!Bang Elektronika started in 1986 as a solo project of Dave Rout to develop his electronic music wanderings. He recorded material off an on, but most of his time was spent working on Techniques Berlin, a band which he started with Andreas Gregor in 1985. The first !BE release was the “Audio Beat Warfare” cassette on Bombshelter in 1989. For the second !BE tape, “The Rhythm Screams Electronic”, also released in 1989, Andreas contributed with some vocals. After these releases Dave was moving into more EBM / industrial sounds and wanted some harsh German vocals for the new tracks so he asked Andreas to sing on some of them and join permanently the project. Their first release as a duo was the cassette entitled “Aktivierung!” on Shadow Records in 1991. Time after, the project was put on hiatus with just some sporadic releases and a few shows, until 2011 when they did their first and only show in Berlin and release a compilation CD. This year the band is celebrating their 35th anniversary releasing their dance floor stomper “Aktivierung” for the very first time on vinyl. This release includes, along the original version from 1991 and the b-side “Ich Bin So Ätzend!”, two new killer remixes crafted by Randolph & Mortimer and The Horrorist.
VEYL welcomes Harlem to the label for a new seven track album titled ‘Bait’. The Stockholm-based duo of Martin Thomasson and Johan Skugge bring a vast history of production behind them, operating since the early aughts and known for their work in dub and minimal techno. ‘Bait’ ventures into new territory for the project, delivering infectious strains of body music, new beat, industrial and beyond coupled with soul-stirring vocals which quickly dig beneath the skin. The release is about everyday manipulation, soft power and persuasion. We exist in a world in which corporate management techniques are deployed in our everyday lives, nudging each other for short-term gain, slowly hallowing out any lasting trust while ultimately all being crushed by a hyper-capitalist system. From the opening synths of the title track to the ominous ending notes of ‘Night Vision’, we also uncover funky grooves and diabolical floor shakers which remind us of something from the past but exist perfectly in this corrupted new world.
‘Next Wave Acid Punx’ is a journey across nearly 40 years of dark club music compiled and curated by Berlin-based Musician and DJ, Luca Venezia aka Curses. The first part takes early tracks from bands who came directly out of the punk and new wave scenes, that played a major role in forming Luca’s musical taste. The second part celebrates current music influenced by these early pioneers and exclusive tracks made for this compilation, with the passion for these genres in mind.
Sed Blava is the Barcelona-based solo project of Daniel Boix, well known as Dj.Simplexia or also Ciutat Solitud, his ambient-industrial project. “Nit Sublim” is his first album as producer and may evoke the dark sounds from Valencia in the 80’s. But if you dive deeper, you will uncover a trove of intricate details elaborated with Sed’s touch. Ranging from catchy tunes and emotive passages to powerful dance-floor tracks, his vast music background and his long-time membership to the underground music scene should be highlighted. Both of these elements give rise to a broad spectrum of genres and influences in his music, bringing together a timeless mixture of old-school Electronic Body Music, New-Beat, Electro, Synth-Wave and even Ambient.
TPPM and AtB aka Mr fLooDs are turning on the research machine taking the listener on a extraordinary tripped out ecstatic journey through timespace where spirits of Liaisons Dangereuses Radio and the legendary Boccaccio are summoned with inspiration in order to find a New Beat Soul for the 21st Century. What was born and initially exploded in 1987, went supernova (in Belgium) in 1988, declared dead in 1989, was slow and initially all about atmosphere with industrial strength beats – the main form of rhythmic propulsion being the pounding kick and heavy snare. The sound was mainly instrumental and when there was lyrical content, it often became more about slogans and giving commands. On „Decadent Skies“ An Anomaly bring back the atmosphere, beats, the essence off the beaten commercial track, and combine it with the knowledge of tomorrow.
The first Avidya release. Starting with The Proposal by A Strange Wedding, this Lyon based producer, builds on their “modern style” slow trance to create a label anthem, a template. Stretched Arp, hypnotic bass and searing melody, underpinned by ocean wide kick. Datasal are next, as this Gothenburg’s trio’s debut arrives. Acoustics (Miyazawa flute / Fender bass) and electronics (Roland RS-09 / Korg Mono) collide; prog rock meets post punk meets dance; outside organised compositions to improvise to the beat. Side two leads back to the origin. 84PC, the dormant Tel Aviv collective (featuring Katzele, Naduve, Asaf and Yovav), return with a previously unreleased remix from Khidja. Their “Welcome To The Pleasuredome” moment is peak time perfection. To close Barcelona’s Iro Aka arrive with another debut. Their bubbling 303 is a tender dreamtime finale that points ahead.
Re-issue of the sought-after new beat inspired Body Party EP produced by Mild Peril.
Rotterdam’s local player Gamma Intel returns to Pinkman with his signature slowbeat electro bizz. Menacing with militant kicks and filthy curling baselines that go straight to one’s stomach when ingested, ’Generatie Desinteresse’ inspects the blasé youth of the concrete jungle. Inspired by the boundless pursuit of pleasure, numbed minds & ever-changing cities, the six tracker takes you to the place where anxiety is always lurking for its prey, even if the veil of indifference sets the simmering turmoil off the heat for a moment.
Traxx(Nation) created a 6-hour selection dedicated to Danny’s in Chicago where he held his monthly party Passage. Curated and programmed musically by Traxx, transporting us to a full night of music from 9-pm til 2am. Passage focuses on the new wave/new beat era with a personal collection of music fashioned to alleviate your senses discovering different outtakes and unknown songs. It’s a lengthy journey that hopefully people will enjoy…
Visitor, founded in 2017 is a two piece Canadian act comprised of Veronica Stefanuik and Philip Traikovski that seamlessly combines the best elements of old school EBM with new beat. The result is something out of time yet uniquely modern. Dark frantic beats and bass lines, Visitor will take over your body.
BOY Records was founded by Michael Zosel back in 1987 but it was after a few releases that he started to work with producer Arno Müller. “Brian” by Absurd was the first techno release on the label and a great success in the German techno scene. The cooperation continued with singles by Hypnopedia and New Scene that worked very well and put the name of BOY Records in the charts and clubs all around Germany and abroad. In 1990 another massive success came with the single “Kennedy” by Deep Thought and since there the label did not stop to release hit after hit by lot of names like Time Modem, “O”, Cybex Factor, Sonic System, Moskwa TV, MCL and lot more. “Timeless Technology 1988-1991” compiles a selection of classic tekkno traxx released on label’s most fruitful years.
What beats an arpeggiated bass line over a teutonic 90 bpm kick and snare with eerie distorted vocals? I’ve been looking for years and I still don’t know if anything hits that sweet spot quite as well. John Carpenter esque Horror soundtrack synths creep along reverb drenched industrial drums, splattered with existential dread and spectral chants. Ryan is known for various monikers such as PC World / To Live & Die in Rayleigh (some of which are lined up for future Beat Concern drops) and his Club Mutante night which brings together the world of live techno, Industrial, EBM and noise. Punk ethics standing alongside dance floor machine funk. A Civil Terror.
Szymek Lawik and Maritn Lefteri’s regular party and NTS show, Feel the Drive, turns record label with a debut release that takes you through the gears. Spending their lives digging up the very best Italo, New Beat and EBM delights, a record label was the next logical move for Szymek Lawik and Martin Lefteri. The perfect distillation of their combined tastes and determination to search the globe for new music, the four-track debut EP features big hitters from Franz Scala (Bahnsteig 23, Tusk Wax, Cocktail d’Amore), Anatolian Weapons (Beats in Space, Dark Entries), Furor Exotica (Bordello a Parigi, Sprechen) and the label bosses themselves under their Ondata guise (Red Laser, Night Noise Music).
this is a new segment series focusing on rare vinyl from the basement/vaults, cd and music material from the headquarters and recording studio of Nation …
Emerging like the blind dead from ancient tombs hidden amongst the seemingly lost ruins, connected by ley-lines and mystical signet rings comes twenty-three undead club-hits from across the globe from Giallo Disco alumni past, present and future. Electro meets Dark-Ambient via Low-Motion Techno and styles in-between, Giallo Disco is proud to present a digital only V/A for your late night summer walks or woodland rituals and remember… always aim for the head…
Serial Error was founded as a New Beat project when Jacob Korn was asked for a submission to the ‘Our Beat Is Still New’ compilation series on the Belgian We Play House label in late 2014. Knowing the retro-experienced skills of his label mates from Uncanny Valley, he teamed up with Credit 00 & Sneaker and they produced Drum Abuse, a track that finally became the cue for their first full 12” maxi single in 2018 on Rat Life Records; a label curated by Credit 00. Now they keep on malfunctioning with a 4-tracker featuring the bizarre title Afro Gothic. The eponymous track was the first shot when they got together for a second EP in Jacob’s studio in now demolished premises (the typical daily Rat Life). The slow, steamy roller captures the amateurish live percussion skills of Credit 00, while – on the other hand – he played one of the manuals of Jacob’s ‘Son of GX’ organ along with Sneaker playing the other manual of the leading voice synth. On top, they added a classic acapella – a sudden strike of genius – ‘perfectly matching the solemn vibe’ (in their opinion; artist quote). A2 ‘Unter den Helmen’ is ripping off the same organ’s preset drum patterns run through a brutal EQ. Talking of the 70s – a duet by two anti-nuclear activists from the German Sponti movement of the time became the theme of this politically charged protest song! Oh yeah, somewhere I had to paste the striking fact that all is mastered & sent via reel-to-reel at our TailOut studio. Check! B1 and B2 are two versions of the same song who share their lyrics drawn from school days. To be precise from the tacky Dresden art academy they both – Sneaker and Credit 00 – visited. The B2 of ‘Art Academy Talk’ features the typical Sneaker vocals on a 4/4 beat, while – due to Credit 00’s lean towards electro – the B1 got the vocoder treatment while Jacob and Sneaker went for lunch. As Jacob came up with the bass riff on his Chroma Polaris, Credit fiddled the knobs of his Ensoniq ESQ1 like a rusty raver. The freaked out FX-sounds we can cherish thanks to the Pearl DRX drum machine; modded and played by Jacob Korn. Due to the odd look also fondly nick-named ‘the VCR’. The Pearl, of course, not Jacob.