Jordi Santanach – Strata LP [CPM34]

Music aged in time, resonating from the surface to the core through layers and sediments of stones – the strata. Four morning recording sessions with a separation between them of between three and ten months – a chronozone that will rest for a time and on which the next one will be added, thus forming the total of the six pieces of the album – becoming six strata. A slow-moving album that develops landscapes of subtle but continuous evolution, where we find layers of diverse nature created from different procedures, bathed in the calm waters of wabisabi, where melancholy, immensity, insignificance, the potential of the unemerged, coexistence and simplicity converge at the same time

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Jordi Santanach – Strata LP [CPM34]

Glaring – Life On Other Planets Is Difficult LP [LXRC54]

Glaring’s release is a glorious feast of emotions. A journey into the deep, a fast rise above the sky, then back down again into the gloom. It’s incredible how many places she can guide you to. A mesmerising voyage through life, death, and everything in between. See the world through her eyes, let her machines obliterate you.

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Glaring – Life On Other Planets Is Difficult LP [LXRC54]

Modern Apartments – Light on Water LP [DE-362]

Modern Apartments arrive on Dark Entries, with Light on Water, an LP featuring 8 cuts of instrumental cosmic-kosmische analog synth workouts. Modern Apartments is Ryan Ambridge, the musician and producer best known for his work with dark synth projects Linea Aspera and Lust Pattern. While both of those outlets lean towards the greyscale and robotic, Ambridge wanted to explore a more colorful palette with Modern Apartments, a livelier, looser sound. The medium of film plays a major role here; Ambridge works as a projectionist, screening archival prints of 35mm and 16mm films, and the textures and temporality of the medium fed directly into the Modern Apartments aesthetic. But it isn’t all blurry edges and fuzzy optimism on Light on Water. Says Ambridge, “Regular beats from old rhythm boxes and the sharp angles of post-punk found their way in. The contrasting imagery from those old film prints, of dense cities and open countryside, is reflected back in the dialog between looser sounds and rigid stylistic choices.” This tension shines through on tracks like album opener “Completely,” which pairs the icy minimalism of John Foxx with the meandering grooves of Cluster, or the eponymous “Light on Water” which leans even further into the sun-bleached vibes of Roedelius.

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Modern Apartments – Light on Water LP [DE-362]

MPU101 – MPU108 LP [ITX046]

MPU101 is an enigmatic artist who has been tied to the cult Munich label Illian Tape for a while. The latest from the Poland-born, Bavaria-based producer is a glassy-eyed ambient album that is not polite background music, but more a world-building soundtrack. There are gentle MPC beats on occasion, swirling chords and pixelated pads, and plenty of forlorn moods. There is a fragility and vulnerability to much of the sounds that makes it feel like they were made on battered old hardware and dusty keyboards pulled from a storage facility that hasn’t seen daylight in years. It’s beguiling and beautiful and a great way to mentally escape.

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MPU101 – MPU108 LP [ITX046]

Solitary Dancer – SDIII [Y3000LP01]

Y-3, the pioneering sports-fashion collaboration between Adidas and Yohji Yamamoto, has for three decades dwelled calmly within the “tensions of existence”. In conceiving the brand’s long-awaited return to runway format at Paris Fashion Week, these codes laid the groundwork leading up to the Spring/Summer 2025 season. Whilst the focus for runway is traditionally placed on garments, models, styling, environment, and the pageantry in between— it was crucial that music play an integral role in the conversation. Three seasons later, sound has informed creative direction from the very earliest phases of ideation. Commissioning all-original compositions has become a natural part of this ideology. The return to runway has invited the opportunity to define a new sonic palette for the brand, and beyond that, to usher in a new era of sound for Y-3 that echoes across music & culture. Following this ethos, and with a mandate to support obscure talent, Montreal duo Solitary Dancer have emerged as the first collaborators in shaping the intimate brand architecture of noise & feeling.

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Solitary Dancer – SDIII [Y3000LP01]

Black Meteoric Star – Wet LP [DE-339]

‘Wet’ is the fifth full length album by Black Meteoric Star and the 10th release. Black Meteoric Star is a project Rayna started in 2006 when she was living in Berlin that brought together her life long love of dance music culture with spiritual themes, drag, and her formative experiences of S/M culture Black Meteoric Star has always had an avenger quality in Rayna’s life and creative work, and this iteration plays that role in response to the current political landscape. Wet celebrates the long standing shared history of electronic music and queer leather/SM culture and imagines a future where these two cultural expressions are re-connected.

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Black Meteoric Star – Wet LP [DE-339]

Sensible Soccers – Ep#2 The Remixes [8MM074X]

Sensible Soccers return to 8mm Records with a brand new remix EP featuring three true cult producers: Tolouse Low Trax, Danilo Plessow and Peaking Lights. Three remixes, three unique visions: a powerful meeting point between psychedelic dub, afro-futurism and forward-thinking club music.

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Sensible Soccers – Ep#2 The Remixes [8MM074X]

Reeko – 侍栽培四 [SAIBAI4]

The fourth release on Samurai Music sublabel SAIBAI comes from Spanish techno mainstay Reeko. True to his long-standing reputation for hypnotic sonics and rhythmic precision, Juan Rico builds on a recent run of activity on Samurai to offer up a densely packed, evocative pair of 160/170 BPM soundscapes. In keeping with the spirit of previous SAIBAI releases, Rico emphasises exploration on both sides of this new record as he draws out continually morphing textures that land between melodic expression and percussive impact.

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Reeko – 侍栽培四 [SAIBAI4]

Severed Heads – Cuisine (With Piscatorial) [DE-350]

Severed Heads reattach themselves to Dark Entries for an expanded reissue of their 1991 opus ‘Cuisine (With Piscatorial)’. As originary Aussie industrial legends – although founder Tom Ellard would balk at being branded as such – Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and infectious nursery-rhyme-esque melodies. Cuisine (With Piscatorial) was the long-running project’s ninth album, and is a commentary on the state of music. Ellard explains: “The whole food joke is really about what music’s about and how disposable it is; people have records like they have cups of coffee.” The album also presents a turn away from the dancefloor formalism of the era, which Ellard dismissed as already sufficiently explored. Cuisine brings us punchy pop kernels of the prime Heads variety, all clocking in around three minutes. Cuts like “Pilot in Hell” and “Ugly Twenties” rank among the band’s best through their deadly skewering of synth pop tropes. But the album also offers us a Piscatorial section, where Ellard felt free to “go fishing for ideas.” Here we get a taste of the project’s demented cut-up sensibilities, like on the “Quest for Oom Pa Pa” suite, where vintage jazz records are collaged into an angular nightmare. This double-LP reissue is the first time that Cuisine (With Piscatorial) will appear on vinyl, with a previously unreleased early version of “Seven of Oceans.”

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Severed Heads – Cuisine (With Piscatorial) [DE-350]

STL – Take Me To Your Leader LP [SOMETHING33]

STL’s music has always been free and imperfect – sketches rather than songs. He operates in a smoky and smoggy world somewhere between house, lo-fi, dub and ambient and his tracks always arrive fully formed, as if they are looping infinitely in some parallel dimension. ‘Take Me To Your Leader’ is another magnificent collection of all that, with sublime extended psychedelic workouts that range from the wonky, malfunctioning sounds of ‘M-Brainiac’ which is like the machines have taken over then realised they can’t cope, to the more cuddly and soft-edged but still ramshackle rhythms of ‘Fat Sunday’ which are as heady as can be. Brilliantly dusty and analogue as ever.

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STL – Take Me To Your Leader LP [SOMETHING33]

Play Time – Magic Object LP [BALMAT22]

Ben Vida, Will Epstein and Booker Stardrum; three Hudson Valley-based musicians whose individual CVs associate Nicolas Jaar, Darkside, Tyondai Braxton and Jefre Cantu-Ledesma, though Play Time sounds like no collaboration they’ve ever done so far. Forming through mutual habit, passion and convenience, Epstein and Stardrum relocated to the Hudson Valley in 2020-21, began playing at Vida’s house, and developed a residency at Tubby’s in Kingston. The new LP was recorded over two days in a converted wooden barn, live in one room, with no separation, resulting in a “polymetric pulse” minimalism more than the sum of its parts. Magic Object is really one such, its traditional scales and vintage textures climbing and flourishing like vines against a trellis of live drums from Stardrum, especially on our favourites ‘Q&A’ and ‘Waves Within Waves’. “Magic Object” is a polymetric blend of improvisation and pulse minimalism for saxophone, drums, and Moog.

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Play Time – Magic Object LP [BALMAT22]

Gūsū – Inhabiting Me [STRDXXVII]

Gūsū is a transcultural music project born from the confluence of two distinct artistic voices: Xueyan Chen and Nicolas Balmer. Together, they create a complex dialogue of sound that bridges the ancient and the modern, exploring the liminal spaces between tradition and experimentation. Gūsū returns with a second release, “Inhabiting Me” is their second release.

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Gūsū – Inhabiting Me [STRDXXVII]

Forest Drive West – Mantis 1920 LP [DSR/MTS1920]

Forest Drive West returns to Mantis with a double pack of crooked, finely chiseled rhythms and porous, tactile atmospherics. Hovering comfortably between the distinct energies of drum & bass and techno, Joe Baker has helped define the creative upsurge in crossover tempos and tones with a practice that focuses on mood and presence rather than genre tropes. His first releases appeared 10 years ago on influential labels like Livity Sound, Rupture and Hidden Hawaii. He reconvenes on Mantis after delivering the first release for the Delsin series back in 2020. The scope across these eight new tracks is steeped in Baker’s trademark restraint and subtlety, but equally he explores a broad scope of energies and tempos. From ambient, spacious downtempo and slow-motion, heavily dubbed drum mantras through to crisp, techy drum funk and dancehall-coded swagger, the range within the distinctive Forest Drive West sound is more versatile than ever. It’s a range cemented further by the guest appearances on the album, as Patrick Russell comes on board for snarling, D&B-coded workout ‘Uromastyx’ and DB1 lends his chops to mesmerising closing breakbeat trip ‘Planes’. Exquisite sound design with a mysterious streak binds these various approaches together. With club impact matched by spatial immensity, Mantis 1920 furthers the surefooted, intentional sound Baker has been shaping out as Forest Drive West for the past decade.

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Forest Drive West – Mantis 1920 LP [DSR/MTS1920]

Ensemble Infini – Volume ∞ [CM0202226]

L’Ensemble Infini is an intergenerational octet bringing together some of Montréal’s most active experimental musicians around around drummer Guy Thouin, a leading figure in Quebec’s counterculture (Quatuor de jazz libre du Québec, L’Infonie). With its debut album Volume ∞, the group draws on six decades of creativity to produce music that is open, dense, and fluid, where free jazz, collective improvisation, electronic textures, and kaleidoscopic collages drift together in a unified psychedelic flow.

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Ensemble Infini – Volume ∞ [CM0202226]

Mick Harris – Culvert Dubs Session 7 [LIES219]

Another massive offering from the one and only Mick Harris, continuing on in his Culvert Dubs Sessions experimentations with a new 2xLP. Once again Mick delves deep into the shadow realm of slow beat, psychedelic heavily textured, grinding dub techno. Eight tracks of absolute industrialized, delay swept, full pressure, sound system shaking murk ridden, dark water dubs. Top form work when Mick lets loose in this wild style, just the right balance of beauty, restraint and brutality. Total heavy weight music.

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Mick Harris – Culvert Dubs Session 7 [LIES219]