The 2022 edition of the Ombra Festival will start tomorrow in Barcelona, with a location change. The festival program was suppose to take place for the last time at UTOPÍA 126, but the new owners of the location canceled in September Ombra’s reservation. Probably this beautiful industrial relic will make space for something more modern and cost efficient construction.Continue reading “Ombra 2022”
The 2022 edition of the Ombra festival will take place from November 24 to 27 in Barcelona. Ombra is a project born from the hand of agency Ombra Agency and label Oraculo Records with the aim of creating a meeting place for lovers of analogue and avant-garde sounds that do not fit in the current cultural offer.Continue reading “Ombra Festival 2022 – Barcelona”
Third number in the DDS split series sees Budapest duo SILF (alias Farbwechsel chief-operators Alpar & S Olbricht) and Den Haag-based pair Intergalactic Gary and Pasiphae join forces on a quartet of elusive, unpigeonholeable power moves. I-G and Pasiphae are back at it with two left-of-centre hybrids of futuristic techno on a whirring electro-industrial tip. An off-kilter jam percolating fine hints of spiritual elation and post-apocalyptic anxiety, “Microwaves” gets the ball rolling on a dichotomous note. To slo-scudding flocks of loud, bouncy kicks supersede skeins of brittle chimes and rattling drums, all woven together by subtle tectonic shifts of moody pads. A further hi-intensity affair, “Indistinct Chatter” drives that essential heavenly/nightmarish duplicity to higher spheres of consciousness. Fusing lighthearted, daydreaming tonalities with brooding, cavernous onslaughts from the depths, the track has us navigating in a zone of its own, deftly oscillating betwixt moments of mystique-imbued euphoria and darkling introspection. A choice exponent of the Hague-based dyad’s capacity at busting antiquated patterns and limitations. Having slept in the label’s vaults for a few seasons, the two tracks composing the B-side emerge from their slumber in all their time-proof bravura. An in-your-face trampler, the ten-minute long “Mono Miner” takes no byway to get its point across, all set to smash basements and warehouses by the dozen with its electrifying compound of 909-emulated gut churn and spinning synth arpeggios circling like birds of prey over your sore, rhythm-enslaved carcass. Closing the journey on a much softer, hazier vibe, “Aces” steers us towards a realm of ambient wonder, where slo-drip cascades of tapping percussions and elegiac synth waters flow into warm, glimmering summer beds. A most contrasting, tranquillising finale to an EP defined by its propensity to change colours and intensity throughout.
Brokntoys return with the second volume of Casting Shadows this time featuring three secret gems selected by Intergalactic Gary. A true music archaeologist and one of the leading lights of the Netherlands’ West Coast scene for over 30 years, his knowledge spans across genres and decades. Opening proceedings on the A side, we go back to one of Andrea Benedetti’s acid classics – this time revisited at 33RPM, morphing it into a slow-burning dancefloor grinder. On the B-side, Italo disco duo GAG get a re-airing of their lost classic Flyin’ Bolero. QUAD, the UK duo formed by Mark Carroll and Pete Diggens, closes the EP with a deep breakbeat excursion originally released on Kinetix.
Two years after the drop of his latest solo effort, ‘Strangers’, Budapest cross-dimensional vibes trader Imre Kiss clocks in on Dalmata Daniel with the eagerly awaited followup to his widescreen, sci-fi ready sonic adventures. Here again, the Hungarian producer – who’s made a name for himself through discerning blends of kosmische-infused nostalgia and uplifting emotional apexes, takes us off to a world of sense-awakening wonders and hidden alien treasures, well supported in his quest by Den Haag’s legend Intergalactic Gary, up on the flip with a heat-seeking belter of a remix.
“Releases by Intergalactic Gary are few and far between. Besides a handful of collaborations such as The Parallax Corporation (with I-F) and with Pasiphae, the must-know DJ from Den Haag has largely been about his talent behind the decks. We are thus extremely honoured to have him break the mould with us for his first solo EP release in 15 years — ’Signs of Disarray’. Injecting a fresh spirit amidst today’s mass productions, the sounds will immediately capture vintage ears. The pacing well measured, the storytelling a precious capsule from a time past.”
Here are some recordings from this year’s Dekmantel Selectors festival.
The highlights for us were Mick Wills, who opened the festival for us on Thursday, Solar, who we are really happy to finally hear live for the first time and the b2b between Intergalactic Gary & Pasiphae which marked the closing of festival for us on Monday. Another premiere for us was listening for the first time live the Romanian duo Khidja. They really rocked the place and the chilling rain made it even more memorable. Also Rabih Beaini‘s three hours ritualistic performance at sunset was one of the best performances from the festival.
One of the highlights of the festival was the IFM Boat Party with Identified Patient & Pasiphae, Intergalactic Gary. There is a special vibe on these boat parties and IFM one was one of the best so far. Unfortunately there are no recordings from this party, yet.
Dekmantel Selectors is now over, we are back to our usual life, or we are trying to, but the vibe of the festival is still buzzing through our vines. The turquoise waters of Tisno, the shade from the pine forest, the rocky coastline, the incredible sound of the cicadas that is worth of a representation in one of Rabih Beaini’s mesmerizing ritualistic performances, the music that was filling every space, will stay with us for days.
Dekmantel Selectors is an intimate festival, limited to a capacity of 2000, to keep the vibe pure throughout the whole week and this can be seen once you get to the bay from The Garden, next to the small fishing village of Tisno.