
New Acid Synthesis bomb is here with 3 tracks of blistering 90’s strobe and smoke machine friendly Acid-Trance.

New Acid Synthesis bomb is here with 3 tracks of blistering 90’s strobe and smoke machine friendly Acid-Trance.

Entering into the portal once again, The Black Lodge releases its 9th offering, this time a full EP from Russian hardware wizard LVRIN. 6 tracks of dark psychedelic electronics traversing through Jakbeat, Techno, Industrial and Krautrock sonics – guaranteed to take the dance floor to the beyond.

Vakula presents a new 4-track release: fully-formed electronic compositions built with weight, depth, and intention. These pieces aren’t just for the dancefloor — but under the right DJ, they can still shift the room.

Record 1 of the Cartulis Music 15th Anniversary compilation, marking fifteen years of independent activity across club culture, events, and releases. This records includes tracks by S.O.N.S., Legowelt, Sohrab and Erika.

The fifteenth release from electro label Gladio Operations once again brings us a multi-artist format, featuring new faces and a distinctly Spanish flavor. This EP opens with the return of producer Cycloplex, with his characteristic minimalist sound and continues with Gerona producer David Pasajero. On the B-side we find Barcelona producer Dark Vektor, a Spanish icons of electro sound, and the Spanish duo Slit Observers. The EP closes with a collaboration between German producers Intergalactic Noize Commander and Elektrotechnik.

Italy-born, Dublin-based Lerosa is back after eight years on Assemble with his second solo EP. This release features four tracks crossing deep techno, acid, electro and breaks.

Italo Deviance aka Marcello Giordani returns with the captivating ”Purple Galaxy”, a standout Electro/Cosmic gem crafted exclusively with warm analog synths, delivering an impeccable blend of vintage futurism and hypnotic groove. On the flip side, the previously unreleased ”Weightless” makes its vinyl debut: a sleek Acid/Disco cut pulsing with raw 303 lines, funky basslines otherworldly atmospheres perfect for late night dancefloors and collectors alike.

US based Oliver Vereker’s debut on Bunker under the Kidnap Syndicate moniker. Harsh and disturbing psychotic industrial soundscape music telling tales of terror. Originally released on Endangered Species as a limited cassette in 2024. Remastered by Guy Tavares.

Mule Driver returns with his yearly 303 Day ritual release – a tradition dropped in acid. Leading the charge is “Stone Pine Nut”, an unfiltered acid banger recorded live, capturing the raw voltage and untamed pressure of his performances. No polish, no safety net, just the pure, driving force pushed to its limits. It’s sweat, pulse, and machine energy locked in the moment. Alongside it, “When Does the Everyday Become History” shifts the perspective inward. A contemplative 303 vamp circling themes of inner gaze and suspended time, it stretches and breathes while never losing its grip on the floor. Hypnotic, restrained, yet fully capable of holding dancers in its spell. Two movements within the same frequency – instinct and introspection.

Lonewolf marks its 20th release with a split EP from Log_In and Shkedul. Both artists deliver hypnotic, forward-thinking techno, driven by mantra-like repetitive patterns designed to move the body and free.

Skylax Records presents the second chapter in a landmark 4-part saga — a secretive and conceptual series uniting two titans of French electronic music: Arnaud Rebotini & Acid Washed. Following the acclaimed Winter Sequences (LAXBLACK 01) and Rebotini’s Musical Component, SKYLAX BLACK 3 pushes further into cinematic rave, electro, and techno territory. On the A-side, Artificial Darwinism ignites the EP with raw intensity — fusing early 2000s Blackstrobe energy, UR aggression, and cold wave tension into a hypnotic, funk-laced ritual. They Are Coming follows with darker, driving techno — mechanical yet alive, pulsing with paranoia and urgency. Flip to the B-side for Space Time 303, a dreamy ambient-acid trip evoking early R&S and IDM — ethereal, timeless, and drifting through time. Closing the EP, A Comet in the Northern Sky delivers melancholic electro in the spirit of Dopplereffekt and Drexciya, elevated by Rebotini’s analog mastery. A visionary statement — intelligent, bold, and essential.

Uncompromising 2 tracker from the duo FLML, recorded live in their studio through the use of analog synthesizers and drum machine. Both tracks draw influences from early Detroit techno and Chicago acid, moving towards wild trippy and gloomy sonic palette.

Ingo Hammer delivers four devilishly great burners on Industrial Lies. This time, his satanic majesty drops the sleazy, pulsating ‘Kneejerk’ and ‘Insane’, rewires body music with the robotic ‘Chinois’ before riding the D train to hell and back on the breakin’ ‘New York’. Each one is a guaranteed dance floor ‘hammer’.

Dystopia is closer than you think and TLXCO is letting you know through this immersive electro experience dissolving anything calcified within at least a miles range. All four tracks are as mesmerizing in the club as during a listening session. The second version of the title track introduces more distorted acid and intensifies the feeling of impending dystopia, leaving you in an eerie place in the dark. The ground is more of an acid slow burner, useful in many situations on the dance floor.

‘Shifting Bits’ marks the first full-length statement from 2:29, a rising young artist from the Netherlands. Rooted in shadowy, melody-streaked electro, the five original tracks (including one self-rework) revolve around the idea of transition and transformation. The title Shifting Bits reflects 2:29’s background as a software engineer: in computing, shifting bits alters values, creates new ones, or even causes loss, an irreversible process that parallels the way sound, workflow, and artistic intention evolve. Moving from DAW-based attempts to a more tactile hardware approach, these tracks capture the moment where experimentation starts crystallizing into a distinct voice. The cassette is rounded out by three remixes: a distorted and vintage-melodic rework from fellow Dutch producer Betonkust, a darker, driving version by Croatian veteran Le Chocolat Noir, and a contribution from Budapest’s Hadron Lundgren, his third appearance on the label, who reshapes the original into cold, atmospheric form.

A pioneer of the NYC underground returns to Psionic. After a highly sought after release in the label’s early years, Reade Truth delivers once again with the Life In Review EP. With decades of experience shaping the sonic landscape, his signature blend of analog vintage textures and modern flair shines across four diverse cuts. From hazy minimal electro and dusty broken beats to hypnotic, mind-bending energy, this is Reade Truth in full force. A vital new weapon in the Psionic arsenal from a legend, one of the true originals.

Dungeon Acid’s latest on Borft Records is a proper good example of new school acid house that manages to tap into dark, hypnotic energy but retains plenty of melodic sophistication. Across five tracks, the Swedish pioneer explores dreamy dubby textures, jazzy solos and glitchy, punky edges to create a parallel-universe version of what acid house could be in 2025. Standouts like ‘101-303’ and ‘Unlock Rewind’ showcase haunting elegance and tension-filled build-ups, while ‘Lonely Acid Boy’ and ‘Shnukki’ explore atmospheric contrasts and subtle melodic surprises. Closing with the chaotic yet compelling ‘Chiliflex BB’, the EP is full of contrast and acid house reinvention.