DEMENT3D welcomes Valentino Mora on board, and share with us a part of his spiritual journey. Slow Hyper-controlled Motion has been inspired by Butoh moves, but also is a homage to early New York spiritual house. In creating this record he also took field recordings in the forests of Japan. The concept of Slow Hyper-controlled Motion is to recreate this 90’s spiritual house vibe, but in a more experimental way.
Amsterdam based artist and creative technologist Andeh Lang is back on Will & Ink. After debuting on this label in August 2016 with an uncredited black label, he now serves up three more tracks that show off his interest in shaping and sculpting sounds for the main imprint. All these tracks were created with his own custom made software and self-programmed audio algorithms. Three experimental techno excursions that go by the name of ‘Susskind’ showcase a wide variety of deserted techno landscaping by a creative mastermind.
Volumi Dinamici is the second long player of Claudio PRC, a project that combines music and art inspired by the Futurist concepts of movement and dynamism and artistic currents such as Abstract Expressionism; the name itself is a tribute to a work of Italian artist and pioneer Luigi Russolo. Volumi Dinamici is a collection of 11 tracks accompanied by the same number of illustrations, different from each other but characterized by a common technical and compositional approach. The several shades of the atmospheres and the linear rhythm of the grooves come together to form a dense and mental musical dimension, a journey into the sounds and their intrinsic symbolic value. Depth, lights, shadows and noises are tangible elements of this work that mark the beginning of a new sound research based mainly on the instinctive use of machines and analogue instruments.
When Tresor founder Dimitri Hegemann stumbled into a former bank vault in East Berlin on March 13th 1991, he had little idea that the space he had unlocked would fast become one of Berlin’s most influential and enduring techno clubs. As Tresor celebrates its 25th anniversary with this work of artists from the US, Germany, China, France, Austria, Italy and the UK, it is worth dwelling on how the cultural conditions that birthed Detroit techno – economic neglect and broken industry – were mirrored by the disused bunkers and impromptu parties of post-unification East Berlin, where techno found new, vigorous expression. This record marks the spirit of those 25 years of creativity, a paean to the psychedelic music of Dimitri’s youth. From the signature magnetic soundscapes of Vainqueur to the dark textures of upcoming Beijing producer Shao; from Jon Hassell’s slow epicurean volutes, to the ritual auras of Marcelus and Claudia Anderson’s contributions; from the dub-infused pioneering programming of Juan Atkins and Moritz von Oswald, to Mønic’s enthralling cadences, it represents some of the old and new names that continually epitomise Tresor’s perennial spirit of ingenuity.
Emotional Response starts 2017 with a mini-album of ambient-equatorial enlightenment by Australia’s mysterious Tropical Hi-Fi. The final record from an artist appearing on the label’s first SchleiBen series, this also points to the future. Based somewhere in the far flung Northern Territories, the music of Hi-Fi’s pre-incarnation Electric Egypt was first discovered via the note-worthy airwaves of L.A’s outstanding Dublab radio station. As the wonderfully diverse internet shows and project’s dense, hip-hop inspired collages came to fruition with 2012’s Exotica release, a dual awareness and sporadic contact was maintained whenever a signal could be established with Hi-Fi base camp. As the SchleiBen series was formed, the studio-DJ-cut-up-mix of Oceanic Mythology was warmly received as an inspired counterpoint to the dense offering from Don’t DJ. These first real solo recordings from the Hi-Fi crew – whoever he/she/they maybe – moves on from the cut’n’paste of Electric Egypt to seek a meditative vision. Ambient, drone and field recordings are all part of a drifting tropical flavour that encompasses the listener. Music truly inspired by it’s surroundings, this is not some music journal, flying in to sample a life and it’s sounds, but the real, living entity and it can be heard deep across the 8 short pieces. None is more typified than Tahiti Blue, where fellow traveler Mike Cooper layers his ubiquitous steel blues over simple, lilting drums. Mixed by Leaving Record’s Matthewdavid (with whom more to come on the label in 2017), photography by Native Finger and the ever-present encouragement of friend and neighbour, Ariel Kalma, this is conceptual album to lay back, drift off on undulating swells and simply, let go to.
Experimental LP inspired on the streets of the big city, listening to the sounds from different angles and perspective of the city. Created just for listening, not for the dancefloor.