
Swiss Master Shaka returns to Yore and brings as the deepest, most musical House for his new EP entitled as “Lost In Time”.

Swiss Master Shaka returns to Yore and brings as the deepest, most musical House for his new EP entitled as “Lost In Time”.

DYL presents a live-recorded set that embodies his experimental approach to sound design. By reprocessing stems from both completed and unfinished tracks through his modular system, he gives these pieces a renewed purpose and direction. The set offers a cohesive yet dynamic listening experience, reflecting DYL’s refined production techniques.

The story of “Inner | Outer” begins in 2015, when two members of Berlin bass combo X.A.Cute and Jerusalem’s psych grooves expert, Markey Funk, set up a spontaneous jam session in the basement of an ex-spring factory building. The outcome of that meeting – now known as “Aquasonic Research Society” (Som Recordings, 2020) – was so inspiring for the three that they determined to record again the next time Markey is in Berlin. Eventually, two more sessions took place in consecutive years at Oberbaumstübchen, overlooking river Spree, U-Bahn tracks and Universal Music headquarters. The change of location also led them to depart from the bubbling aquatic motives towards darker mesmerizing soundscapes that explore themes and mysteries of deep outer space and the human body (sometimes described as “inner space”).

This album holds an undeniable significance, serving as a cornerstone of both techno and Tresor’s legacy. Its story is deeply entwined with that of the label, following Robert Hood’s Waveform Transmission 2 under his The Vision moniker, released just one year earlier and reissued on Tresor in 2023. On Internal Empire Robert Hood perfected his signature sound already present on Waveform Transmission 2, marking a pivotal moment in techno’s history. It elevates its maker as master, sharing an irrefutable singular magic, sounding as present and indispensable as when first created. To understand this work fully is to stand back and celebrate its impact. Originally released in 1994, the album marks a point of transition for Robert Hood moving on from his previous collaborations within Underground Resistance. Robert Hood advanced, uncovering the power of true minimalism. Deep soul through a simplicity that showed how much could be done with so little. The devastating rhythms of this album forge the unmatched spirit of this sound, influencing generations to come.

BCCO, label from Berlin, presents a new release from the Greek techno artist Cirkle.

Volume 3 of Promethean Sounds featuring four name-your-price classic Hieroglyphic Being tracks.



New release from Konerytmi on Gothenburg’s Electro outfit Stilleben Records.

Elektrokohle’s debut album has instantly become a legendary record due to the tragic loss of their incredible bassist just hours after its release. This album is a masterclass in future punk sound; it couldn’t be more powerful or punchy, being a great legacy to actual and future generations interested in furious music.

Yvgoslavia is undoubtedly one of the best post-punk and minimal wave acts from Spain, and they’re returning to Oráculo with their second mini-album, following the highly sought-after “Vertebra”. Their frozen atmospheres and relentless, punishing beats immediately captivate any advanced darkwave enthusiast.

Tassel is an emerging industrial punk trio from Phoenix, Arizona. Oráculo Records present their first vinyl EP to date, featuring the two singles from their acclaimed debut album A Sacrifice: Unto Idols, along with remixes by Kontravoid, Plack Blague, Black Light Smoke and Lana del Rabies.

JG Outsider is returning to Oráculo Records to once again deliver his unique blend of twisted modern EBM, advanced industrial, and power electronics. This time, he’s joined by Nightcrawler and Spammerheads with two dancefloor-filling remixes. Tracks are taken from JG Outsider’s album “Despierto” released last year by Cold Transmission Music.


Pinkman presents the debut album of darkwave artist Skelesys. Across nine evocative tracks, “Fading Echoes” navigates the tension between nostalgia and self-discovery, weaving together a moody blend of synth-pop, post-punk, and goth influences. The result is an atmospheric exploration of memory, heartache, and resilience—a soundtrack for those moments when the past refuses to stay buried, and the future feels uncertain. From the cold, creeping synths to the mournful guitar lines that echo like distant whispers, “Fading Echoes” immerses the listener in a soundscape where shadows and light coexist. The album has a distinct cinematic quality, evoking the smoky allure of neon-lit cityscapes and rain-slicked streets, where every track feels like a chapter in a film noir tale of introspection and escape. There’s a sense of longing that runs through the album, a desire to hold onto something beautiful, even as it slips through your fingers.

Schrödinger’s Box welcome Catalonia’s Adrian Marth into the fold. The Iberian artist has been drawing crowds and turning heads with his analogue inspired productions and dancefloor inhibitions. This five tracker sees the Italo Moderni founder explore the glittering angles and brooding shadows of his machines. The punishing percussion and beaming laser lights of “Labyrinth Mind” give way to the tumbling drums and racing synthlines of the addictive “Sex Tonight.” The flip opens with the sleazy grandeur of “Beverly Hills”, looming melodies and retro flourishes combine in this operatic ode to the 1980s. Speaking of the 80s, the inspiration for the penultimate comes from a figure who symbolised the bombastic bravado of the era. “Divine on the Late Show 88” is a tribute to the Pink Flamingos legend, beats sparkle as her sequenced dresses and larger-than-life attitude screams into the present. Danny Wolfers takes the helm to close. Donning his familiar Legowelt moniker, the behemoth of all things electronic delivers a saturated and spiralling rework of “Divine on the Late Show 88” to the close.