Severed Heads – Cuisine (With Piscatorial) [DE-350]

Severed Heads reattach themselves to Dark Entries for an expanded reissue of their 1991 opus ‘Cuisine (With Piscatorial)’. As originary Aussie industrial legends – although founder Tom Ellard would balk at being branded as such – Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and infectious nursery-rhyme-esque melodies. Cuisine (With Piscatorial) was the long-running project’s ninth album, and is a commentary on the state of music. Ellard explains: “The whole food joke is really about what music’s about and how disposable it is; people have records like they have cups of coffee.” The album also presents a turn away from the dancefloor formalism of the era, which Ellard dismissed as already sufficiently explored. Cuisine brings us punchy pop kernels of the prime Heads variety, all clocking in around three minutes. Cuts like “Pilot in Hell” and “Ugly Twenties” rank among the band’s best through their deadly skewering of synth pop tropes. But the album also offers us a Piscatorial section, where Ellard felt free to “go fishing for ideas.” Here we get a taste of the project’s demented cut-up sensibilities, like on the “Quest for Oom Pa Pa” suite, where vintage jazz records are collaged into an angular nightmare. This double-LP reissue is the first time that Cuisine (With Piscatorial) will appear on vinyl, with a previously unreleased early version of “Seven of Oceans.”

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Severed Heads – Cuisine (With Piscatorial) [DE-350]

STL – Take Me To Your Leader LP [SOMETHING33]

STL’s music has always been free and imperfect – sketches rather than songs. He operates in a smoky and smoggy world somewhere between house, lo-fi, dub and ambient and his tracks always arrive fully formed, as if they are looping infinitely in some parallel dimension. ‘Take Me To Your Leader’ is another magnificent collection of all that, with sublime extended psychedelic workouts that range from the wonky, malfunctioning sounds of ‘M-Brainiac’ which is like the machines have taken over then realised they can’t cope, to the more cuddly and soft-edged but still ramshackle rhythms of ‘Fat Sunday’ which are as heady as can be. Brilliantly dusty and analogue as ever.

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STL – Take Me To Your Leader LP [SOMETHING33]

Play Time – Magic Object LP [BALMAT22]

Ben Vida, Will Epstein and Booker Stardrum; three Hudson Valley-based musicians whose individual CVs associate Nicolas Jaar, Darkside, Tyondai Braxton and Jefre Cantu-Ledesma, though Play Time sounds like no collaboration they’ve ever done so far. Forming through mutual habit, passion and convenience, Epstein and Stardrum relocated to the Hudson Valley in 2020-21, began playing at Vida’s house, and developed a residency at Tubby’s in Kingston. The new LP was recorded over two days in a converted wooden barn, live in one room, with no separation, resulting in a “polymetric pulse” minimalism more than the sum of its parts. Magic Object is really one such, its traditional scales and vintage textures climbing and flourishing like vines against a trellis of live drums from Stardrum, especially on our favourites ‘Q&A’ and ‘Waves Within Waves’. “Magic Object” is a polymetric blend of improvisation and pulse minimalism for saxophone, drums, and Moog.

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Play Time – Magic Object LP [BALMAT22]

Gūsū – Inhabiting Me [STRDXXVII]

Gūsū is a transcultural music project born from the confluence of two distinct artistic voices: Xueyan Chen and Nicolas Balmer. Together, they create a complex dialogue of sound that bridges the ancient and the modern, exploring the liminal spaces between tradition and experimentation. Gūsū returns with a second release, “Inhabiting Me” is their second release.

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Gūsū – Inhabiting Me [STRDXXVII]

Forest Drive West – Mantis 1920 LP [DSR/MTS1920]

Forest Drive West returns to Mantis with a double pack of crooked, finely chiseled rhythms and porous, tactile atmospherics. Hovering comfortably between the distinct energies of drum & bass and techno, Joe Baker has helped define the creative upsurge in crossover tempos and tones with a practice that focuses on mood and presence rather than genre tropes. His first releases appeared 10 years ago on influential labels like Livity Sound, Rupture and Hidden Hawaii. He reconvenes on Mantis after delivering the first release for the Delsin series back in 2020. The scope across these eight new tracks is steeped in Baker’s trademark restraint and subtlety, but equally he explores a broad scope of energies and tempos. From ambient, spacious downtempo and slow-motion, heavily dubbed drum mantras through to crisp, techy drum funk and dancehall-coded swagger, the range within the distinctive Forest Drive West sound is more versatile than ever. It’s a range cemented further by the guest appearances on the album, as Patrick Russell comes on board for snarling, D&B-coded workout ‘Uromastyx’ and DB1 lends his chops to mesmerising closing breakbeat trip ‘Planes’. Exquisite sound design with a mysterious streak binds these various approaches together. With club impact matched by spatial immensity, Mantis 1920 furthers the surefooted, intentional sound Baker has been shaping out as Forest Drive West for the past decade.

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Forest Drive West – Mantis 1920 LP [DSR/MTS1920]

Ensemble Infini – Volume ∞ [CM0202226]

L’Ensemble Infini is an intergenerational octet bringing together some of Montréal’s most active experimental musicians around around drummer Guy Thouin, a leading figure in Quebec’s counterculture (Quatuor de jazz libre du Québec, L’Infonie). With its debut album Volume ∞, the group draws on six decades of creativity to produce music that is open, dense, and fluid, where free jazz, collective improvisation, electronic textures, and kaleidoscopic collages drift together in a unified psychedelic flow.

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Ensemble Infini – Volume ∞ [CM0202226]

Mick Harris – Culvert Dubs Session 7 [LIES219]

Another massive offering from the one and only Mick Harris, continuing on in his Culvert Dubs Sessions experimentations with a new 2xLP. Once again Mick delves deep into the shadow realm of slow beat, psychedelic heavily textured, grinding dub techno. Eight tracks of absolute industrialized, delay swept, full pressure, sound system shaking murk ridden, dark water dubs. Top form work when Mick lets loose in this wild style, just the right balance of beauty, restraint and brutality. Total heavy weight music.

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Mick Harris – Culvert Dubs Session 7 [LIES219]

DYL & Roberta – Anchorat LP [Anchorat001]

Anchorat is an 8 track album built from the first eight pieces of two separate releases published on Achordat. The project explores the idea of being “anchored” in a sea composed entirely of Achordat soundsfluid, shifting, and alive.
The same sonic relics used to generate the original tracks have been reworked, recontextualized, and set into motion once again. Rather than remaining fixed, these elements evolve, reflecting the organic nature of Achordat’s sound palette where tones are never static, but continuously transforming. This album is not just a reconstruction, but a re anchoring: a return to familiar material that reveals new forms through change, repetition, and time.

DYL & Roberta – Anchorat LP [Anchorat001]

Architectural – Liminal Dancery [DSR/C27]

After debuting on Delsin in 2023 as Reeko, Spanish techno icon Juan Rico now steps up as Architectural to present his second EP on the Amsterdam based label. Where Reeko is known for his adventurous, highly energized, broken techno bangers, his approach as Architectural is more fine-drawn. Over the course of four tracks, his tracks build slowly into immersive pulsations, pushing deep frequencies into captivating rhythm grooves layered with mesmerizing atmospheres.

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Architectural – Liminal Dancery [DSR/C27]

Spirit Level (Miles Spilsbury & Gorse Panshawe) – Spirit Level LP [ND014]

Following on from his debut album, Miles Spilsbury returns to New Dawn with Spirit Level. A new project in collaboration with close friend Gorse Panshawe (Slugabed – who also produced Miles Spilsbury’s first album Light Manoeuvres). Recorded over one weekend in a weaving shed in Frome, in the English countryside. Surrounded by reels of yarn, they explored with saxophones, flutes, dusty old keyboards & drum machines. The resulting record conjures the murk and moss of Forestland and grounds with grooves from the Bongo setting on a Casio keyboard. Jake Long added mallet drums from his London studio to round off the album.

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Spirit Level (Miles Spilsbury & Gorse Panshawe) – Spirit Level LP [ND014]

ARMOR – Love Chaos LP [PNKMN61]

ARMOR, a new alias by Pascal Pinkert (Ambassade / Dollkraut). A few years ago he visited Turkey and Lebanon to collaborate with artists such as trip-hop legend Zeid Hamdan and Egyptian singer Maii. While many of these recordings found their way into Dollkraut releases, revisiting the material sparked the need for a new outlet. With ARMOR, Pinkert dives deeper into the space between folk traditions and electronic experimentation. Hypnotic drones merge with Middle Eastern percussion, while subtle rhythmic structures fuse with immersive soundscapes.

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ARMOR – Love Chaos LP [PNKMN61]

Fauna – Taiga Trans LP [GB183LP]

Taiga Trans, the debut album from Gothenburg-based group Fauna, is a hypnotic collision of krautrock propulsion, psychedelic ritual, and subterranean rave energy. The eight-piece Swedish outernational collective channels a multicultural, multidimensional sound that feels both deeply rooted and otherworldly. Think Goat’s feral mysticism, Can’s motorik drive, and a dancefloor at its most transcendental. Electronic textures whoosh like solar winds. Quiet percussion sighs and chatters. A jaw harp sets up a twanging bounce. An ancient saz introduces a taut riff. Suddenly a high-strung electric guitar scorches and a deep, booming bass groove drops with a four-to-the-floor kick drum thud.

vinyl / CD

Fauna – Taiga Trans LP [GB183LP]

The Wheel of Rituals – Contextual Devices and Systems [CM27]

The Wheel of Rituals, ‘Contextual Devices and Systems’ (2026). Concept and art by R.A. User. Digital audio, digital photography (and found footage), music composition, album, two-sided lathe cut recorded and riso print. Duration: 58 minutes (album), 10min 35s (lathe), 24 pages zine. This publication presents two modalities of archaeological inquiry: various items and material remnants salvaged from post-conflict landscape of northern France, and recontextualized digital captures extracted from contemporary popular media. Through processes of cut-up poetry, these temporal artifacts generate new intertextual configurations: audio graphics. The juxtaposition of geographical and media archaeologies functions as a literary methodology for examining conditions of contemporary culture – each fragment serving as contextual device within a speculative system of meaning.

The Wheel of Rituals – Contextual Devices and Systems [CM27]

Bill Converse – Zone Zone LP [FRS036]

Bill Converse should be a household name in every heads abode. He’s been DJing live with 3+ turntables since he was a teenager, always under the same name. Unfathomably envious record collection. Your favorite DJs as well as very likely your favorite DJ. Whether it is DJing or a live set, his presentation is head-spinning, hard-edged but hypnotic. His avalanching drum programming is as recognizable as Coltranes timbre. His records have been released on Dark Entries, Fit Sound, Texas Recordings Underground, Tabernacle Records, Immortal Sin, Acid Test, Feral Colony and Obsolete Future. Now Fixed Rhythms presents a 2×12 pack of Bills characteristically bewildering excellence. The first 12” has four cuts. Woozy, heavy, bombastic machine workout opener “Stress Test” followed by the tension peaking sustainer “ZoneZone” on the A side. On the B side, “770” brings us to a new place of plucky bass lines and unconventionally tuned drum workouts, with “lure me” closing the first 12” with flexing low-end, percussive stabs syncopated with heavy snaredrum riffing.

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Bill Converse – Zone Zone LP [FRS036]

VA – Former Friend [HUNGER005]

The ‘former friend’ V/A compilation sits with friendship in all its forms. Pure, ecstatic, everlasting. Ruptured, slow drifting, fast drifting, pretending to be strangers. Some things don’t last forever but this collection of unhinged West Coast energy, occult alchemy, and swampy electronics, just might.

VA – Former Friend [HUNGER005]

ARMOR – La Balade de Misrakis Feat. Feras Turk [PINKMAN] [FREE DOWNLOAD]

ARMOR, a new alias from Pascal Pinkert (Ambassade / Dollkraut). La Balade de Misrakis is the first single from the upcoming album Love Chaos, out this spring. A few years ago he visited Turkey and Lebanon to collaborate with artists such as trip-hop legend Zeid Hamdan and Egyptian singer Maii. While many of these recordings found their way into Dollkraut releases, revisiting the material sparked the need for a new outlet. With ARMOR, Pinkert dives deeper into the space between folk traditions and electronic experimentation. Hypnotic drones merge with Middle Eastern percussion, while subtle rhythmic structures fuse with immersive soundscapes.

ARMOR – La Balade de Misrakis Feat. Feras Turk [PINKMAN] [FREE DOWNLOAD]

Smackos – Come for the Universe Stay for the Clowns LP [NW048] [FREE DOWNLOAD]

Danny Wolfers presents a brand new Smackos album as name-your-price on his bandcamp page. ‘Come for the Universe Stay for the Clowns’ is dedicated to the memory of Koen van Someren Gréve and includes nine synthetic hardcore ambient synth folk ballads.

Smackos – Come for the Universe Stay for the Clowns LP [NW048] [FREE DOWNLOAD]