Four wicked & fresh tracks, equally suited for the dancefloor and headphones.
acid
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A second utterance emerges from the tomb of DJ Ice Tits. Who was this ancient priest of Memphis whose sarcophagus lies entombed within the Metaphasic Pyramid, inscribed with the Analogue Hieroglyph? These five recently discovered FM transmissions from the underworld, entitled ”Songs about Myrtle Avenue,” may contain the key to this mystery.
Following up from his critically acclaimed industrial flecked debut album on Skudge White; Bristol’s October comes correct with a new series of 10” records, each featuring under-polished no frills club cuts aimed straight at the floor, rough enough to strip paint from the walls.
IXVLF is back at it again following the Language Of mini-album released earlier this year as part of our ongoing tape series. Pushing it further from where we last left off, Connor Clasen’s vinyl debut reflects our ever growing desire to re-interpret club music in its most primitive and cartilaginous nature. While cleverly obscuring any reference to a specific period of time, Involuntary Movement shows a sense of the American-based producer stretching disorienting imagery over the existing landscape of proto-industrial — matching the visual interpretation of Ailsa Ogden undertaking the artwork by way of a new collaboration to be expanded over a handful of releases — where unpolished synthesizers and rhythm machines collide and bawl in a controlled crash. It is an exercise of existing in various states of detachment; a fixation on mechanical repetition and unpredictable behaviors through the haze of helium laughter. Definitely one for the animals.
FR Fels is making his debut on Ortloff Records with a four track journey through analogue mindscapes. Record and sleeve are provided with a phosphorescent silkscreen print.
Here is a new member to the Enfant Terrible family: Utroid. Behind this project goes the producer who was once known as Funxiun and BS-1. The biggest difference between Utroid and the former projects is that the music is less hectic as before. With Utroid the music moves into a more minimal direction while keeping the raw beats and rough vibe.
After crafting the deconstructed synth-pop of Soft Metals for the past 6 years, Portland OR – based synth artist Ian Hicks has resumed his solo output and has delved deeper into exploring the darker, weirder, more mutant alleys of his mind and studio. Inspired by the capricious winter of the Pacific Northwest, early industrial gear experiments, science fiction, horror and the explosion of the modular synthesizer scene in Portland, Ian presents VIY as his initial post-Soft Metals work. VIY is a snap shot of an ever-changing configuration of equipment, textures and moods captured with minimal processing and editing to preserve the original idea in the purest form.
