style that helped define the sound in the late ’90s. Both tracks are built around hypnotic rhythms and sparse, precise grooves characteristic of Hood’s influential production ethos. Originally released in 1999, the EP reflects Hood’s focus on minimalist electronic structures and dance floor functionality, and has remained a sought-after piece among fans of the genre.