Ozobby Horn was a very obscure band from Nigeria composed of three musicians that only released one and only very hard to find cult album that has finally been reissued by Afrodelic. “Born To Move On” is an absolutely killer album that sums up the best of 1970s Nigerian sound. Heavy wicked psychedelic Afro-funk; phat drums and hefty, chunky bass with shredding fuzz guitar insertions on a bed of analogic keys.
Harap-Alb is the first full-length album by Articulat, following a trilogy of EPs (two released on vinyl) and previous appearances on Rotterdam’s Afrobotic Musicology label. This new project deepens Articulat’s commitment to narrative-rich electronic music – blending structure, rhythm, and texture to evoke both dancefloor tension and cinematic storytelling.
“This album is a personal exploration – an attempt to deconstruct and reimagine, through sound, a story that has been familiar to me since childhood. I first encountered Harap Alb as a crackling, timeworn radio play on vinyl, and its atmosphere has lingered with me ever since. This is my way of keeping that story alive, not by preserving it in amber but by passing it forward in a different form.
Perhaps, years from now, someone will discover this record the same way I found the original. And in doing so, they too will add their own craft and love to the tale.”
Berlin-based Tom Bolas has long been one of the most reliable re-editors on the Duca Bianca roster, regularly delivering inspired reworks of Balearic obscurities, flea market record finds and under-appreciated gems. Predictably, there’s a similar sonic aesthetic to his latest collection of re-cuts, his first for four years. Four groovers of Cosmic, Disco and Italo adventures for all.
Official reissue of one of the most enduring anthems of Spanish synthpop with a respectful Luisen remix of Ivan’s classic ‘Fotonovela’. Instead of reinventing the piece, he works directly from the original stems – preserving its neon-soaked melodies and romantic vocal while subtly enhancing the framework with crisp new drum programming with synth flourishes and light tempo corrections.
Reel By Real’s “Surkit” is a Detroit Techno classic that has gained mythical status since it first appeared on a limited white label release on Juan Atkins’ Metroplex offshoot, Interface in 1990. Giving a spotlight back to this highly sought after 12″ EPM Music teama up with French vinyl specialists, Yoyaku and present this timeless record, remastered and remixed for 2025. In keeping with the track’s early Detroit roots this edition features remixes from Motor City legends Keith Tucker (a.k.a. DJ-K1) and Strand, with added dubplate pressure provided by DnB lynchpin, Calibre. Further remix support also comes from a UK-Detroit triumvirate of EPM’s Oliver Way and Ben Long (Space DJz) and Jon Dixon (UR).
The Birmingham master, Mick Harris, arrives with his first vinyl installment of his “Culvert Dub Sessions” series. Mick has taken to the studio desk with his live hands on mixing approach and conjured up 8 tracks of classic, deep, slow rolling dub techno in the traditions of the greats. Think heavy nautical dub outs, windswept delays, low ends to make you seasick, high freqs cutting through the scenery, this is Harris at his finest. No holds barred, sincere electronics from the gut in pure form. A perfect soundtrack for a chilly fall sunset on the river bank.
Kimatika, the 3rd album by the Slovenian audio-visual trio Etceteral, is a visceral plunge into the raw undercurrents of futuristic jazz, motoric propulsion, free improv and elastic compositions. A growling baritone sax weaves through pulsating electronics and restless drums; the bass frequencies dense and cavernous. It is an arresting and thick tapestry of texture and tension, where noise and polyrhythms collide with urgent, melodic riffs.
J.E. Movement’s groundbreaking ‘Ma Dea Luv’. Toward the end of the 1980s South Africa’s recording industry was booming. Searching for a sound that could cross over to all in the country’s segregated society while also eyeing international success, a new duo emerged that quickly rendered its ‘bubblegum’ predecessors obsolete. Drawing on international trends and crafting lyrics for local ears, J.E. Movement – a duo made up of James Nyingwa and Elliot Faku – exploded onto the local scene with their debut album, ‘Ma Dea Luv’. The future had arrived. The six tracks on J.E. Movement’s 1988 debut give firm nods to UK Street Soul, New Jack Swing and Stock Aitken Waterman’s ‘Hit Factory’ sound and infuse them with an African rhythmic flair and homegrown lyrical sentiment.
New one from Tom Carruthers on his label Non Stop Rhythm.
Having previously reissued (and compiled) the early 90s work of cult Italian deep house duo Minimal Vision, the reactivated Vibraphone label has now decided to rummage through the pair’s archive of unreleased recordings. The result is this fine four tracker, which includes material recorded by the twosome at their home studio in Rome in 1990 and ’91 (pre-dating their two original EPs, which first landed in 1992 and ’93). There’s naturally loads to set the pulse racing, from the syn-tom heavy deep house beats, sustained chords and twinkling melodic motifs.
Tired of it all? Dreading your routine? Try the all new second set of ears by Hayter! Contains eight unique treatments against fatigue and low excitement disorder. Ranging from Electro Groove to bit-crushed Industrial. For side effects, consult your sound engineer.
The thirteenth release on the Gladio Operations label bears the signature of the great Spanish producer Boris Divider. This artist needs no introduction, as he is considered one of the pioneering producers of the electro scene in Spain, and active since the 2000s, releasing mainly on his label Drivecom. After betting in recent years on more experimental and hypnotic sounds close to IDM, Boris returns to the pulse of the rhythms more rooted to the dancefloor with this EP titled “In Fragments”.
Detriti Records presents “Guarda come balla”, the long-awaited second album by Parole e Azioni. True old-school EBM, no compromises.
Prolific duo Years of Denial return to Veyl with another genre bending, dance floor ready EP titled Love Cuts. Acting as a transit between 2023’s Suicide Disco 2 and the forthcoming Suicide Disco 3, Love Cuts explores the various angles of love – ranging from the digital to the forbidden, toxic to erotic and beyond. A blend of death rock, future goth, EBM and rave, we once again find the project’s poetic, powerful lyrics fusing with motorized beats and 4×4 rhythms.
For those of you that missed the memo the first time, we have compiled a selection of deep cuts from the mysterious R-Zone archives. See it as an introduction or perhaps a retrospective, depending on how long you’ve been around. R-Zone seeks to recapture the spirit of the original raves where faces mattered less than music and marketing and the cult of personality were not yet a thing. A simpler time some might say, but we know better. For when the lights are dim and the smoke and strobe rule supreme you might still transcend your daily grind and slip into the comforting womb of the R-Zone.
Something different and special for Dungeon Module 008, Timothy J. Fairplay invites artists he admires both new and established for music on Working Overtime Volume One. The compilation begins with ‘Master Blaster’ by RZ-1 warrior and REALM resident Oyster, then Alex Israel keeps up the jackbeat intensity with ‘You Forgot The Briefcase’. Chupacabras is next with pressure building Thanet party electro jam ‘OFF Planet’. Hope Of The States frontman Sam Herlihy debuts his electronic project Total Mathematics with the cinematic ‘Warningcamp’ to close the side. ‘Set Phasers To Stun’ starts side B, analogue house by Computerdisco constructed in a workshop of vintage synths overlooking the Bristol Channel. Timothy first met Rebecca Goldberg playing at Tresor, ‘URNOTALONE’ is hypnotic Minimal Nation style Detroit techno featuring field recordings from her recent trip to Roswell. Alan Harman appears with ‘Blast Zone’ in his instantly recognisable and unparalleled cold wave style. Timothy J. Fairplay finishes the album with the lo-fi synth, melodica and Space Echo of ‘Night Warden Dub’.
Immortal Sin presents 4 nasty floor cuts from M Parent (Philadelphia), Koolaid Werewolves (San Francisco), Acid Al (Chicago) and I.B.M. (Chicago).
An electrified meeting of minds, Candy Girl is a lost 1975 session by jazz pianist Mal Waldron, recorded in Paris with core members of the mighty Lafayette Afro Rock Band, the American funk unit who had made France their home and whose deep grooves would later be mined by generations of hip-hop producers.
By the end of the 1970s Linval Thompson had cut out a successful dual career for himself as both singer and producer. Naturally he moved in the dub field as well, getting further use out of rhythms he used in his other works. Dub had begun strictly as an album format with limited pressing runs for scene insiders, but it had swiftly gained the interest of the rank and file reggae buffs. ‘Negrea Love Dub’, originally released in 1978, is a cornerstone in the reggae dub scene. The sound of the ten dubs featured here is hypnotic and its effects are euphoric to say the least.
Romanian producer and DJ Andrew Red Hand has carved a unique niche in the world of underground electronic music. His work stands as a tribute to the raw energy of Detroit techno and electro, yet it retains a deeply personal, emotional tone that gives it timeless depth. He returns to Time Passages with the four-track ‘This EP ‘For My Father’ EP, offering his most focused and expansive vision yet. Includes a remix from an icon of the scene, DJ Hell.
The Hipodrome Of Music 