H.E.I.M. Elektronik & MAS 2008 – Electronic Corporation 1998–2006 [MNQ165]

Mannequin Records present “Electronic Corporation 1998–2006”, a compilation bringing together rare and long unavailable recordings by the German electronic projects heimelektronik and MAS 2008. Active around the turn of the millennium, both projects share the involvement of producer Ive Müller while developing distinct collaborations and approaches to electronic music. H.E.I.M. Elektronik was founded in 1996 by Holger Erlenwein and Ive Müller (after the two artists split in 1999, Müller continued using the name), while MAS 2008 is the project of Ive Müller together with René Kirchner. Though separate entities, the two projects explored a similar sonic territory: stripped-down electro, minimal electronics and machine-driven body music shaped by analog hardware and a raw DIY production ethos. The roots of Müller’s work go back to the final years of the DDR. As a teenager he worked as a licensed DJ — officially known as a “Schallplattenunterhalter” — operating a travelling disco across Saxony. With limited access to official Western releases, music circulated through cassette recordings taped from West German radio stations such as RIAS Berlin, NDR2 and Bayern3. Together with friends he travelled between youth clubs and discos around Leipzig with a “rolling discotheque”: a Russian Wolga pulling a trailer loaded with Electro-Voice sound systems sourced through the black market. At the turn of the 2000s this background in underground electronic culture resurfaced in a series of recordings rooted in electro, EBM and minimal machine music. The tracks collected here capture this moment: cold sequences, driving rhythms and stark synthetic textures produced with a direct and uncompromising approach.

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H.E.I.M. Elektronik & MAS 2008 – Electronic Corporation 1998–2006 [MNQ165]

Nu Vision – The Seed LP [NATION]

Nu Vision is a modern salon for visionary leaders, fighting for their art, standing by truths, defending voices, honoring progenitors, whilst pushing forwards towards a new paradigm. The band all have their own stories and extensive discographies, records released on labels you might know, gigs played in places you might have attended but none of that matters. This is a new beginning. A group. A collective. A movement. Nu Vision is a band in the classic do-you-believe-in-alchemy sense. Equal parts rhythm, damage, and deep feeling. The palette of ‘The Seed’ is defined and refined in the best way. It’s an album that opens up many pathways. Brisker, freakier tracks like “Shadow In The Dark,” “R U Serious?” and “Humanity” run towards a softer finish with “Somedays” and the seven-minute, eyeliner-smearing closing ballad, “Lullaby Garden.” These are proper songs made with vintage machines, with a sound that carries obvious influences. It’s important to note the emotional core of ‘The Seed’ album is the song ‘Synchronicity’ that is filled with both love and regret, the story of losing a friend without properly making amends. It is unquestionably heartbreaking, but is also delivered with a pang of hope, the feeling that with so many sunrises caught, so many additions and subtractions in life, a perspective has been gained. This is no freshman effort; but rather, a masterclass in continuing sonic education, delivering a unified experience from beginning to end.

Nu Vision – The Seed LP [NATION]

80% Baul – Música Para Caminar LP [OR151]

“Música Para Caminar” is the new album by 80%Baul, and the record that confirms his definitive leap from revelation to legend. Rooted in a dark, introspective sensibility, Música Para Caminar also connects seamlessly with the vitality of today’s Spanish underground. Once again, 80%Baul surprises with songs that function as poems – bleak, incisive reflections on a decaying, dystopian present. More than music, Música Para Caminar is a statement: music with intention, depth, and meaning – an artistic vision that transcends genre and cements 80%Baul as one of the essential voices of contemporary Spanish post-punk.

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80% Baul – Música Para Caminar LP [OR151]

Alone in My Room – II [OR149]

“II” is the second album by Californian post-punk heroes Alone in My Room. Continuing their exploration of isolation and urban tension, the band sharpens their stark, stripped-down sound, blending cold-wave severity with lo-fi intimacy. Pulsed basslines, detached vocals, and raw, close-mic’d production create an atmosphere that feels oppressive yet deeply personal. Following their 2020 debut Alone in My Room—a claustrophobic, late-night statement—the band pushes further into darker, more confrontational territory, solidifying their place in modern underground post-punk scene.

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Alone in My Room – II [OR149]

 The Midnight Computers – Dark Disco Vol. 1 [WCR003LP]

Diving deeper into electronic realms, The Midnight Computers return with a new LP where coldwave meets hypnotic dark disco, on Worst Crime Records. Staying true to their signature brooding atmosphere, the band explores a more synthetic sound, blending pulsating beats, driving basslines, and icy melodies.

 The Midnight Computers – Dark Disco Vol. 1 [WCR003LP]

A² – Das Beste Aus Hagen Redux LP [OR146]

Das Beste Aus Hagen Redux is an icy transmission from the early circuitry of European minimalism. A² revives the pulse of proto-electro with surgical precision—pure voltage, no excess. Cold synth lines snake through monochrome rhythms, delivering drama without decadence. It’s music for neon-lit silence and synthetic nostalgia, built from tape hiss, static tension, and analog dreams. Minimal synth stripped to the bone—resistant, elegant, and eternal.

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A² – Das Beste Aus Hagen Redux LP [OR146]

Bound By Endogamy – Steamy Highways Have No End [PNKMN060]

After the storm of their self-titled debut, Geneva duo Bound By Endogamy return to Pinkman with an album that trades brute force for precision. The rage remains, but it’s sharpened, disciplined, and driven by melancholy rather than rupture. Their minimal synth and industrial instincts rise to the surface, carving out room for melody without softening their confrontational edge. Angular basslines coil beneath Kleio Thomaïdes’ voice, at times detached and at times devastating, while Shlomo Balexert’s drum programming and synth work build a taut metallic tension. The result is both intimate and mechanical: love songs for disenchanted souls, post-punk electronics stripped to the bare wire. Bound By Endogamy have always blurred the line between performance and survival, and here they do it with minimal gestures and maximum impact.

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Bound By Endogamy – Steamy Highways Have No End [PNKMN060]

F.U.R.O. – Hooked [SAMO021]

Samo Records brings the Italian trio F.U.R.O. into the fold. Their three original cuts twist together post-punk tension, cold-wave atmospheres, and leftfield electronics – raw, shadowy, and each with its own momentum. On remix duties, Italo Brutalo reimagines the title track into a peak-time rave weapon, injecting touches of acid and elevating the already powerful vocals.

F.U.R.O. – Hooked [SAMO021]

VA – Sing Me Something Sinister [SEJA024]

“Sing Me Something Sinister” is like a cinematic sound document from outer space, featuring a collection of European underground artists from the coldwave/industrial scene such as Das Noir, Sololust, Bragolin, Adam Tristan and others covering a wide range of coldwave, electro, post-punk, and EBM. An ultimate overview of the European dark underground scene pressed in limited edition by Seja Records

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VA – Sing Me Something Sinister [SEJA024]

L.F.T – Hell Was Boring LP [MNQ170LP]

Between 2023 and 2025, L.F.T. split his time between Hamburg and Berlin, slowly piecing together what would become his most ambitious work to date. The result is ‘Hell Was Boring’ a double album that plays like a fever dream, unfolding as a dark, mythical tale about life, death, and the strange spaces in between. L.F.T. – the alias of German producer and multi-instrumentalist Johannes Haas – has always thrived on tension: between punk urgency and electronic precision, between raw emotion and mechanical repetition. On Hell Was Boring, those tensions are amplified. Drawing on the spectral drama of Bauhaus, the melancholic minimalism of Linear Movement, the futuristic romanticism of Gary Numan, and even the sly swagger of Falco, the album feels at once deeply personal and part of a much older musical lineage. The sound is stripped down to its bones: drums snap and rattle from a Roland TR-808, TR-707 and Korg KR-55; basslines growl from a Roland SH-101 and Korg MS-20; shards of guitar cut through clouds of tape hiss. Everything was tracked to a Teac Tascam 80-8 reel-to-reel, giving each track a lived-in, imperfect warmth. Nothing is overpolished – L.F.T. wanted the listener to hear the edges, the grit, the moments when the music almost comes apart. Along the way, he invited friends and long-time collaborators into the fold – Das Kinn, Rosaceae, Felix Kubin, Children Of Leir, and Konstantin Unwohl – each leaving their own fingerprints on the record’s world of shadows and static.

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L.F.T – Hell Was Boring LP [MNQ170LP]

Leroy Se Meurt – Hier Pour Toujours LP [MNQ168LP]

Two years after their debut on Berlin’s Mannequin Records, Leroy Se Meurt return with their second album, ‘Hier Pour Toujours’. Far from nostalgic, the record mirrors the bleakness of our times: history repeats itself, the future looks dark, and the duo’s fierce electronic punk is its perfect soundtrack. Drum machines set the march, synths flood the space, loops spiral to exhaustion, and vocals lead this orchestra of machines straight into the fire. Leroy Se Meurt sharpen their roots into something even more relentless—bold slogans, narrative fragments, and anthems made to be shouted together. ‘Hier Pour Toujours’ isn’t any more optimistic than their debut—but it still insists on belief. The end hasn’t come yet, and maybe, just maybe, there’s still light waiting on the other side.

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Leroy Se Meurt – Hier Pour Toujours LP [MNQ168LP]

Anna Funk Damage – Tarantola LP [RWCLTR029]

Hailing from Raw Culture, Anna Funk Damage returns with his third release on the Roman label, delivering a record as fierce as it is intimate. ‘Tarantola’ was born out of a winter suspended between contrasting emotions – melancholy, anger, love, confusion – distilled into a sound that transforms personal fragility into collective energy. There’s no pursuit of perfection here, but rather an urgency running through the veins, taking shape across supersonic punk, wave, ambient and industrial. Hailing from Raw Culture, Anna Funk Damage returns with his third release on the Roman label, delivering a record as fierce as it is intimate. Tarantola was born out of a winter suspended between contrasting emotions – melancholy, anger, love, confusion – distilled into a sound that transforms personal fragility into collective energy. There’s no pursuit of perfection here, but rather an urgency running through the veins, taking shape across supersonic punk, wave, ambient and industrial.

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Anna Funk Damage – Tarantola LP [RWCLTR029]

Years of Denial – Love Cuts EP [VEYL045]

Prolific duo Years of Denial return to Veyl with another genre bending, dance floor ready EP titled Love Cuts. Acting as a transit between 2023’s Suicide Disco 2 and the forthcoming Suicide Disco 3, Love Cuts explores the various angles of love – ranging from the digital to the forbidden, toxic to erotic and beyond. A blend of death rock, future goth, EBM and rave, we once again find the project’s poetic, powerful lyrics fusing with motorized beats and 4×4 rhythms.

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Years of Denial – Love Cuts EP [VEYL045]

VA – Nihon No Wave 2 [MEC099]

Japan’s electronic music scene has always stood out as uniquely distinctive. In the late 1970s and early 1980s, a wave of underground projects, bands, and independent labels – primarily based in Tokyo and Osaka – began crafting their own sound. Inspired by the post-punk, new wave, and experimental movements emerging from Europe and North America, these artists embraced a DIY ethic, using whatever technology they had access to in order to forge something entirely their own. This movement, often referred to as the “Nippon-wave” scene, remained largely hidden from the outside world. Many of its releases – on cassette tapes, flexi-discs, and privately pressed vinyl – never distributed beyond Japan’s borders, making them rare treasures for the few who managed to discover them. “Nihon No Wave” presents a selection of these long-overlooked recordings, making them accessible to listeners beyond Japan for the first time. This is Nihon No Wave part 2.

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VA – Nihon No Wave 2 [MEC099]