Sure Thing welcomes two new additions to the label with a long-distance collaboration between Seattle’s Archivist and Berlin’s Claudio PRC. Two original productions from Archivist recall dense, billowing fog and the gentle shimmer of waves, each re-imagined through Claudio PRC’s exacting lens into novel forms that spiral with steady, monolithic intent. Brought together, an expansive double vision, an exploration of the compelling nature of movement and air each within the other.
Vade Mecum returns with yet another amazing release by Matt & Mark Thibideau. This record is dedicated to Mike Huckaby and his love for the Waldorf Wave synthesizer.
Federsen with a new release on Romanian Label Vade Mecum. Dub at its best.
OHM Series continues to round up some of the best and the brightest within the dub techno scene. Side A features Federsen and Roger Gerressen, while the flipside we find grad_u and Merv.
Conforce signs ”Wavetable” to Sungate – an energetic and diverse four-track EP produced using mostly wavetable synthesizers. These chord-driven tracks showcase a sophisticated danceable approach with proper groove. Rotterdam techno in its purest form.
The musical exchange between Paul Rose (Scuba) and Luke Slater began last summer when the Hotflush boss put his touch to Slater’s 1997 classic ‘Love’, dedicating it to London’s Kings Cross raving institution Bagleys, where he first heard the track. Slater’s gift back to Scuba is similarly stirring, taking his hand to the glistening This Is For You’, an early 2020 highlight. The ‘Luke Slater Long Version’ serves as a proper electronic jam session charting a course from dubby techno climes, to ecstatic string-laden builds, jazzy introspection and dreamy pads over a thrilling 22 minutes.
For the fourth edition of the Serum series Hypnus Records shares three pieces of deep dubbed out techno by Mohlao (aka Multicast Dynamics, VC-118A). The record is then completed by an atmospheric tribal interpretation by Dorisburg.
Vril returns to Delsin with a cinematic ambient score. Backed with a remix pack of close friends featuring Voiski’s driving dub-techno, rattling breaks by His Master’s Voice and a thumping 808 electro take in collaboration with Marcel Dettmann.
The latest installment in Delsin’s deep-diving Mantis series comes from Varuna. As a core fixture in the Basel, Switzerland-based amenthia crew, this secretive production collective have quietly issued compelling excursions into dense, immersion-chamber techno. Varuna gift Mantis three subtly sublime, long-form pulsations that evolve slowly but purposefully, drawing the ear and mind further into a place of intense meditation.
Vade Mecum returns with yet another amazing release, bringing forward four fresh tracks signed by Icelandic artists Ohm & Octal Industries. Titled See You At Dawn EP, the 12 is designed with deep and spacious dub techno rhythms, perfect for introspect’.
Indigo is Icelandic artist’s Exos fourth studio album, arriving almost two full decades after his last LP. In the meantime, the seasoned producer has never stopped to refine his production style, mastering an aesthetic that feels at once minimalist and yet richly detailed. Spanning the organic and the electronic, drawing from early dub techno blueprints and comprising the beauty of his austere homeland. From this Exos expands an absorbing atmosphere, sustaining the primal power of nature within compositions that hold an exalted presence yet never go over-board, instead, they gently push along even in their most intense moments thus vastly transcending the pure club context. The albums thirteen tracks are a sonic bliss to indulge in, each element is crafted so meticulously and balanced with care against its counterparts. Whether the luminous, spaciously glowing opening tracks “Reincarnation” or “í Skjoli Naetur ”the then-ensuing hypnotic techno-trips of “Sælureitur” and “Quad arcanum Leticia” and finally the deeply satisfying, dubbed-out backbone of the album’s main body – a series of Exos’ signature-style dub-techno cuts that he has been perfecting now for over 20 years. Seeing it all mesh together in this concentrated form, it’s the picture of an exceptionally experienced producer pushing himself beyond any limits to achieve his greatest feat yet. When the fog clears and the last tracks slowly roll out, the record leaves as smoothly as it had entered, allowing for reflection and contemplation of one of techno’s most exhaustive LP-efforts yet to date.
Spanish DJ and producer Psyk returns to his own NON Series with ‘Opal Lake’. This 40th release on the imprint and also the first release of 2020 is a stellar four track techno pack including a collaboration with fellow Spanish producer Architectural. Opening track ‘Biting Nails’ sees a new studio collaboration between the two Spanish techno legends. It’s a deep and emotive jam showing a surprisingly melodic side of both producers. Title track ‘Opal Lakes’ is the most powerful outing on the EP, fierce and driving rhythms melting into hazy atmospheres. With its crispy snares ‘Bell Tair’ flips the energy with an on-point minimalistic percussion workout where ‘Outline’ and its deep drums acidic riffs drags you below see level into a bright and lively underwater world.
Forest Drive West delivers the ‘Parallel Space’ EP via Copenhagen’s Echocord, backed with a remix from Conforce.
Mysterious German producer His Master’s Voice makes his debut on Delsin Records. With three mind bending originals and an absorbing Vril rework on board his entry on the Delsin e-series is a deeply immersive beat trip into another dimension. The roughed edged ambiance of ‘Fire Red’ opens the dance in soothing yet engaging fashion with superbly spacious soundscapes pulling you in and slowly involving into a foggy kick drum extravaganza. ‘Eve’ then offers a deep and propulsive electro groove with glitchy atmospheres. Lead track ‘Transition’ hits hard, an intergalactic trip on turbulent stuttering drums and whipping synths. To finalize an immersive EP, close friend Vril jumps in for a rework of ‘Eve’ where he smoothly connects the dots between his typical dark bass lines and blistering dub chords.
Three years have passed since the latest outing from Area Forty_One. The low-profile Dutch producer makes a welcome return to Delsin with four of his intergalactic explorations. It’s the third and final part of his Nocturnal Passions EP series on the label and once again a fine spaced-out collection of ambient, deep sea techno, downtempo grooves and icy electro blending into cinematic soundscapes. It’s an absorbing and thoughtful entirety, ticking all boxes for fans of deep and powerful electronica.
Tresor Records welcomes Rod Modell to its catalogue, with the release of his new album Captagon.
Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely noticeable change, Modell resculptures perceptions. His sound-design echoes cinematic ethereality, where ferric artefacts slam against percussion, rusty delays filter observation – the resulting web is a complex, radiating ambience that etches a natural ebb and flow.
The ever productive Conforce returns to one of his key home labels for another exploration of his prolific deep sea techno sound. His Haedron EP has a firm dance floor focus, designed to propel you ever further forwards. ‘Haedron’ sets things off with smeared chords adding scale to the knocking beats. Hi-hats glisten like light beams penetrating the deep ocean and it’s a typically warm and comforting track from the Dutchman. ‘Scorched Earth’ has harder techno kicks forcing you forwards. An ecosystem of claps, hats and twisted pads bring plenty of energy and suspense to the party, then ‘Muon Transverse Momentum’ manages to mix up hugely expansive chords with pillowy but dynamic drums and oodles of cuddly reverb. Last of all, ‘Quantum Phaser’ ups the ante with some timeless dub techno vibes that mixes Basic Channel with Planet E to mesmeric effect.
The release of any new Gerard Hanson record is a cause for celebration. It marks the long-serving producer’s first solo Convextion release since 2016 and contains two killer cuts. The un-titled A-side is particularly impressive, with Hanson wrapping immersive, delay-laden electronics and sumptuous deep space chords around a bustling, dub-fired Motor City techno groove. Even by his standards, it’s superb. Over on side B, he’s back in atmospheric deep techno mode, offering up a poignant and melancholic affair that’s as deep, spacey and emotional as anything he’s ever done before.
Tucked away in a shed in Portland, Best Available Technology continues to cultivate an unmistakable sound grown around a seemingly untiring exploration of the machines that he works with. Across ‘Enginetics & Plasmalterations’ his densely layered sonic design agglutinates with a healthy appreciation for the unplanned or unexpected, forming a polymorphic collection of tracks for the 6th release from 12th Isle. While more traditional means of classification have become increasingly insufficient, it wouldn’t be unfair to suggest that the music on this record bears a mutated resemblance to stuttered Downtempo or the dubbier side of Techno and Bass, connected by way of tonal plasticity through drone-jams and intermittently skewed synth loops.
Dreiklang welcome Italian native Hydergine on their fourth record; continuing with the label’s triangular remit of three juxtaposing interpretations. The aqueous tones of original track “Diving Alone” fluctuate hazily around one another, with dampened thumps and diluted synths uncovering a carefully crafted murky mystery. Japanese producer Iori provides the first remix, while iconic UK dub techno pioneer JS Zeiter takes the baton on the flipside.