Nocturnal Emissions has been one of the best kept secrets of the industrial genre since the 1970s. Led by Nigel Ayers, the band was one of the first to use tape cutting, avant-garde art, and underground video works to create a stage experience that was being cultivated by like-mindedartists like Throbbing Gristle and Cabaret Voltaire. The band moved on to using samplers and electronic noise in their early 80’s work, creating a twisted funk sound that would go on to influence everyone from Foetus to Negativland. They still utilized their former tricks, upping the ante with extremist performance art and more professional video displays. The group avoided signing to a major label, instead focusing on releasing their own music more effectively. They followed this path into the 90’s when they started http://www.earthlydelights.co.uk, an incredibly detailed website that promotes their various ideologies (they are strongly against the British monarchy and believe that citizens should have unlimited access to space travel) and constant release schedule. The band has released countless tapes and CDs of their material, and continues to unleash their noise through their website.
Autumns is the solo project of Christian Donaghey, from Derry, Northern Ireland. 2017 sees the eagerly anticipated release of his debut full length record “Suffocating Brothers”. On “Suffocating Brothers” Autumns presents a resolute nine track culmination of the fierce audacity that has come to define and distinguish the project since an assured first emergence in 2013. Written and produced over the course of six months, between July and December 2016, it’s an album that comes as a momentous and devastating fulfilment of what the Autumns project has outlined with increasingly ruthless intent over the last few years.
‘Redeemer’ is the brutally seductive debut album by Phase Fatale, a key player in the recent charge of EBM and post punk-informed industrial techno infecting ‘floors from his home city, NYC to his DJ residency at Berghain. In Dominick Fernow’s Hospital Productions, Phase Fatale finds a fitting home for his personalised brand of clinical, rictus rhythm programming and searing synth and guitar lines, adding a vital streak of black and blue electric energy to the legendary label in its 20th year of cultish operation. In seven parts, ‘Redeemer’ follows the direct, his deeply personal realisation of weaponised sonics, upholding a strong tradition of techno as a prophetic exercise or ritual to gird dancers and listeners for the onset of future war. It presents Phase Fatale as an ultimate emissary of electronic violence and domination in the process, steeling the limbic system and muscle memory thru a fine-tuned disciplinarian approach to pharmacokinetics and biomechanics.
The twelfth Modal Analysis release brings Athens based Morah to the frontline of the label’s roster, along with the New York based, Vapauteen on the remix duties. Voltage EP carries 3 original tracks by the Greek electronic music producer, along with a very special reintrpretation by the American artist, also known as Shawn O’Sullivan. Aesthetics vary from slow and hypnotic rhythms to driving EBM riffs and harshly distorted percussions. Morah approaches the sound of Modal Analysis while maintaining his distinct charachter as a producer, using here field recordings and processed vocals.