Aleatory Chaos compilation has been one of the most successful releases to date at Oráculo Records, both in sales and in pro press reviews. Now it’s time to reveal a new chapter including dark synth and dark guitar / post – punk future hymns by newcomers such as Etalon & Snem K, Dissident and Pindrops or by already known projects as Synths Versus Me or The Present Moment.
The piece de resistance of the ‘Collected 1984 – 1989’ project, all the music on this LP has never been heard before, except for a single tune released on a rare 7” in 1988. The track selection and sequence is the result of Ducret & Isar closely listening to the many hours of unreleased material Desaever shared with them. Saved from oblivion and irremediable decay, the music on this LP is now just waiting to be played and listened as well as to inspire.
Musique Pour La Danse presents its latest “Collected” anthology. Side A is a reissue of the highly sought after Disdain EP from 1988 by White House White. Side B contains three previously unreleased tracks in a similar spirit to WHW’s sound with a dark and sleazy atmosphere.
Claudio Mate and Francesco Mazzocco introduce the 5th release of Dub-ito, a selection from Wolfgang Reffert’s project, from the end of the 80’s, Dark Star. ‘Mix Tape 1989 -1991’ is a exclusive collection of Dark Star past tapes works. Dark atmosphere influenced by Post Punk , EBM, Noise, Industrial, it’s Wolfgang’s trademark in over 30 years of career, which makes his debut on vinyl.
Mannequin Records and Platform 23 come together to start a series of stand-alone reissues of the music of post-punk / industrialists Bourbonese Qualk, starting with their 1983 album Laughing Afternoon. Formed in Southport during the late-70s, the band came to prominence out of South London’s squat scene via their own Recloose Organisation. Early releases including the band’s first experiments put to tape and the now highly sought after Sudden Departure compilation featuring luminaries Colin Potter, Eg Oblique Graph (Bryan Jones) and Lol Coxhill, laid the foundations of their burgeoning sound. Recorded and produced at the Recloose Studios in Camberwell in 1983, Simon Crab, Julian Gilbert and Steven Tanza infused their music with politically charged atmospherics, instrumental exploration, heavily laden reverb and dub, all projected by drum machine rhythms to assemble a musical collage which encapsulated strands beyond contemporary music. Track titles decipher little, as with the music, a discourse not belonging to a set style or movement, but crossing boundaries of supposition, pushing distortion and outernational leanings towards something else, a primordial discant. While tape loops warp the ears and spoken vocals propel songs like Blood Orange Bargain Day and To Hell With The Consequences and contrasting guitar acoustics pierce the mood on Qualk Street and Spanner In The Works, the overall embrace is claustrophobic, embedding a foreboding for the times. This unique, indulgent, cross genre melting pot where pounding rhythms, wailing trumpets, mournful melodica and electronic pulses all spiral in a contagious dissonance that heralded Bourbonese Qualk to the wider world.