Severed Heads – Cuisine (With Piscatorial) [DE-350]

Severed Heads reattach themselves to Dark Entries for an expanded reissue of their 1991 opus ‘Cuisine (With Piscatorial)’. As originary Aussie industrial legends – although founder Tom Ellard would balk at being branded as such – Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and infectious nursery-rhyme-esque melodies. Cuisine (With Piscatorial) was the long-running project’s ninth album, and is a commentary on the state of music. Ellard explains: “The whole food joke is really about what music’s about and how disposable it is; people have records like they have cups of coffee.” The album also presents a turn away from the dancefloor formalism of the era, which Ellard dismissed as already sufficiently explored. Cuisine brings us punchy pop kernels of the prime Heads variety, all clocking in around three minutes. Cuts like “Pilot in Hell” and “Ugly Twenties” rank among the band’s best through their deadly skewering of synth pop tropes. But the album also offers us a Piscatorial section, where Ellard felt free to “go fishing for ideas.” Here we get a taste of the project’s demented cut-up sensibilities, like on the “Quest for Oom Pa Pa” suite, where vintage jazz records are collaged into an angular nightmare. This double-LP reissue is the first time that Cuisine (With Piscatorial) will appear on vinyl, with a previously unreleased early version of “Seven of Oceans.”

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Severed Heads – Cuisine (With Piscatorial) [DE-350]

Oppenheimer Analysis – Subterranean Desire (Valerj “Midnight Obsession” Rework) [FREE DOWNLOAD]

Corsica’s own Valerj joins Slow Motion’s ‘A UFO’ free edit series with a cerebral rework of Oppenheimer Analysis’s “Subterranean Desire.” Built for the haze of the early hours, Valerj amplifies the spirit of the minimal wave pioneers, delving deeper into the enigmatic allure of the 1980s original. His signature percussion drives and swaggering synths pulse. Rising to a euphoric payoff, Valerj tastefully hones the tension and elevates the lyrical excellence. Showcasing his production mastery, Valerj transforms “Subterranean Desire” into a versatile, cinematic cut, equally set for a twilight drive or igniting a club floor. Vocoders sizzle, and the original’s elements are tastefully relit. Valerj not only honours the essence of the classic but propels it into the present, ensuring its legacy endures on dancefloors and in hearts alike.

Oppenheimer Analysis – Subterranean Desire (Valerj “Midnight Obsession” Rework) [FREE DOWNLOAD]

Dario Rossi – 07Sep83 [BAP250]

Dario Rossi approaches electronic music like few others. His work as a percussionist has brought his unique rhythmic abilities to audiences around the globe. Born in Italy, Rossi combined percussion with samplers and synthesizers. His energy and talent have allowed these machines to be incorporated into his distinctive palette with very special results. 07Sep83 is his Bordello debut, with the title piece opening the four tracker. Beats cascade as analogue warmth laps the shore. Slow with a magnetic groove, elements of italo, wave and synth-pop intertwine to create a clean, bright sound that is at once familiar and totally unique. Vocals arrive with “We’ll Meet Again.” Tempos rise while keys are emboldened by rich guitar strings. Lyrics counter with a melancholic tone that shifts into hope and fortified belief as melodies rise ever higher. The flip is “Lost.” Sharp drum patterns support notes that hark back to the majesty of Bobby O, the live sax by Augusto Pallocca and disco glory combining in this journey through genres. “Beat the Devil” closes. Sizzling from the outset, snares roll and snap. Rossi’s percussive prowess is on full display as synthlines flow over rhythmic ripples to the subtle and soulful strings that bring down the curtain.

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Dario Rossi – 07Sep83 [BAP250]

Poeme Electronique – The Echoes Fade LP [ANNA025]

Poeme Electronique was Dave Hewson (synthesisers, production), Sharon Abbott (lyrics, lead and backing vocals), Julie Ruler (backing vocals) and Les Hewson (bass), formed in 1980 by Dave Hewson in South London, UK, in 1980. Dave was studying music and as a rare kind of student species he had a deep fascination for New Wave and electronic music thus also playing and recording electronic music ever since using the Boss DR-55, Cosmo Sound Super Drum, Elka Rhapsody 610, EMS Synthi AKS, Korg MS-20(X2)/Polysix/Polyphonic Ensemble 1000/VC-10 Vocoder, Linn Electronics LM-1, Octave Kitten, Roland RS-09/VP-330 Vocoder Plus, Simmons SDS-V Kit and Yamaha CS-80. This deluxe 2LP vinyl retrospective album includes original material from 1981/82, 16 tracks of which 14 have never been published before.

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Poeme Electronique – The Echoes Fade LP [ANNA025]

Bernardino Femminielli – Mémoires d’un Auto-Sabotage LP [KH062]

Memoirs of Self-Sabotage unfolds as a musical drift: fragments written and recorded on tour between France and Italy, shaped by precariousness, administrative tension, loss, and paranoia. The tracks emerge like scenes from a psychological film noir—a distorted discotheque of monologues, songs, skits, and anachronisms—where the voice oscillates between seduction and rupture. At its core lies a troubling insight: the most insidious exploitation is that of one’s own intimacy. As emotions and desires become commodities, the project resists absorption. Each track becomes a site of desertion—refusing roles, codes, and systems of control, even those posing as critique. Alliances blur, betrayals loom; lucidity tips into paranoia. Warped echoes of nostalgia, cinematic layers, voices in tension: the music becomes anunstable space, a laboratory of drift and survival. Neither record, manifesto, nor autobiography, it unfolds as a mental disco where desire, fear, and self-sabotage coexist.

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Bernardino Femminielli – Mémoires d’un Auto-Sabotage LP [KH062]

Das Ding – Practical Limits of Nihilism LP [EE045RTM]

‘Practical Limits of Nihilism’ is a double album by Das Ding containing 14 brand new tracks. On the album, Danny Bosten searches for meaning in an incomprehensible world in which even nihilism does not offer a way out anymore. Created on self-built analogue synths and drum machines, Practical Limits of Nihilism sees the typical Das Ding sound evolving into new territory, including 4 vocal tracks. The atmosphere varies from dark wave to ambient trance and italo, while remaining true to itself. The artwork on the gatefold sleeve was also created by Danny Bosten and reflects a collapsing world, leading to the emptiness that is symbolised by the white vinyl the album is pressed on.

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Das Ding – Practical Limits of Nihilism LP [EE045RTM]

Shot Caller – 1000 Lamentos LP [OR156]

Shot Caller present “1000 Lamentos”, a promising debut without artifice. Three different cultures and paths converge here for stripped-down songs, unvarnished, where every element feels immediately exposed, the simplicity as its best. There is neither easy nostalgia to lean on—only instinct, balance, and a sensitivity that cuts through the whole listen experience without raising its voice, echoing some of the label’s most defining releases and hinting at a strong path ahead. The structures are simple, almost primitive. Bass guitar, and rhythm move with quiet urgency, leaving space for what truly lingers: a voice that doesn’t demand attention, yet stays with you. Fragile, intimate, and deeply enveloping—as if each line could break or reveal too much.

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Shot Caller – 1000 Lamentos LP [OR156]

Men With Secrets – Sand Clock LP [CITI034]

Cititrax presents Sand Clock, the new full-length album by Men With Secrets – the Italian trio of Donato Dozzy, Lino Monaco, and Nicola Buono (Retina.it). Born from a shared background in experimental techno under the name Le Officine Di Efesto, the three found themselves drawn toward something slower and more deliberate: the emotional directness of classic post-punk, minimal wave, and synth-driven pop. Sand Clock is the fullest expression of that devotion. Recorded in Rome and Pompeii in 2023, the album channels the melodic clarity and romantic tension of late-80s and early-90s darkwave while never losing the cool precision the trio carries from their electronic roots. Icy synthesizers curl around shuddering basslines; drum machines land with quiet authority; baritone vocals move between intimacy and quiet apocalypse. The result is music that breathes between the shadowed dance floor and solitary headphone listening—structured, emotionally exposed, and impossible to place in any single moment. This is not revivalism. It is the recognition that certain emotional territories were mapped but never fully inhabited—and a determination to go further in.

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Men With Secrets – Sand Clock LP [CITI034]

Nu Vision – The Seed LP [NATION]

Nu Vision is a modern salon for visionary leaders, fighting for their art, standing by truths, defending voices, honoring progenitors, whilst pushing forwards towards a new paradigm. The band all have their own stories and extensive discographies, records released on labels you might know, gigs played in places you might have attended but none of that matters. This is a new beginning. A group. A collective. A movement. Nu Vision is a band in the classic do-you-believe-in-alchemy sense. Equal parts rhythm, damage, and deep feeling. The palette of ‘The Seed’ is defined and refined in the best way. It’s an album that opens up many pathways. Brisker, freakier tracks like “Shadow In The Dark,” “R U Serious?” and “Humanity” run towards a softer finish with “Somedays” and the seven-minute, eyeliner-smearing closing ballad, “Lullaby Garden.” These are proper songs made with vintage machines, with a sound that carries obvious influences. It’s important to note the emotional core of ‘The Seed’ album is the song ‘Synchronicity’ that is filled with both love and regret, the story of losing a friend without properly making amends. It is unquestionably heartbreaking, but is also delivered with a pang of hope, the feeling that with so many sunrises caught, so many additions and subtractions in life, a perspective has been gained. This is no freshman effort; but rather, a masterclass in continuing sonic education, delivering a unified experience from beginning to end.

Nu Vision – The Seed LP [NATION]

Afrobot – Rough Pop Edits [Afrobotic Musicology]

Third in this series: Rough Pop Edits. After years of lighting up dance floors around Europe and beyond, Afrobot it’s finally opening the vault. Dozens of unreleased edits – tested in sweaty rooms, peak-time moments, and long nights between 2009 and 2020 – are coming out at last. This new compilation series will travel through Africa, Disco, New Wave, Pop, Bollywood and electronic mutations. Raw cuts. Heavy grooves. Dance-floor weapons.

Afrobot – Rough Pop Edits [Afrobotic Musicology]

Anne Clark – Our Darkness [DE-340]

Our Darkness descends upon Dark Entries with a reissue of Anne Clark’s epochal proto-house masterpiece from 1984. As a young poet, Clark found herself drawn to London’s emerging punk scene. She became acquainted with Psychic TV affiliate David Harrow, with whom she would collaborate on 1983’s Changing Places and 1984’s Joined Up Writing. “Our Darkness,” off the latter album, was released as a single on Ink Records that same year, and became an underground club hit. It’s a singular piece of music: Clark’s lyrics, delivered with equal parts muscular confidence and unease, speak of urban alienation and heartbreak, while Harrow’s production pummels the listener with hydraulic beats and gloom-laced arpeggios. The song’s spirit would prove influential on both the early Chicago house and Detroit techno scenes, where mechanistic funk and existential despair could catalyse dancefloor mayhem. This reissue offers three versions of “Our Darkness”: the original 12” remix, the Razormaid mix, and a previously unreleased dub version uncovered by David Harrow. Also included is the extended mix of “Sleeper in Metropolis,” another dancefloor hit of Clark’s, as well as the elegiac “Poem for a Nuclear Romance.” The record includes an insert with liner notes and lyrics. “Our Darkness” channels timeless longing and contemporary dismay, a classic overdue for a little light shed upon it.

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Anne Clark – Our Darkness [DE-340]

VA – Selected Works 2025 [FREE DOWNLOAD]

Cold Transmission Music presents a compilation featuring 23 songs released in 2025 by the label, including artist like Grey Gallows, Kalte Nacht, Kay-Chi, Nightcrawler, Oliver Decrow, Rina Pavar, S Y Z Y G Y X, SIIE or Years Of Denial.

VA – Selected Works 2025 [FREE DOWNLOAD]

Jennifer Touch – Aging At Airports LP [FP007ALP]

Jennifer Touch releases her next LP ‘Aging at Airports’ on Fabrika Records. The idea for the record title came before the music even existed as Touch was spending an increasing amount of time in airports while touring. In her own words: “It felt like I waste a large part of my life waiting for the next show to come, to entertain and perform my music and build timeless moments with others. This waiting, the slowly ticking time at the gate, was in complete contrast to what I want to do as an artist: to be in flux, to create things that will last forever. The airport, as a busy hub, was like a symbol of this ambivalence. And a reminder: every second, whether waiting or on the move, I have to accept that I am fading, that my creative power, my face, and my body are fading. As a (performing) artist, everything feels like a strange contrast. While you want to stay true to yourself and speak authentically from the soul, you are also expected to appear forever young, and powerful. Artists are often wanted to distract people, but creating this art forces me to confront my own transience. I feel the struggle to fit into this powerful artificial framework that the world has set and the desire to break free from it.”

vinyl / CD

Jennifer Touch – Aging At Airports LP [FP007ALP]

John Maus – Later Than You Think LP [YO422LP]

Two decades into a boundary-pushing career, American musician, composer, and academic John Maus releases his most powerful work yet: Later Than You Think. Arriving via his new label Young, the album explores themes of justice, confession, rebirth, transformation, and spiritual warfare, further expanding the liminal space where outsider art collides with art-pop, raw emotion, and intellectual depth. A 21st-century philosopher-musician, Maus has earned a mythic reputation for his fierce belief in the emotional weight of sound, eccentric interpretations of pop and baroque, and legendary, cathartic live shows. Holding a degree in experimental music from CalArts and a PhD in political science from the University of Hawaii, he’s been dubbed a “philosopher pop star” and “nostalgic futurist” for the way he merges academic rigor with lo-fi synth-pop aesthetics. His influence spans high and low culture—from UK grime icon Skepta, who sampled his track “I’m Only Human,” to Josh Safdie, Natasha Lyonne, nettspend and collaborators like Panda Bear and Molly Nilsson.

vinyl / CD

John Maus – Later Than You Think LP [YO422LP]