
The official release of the 1976 recording ‘The Tribe’. Finally after more than 35 years, this essential Spiritual Jazz recording is made available again. Hannibal Marvin Peterson’s unreleased album The Tribe is a sacred collection of blistering jazz assaults and deep reflective spirituals from Hannibal’s ten-piece group. The five tracks on The Tribe fluctuate from propulsive ensemble stampedes supporting Hannibal’s wild solos, to peaceful dreamy hymns. ‘Now Stand’ opens the album, the rest of the group playing catch-up to Hannibal and Billy Hart’s trumpet and drum intro. ‘A Sacred Multitude’ and ‘Of Life And Love And God’ both tap into the deeper, contemplative side of things, Branice McKenzie’s sanctified vocal and Diedre Murray’s cello coming to the fore. ‘Returning To The Ways’ powers along with an uptempo charge not unlike Carlos Garnett’s ‘Mother Of The Future’, but it’s The Tribe’s title track that steals the show and closes the record. Kicking off in exuberant spirit, the track blends heavy riffs and chants with the kind of bluesy changes that characterize Harry Whitaker’s ‘Black Renaissance’, before ending in a foreboding metallic conclusion.