The Black Madonna tries a different approach on this debut for the recently launched Night Owl Diner label. You could certainly describe both tracks as “Balearic”, and there’s a real air of wide-eyed positivity about the tumbling melodies, swirling synth-strings and mid-80s pop production of head-nodding deep house cut “Stay”. It’s pretty darn tasty, all told. Almost as good is “Requiem”, which appears to be built around a loop lifted from Cherrelle and Alexander O’Neal’s “Saturday Love” (with, of course, additional synths and tuneful electronics).

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