Big Mean Sound Machine – Blank Slate 014 [BS014]

Big Mean Sound Machine is a twelve-piece Afrobeat band native to Ithaca, New York. They tour 150 days a year and have a large and dedicated following up and down the East coast. Still, it is a crime that Big Mean Sound Machine is not well known elsewhere. The band’s tremendous sound combines a big band aesthetic while channeling a global sense of musicality. Their shows leave fans drenched in sweat from dancing as audiences absorb the West African, Caribbean, Jazz and Funk traditions that Big Mean Sound Machine carries forward.

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Big Mean Sound Machine – Blank Slate 014 [BS014]

Les Pythons de la Fournaise – SLP! [CATALP022]

Exquisit Franco-Creole supergroup Les Pythons de la Fournaise (named after the great volcano on the Reunion island) are rewarding us with their 2nd effort, ”Salut Les Pythons !”. More songs, more groove, more emotion in this exciting long-player where the band show they not only can compose amazing tracks and develop their interpretation of classic Sega-Lontan (typical music genre from Reunion, Mauritius and surrounding islands); but also open their sound to broader, yet specific influences, ranging from 60’s/70’s psychedelia to Eastern harmonies or African rhythms. In this LP the work on vocals is stunning; the 2-female duet in ”Maloya Ton Tisane” is a delight, as well as Reunion-native Rene Cadet’s emotion in songs like ”Pardon” . The combination between percussion and drums is extremely tight, yet supple and true to the unique groove of Sega music. Tracks like ”Ton Ti Gueul Rose” are a pure expression of the band’s inventivity – merciless Arp synthesizer and electric guitar galopping through a frenetic rhythm. Produced by the Catapulte team, this LP also benefits from a beautiful screen-printed artwork with a hand- glued photograph, different for each Vinyl copy – a unique object!

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Les Pythons de la Fournaise – SLP! [CATALP022]

Jacob Mafuleni & Gary Gritness – Atuka Mondhoro 808 [NNR004]

The new 12’’ release from Nyami Nyami records teams up mbira maestro Jacob Mafuleni from Zimbabwe and electro-funk producer Gary Gritness from Franc. Jacob Mafuleni was Chiwoniso’s sideman on vocals and mbira on the label’s acclaimed first release ‘Zvichapera’. He recorded two new tracks in Harare with his wife Martha Thom on vocals and the traditional percussion ocho. Gary Gritness added 808 rhythms and sounds keeping the natural flow of the songs without cutting or sampling the original music. He intuitively produced the talent of Jacob’s mbira ceremonies rhythmic patterns on his TR 808 drum machine. This natural and respectful collaboration resulted in two already classic ‘afro techno’ tracks Atuka Mondhoro 808 and Chiconi 808.

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Jacob Mafuleni & Gary Gritness – Atuka Mondhoro 808 [NNR004]

Xoa – Aiye Le [SHAKE003]

XOA is an exciting new project fusing sounds from the golden era of 70s Afrobeat with contemporary electronica and modern production. The debut release Aiye Le, features the vocals of former Fela Kuti musical director and afrobeat royalty Dele Sosimi. Label boss Dan Shake steps up for the remix on the B side, bringing his signature Detroit house aesthetic.

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Xoa – Aiye Le [SHAKE003]

Idris Ackamoor & The Pyramids – We Be All Africans [STRUT144]

IDRIS ACKAMOOR & THE PYRAMIDS - We Be All Africans

Those turned on by Spiritual Jazz should already be aware of West Coast combo Idris Ackamoor & The Pyramids. They’ve been playing and recording together since the 1970s, though We Be All Africans is only their sixth full-length outing. Predictably, it’s a fine set, effortlessly fusing their spiritual roots with elements of jazz-funk, soul and, of course, Afro-jazz. Highlights are plentiful, from the swinging, Tony Allen style rhythms, swirling vocals and punchy horns of “Rhapsody In Berlin”, and the clarinet-sporting sweetness of the brilliantly percussive “Epiphany”, to the stretched-out drum workout “Traponga”, which sounds like the work of three drummers and a whole troupe of percussionists.

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Idris Ackamoor & The Pyramids – We Be All Africans [STRUT144]

Decent International 01 – Leaving You / When Koaa [DC001]

From the Going Good camp. The drums smack. The bass is too loud. Liberia, Ghana, all the way across to Uganda. 1970’s tinpot dictatorships birth colourful sounds. Magnetic tape, Linn drums and Bucket Brigade delay units confuse the mix. Sub-cultural colonialism to destroy the dance. Still, it sounds good. And it looks nice as well!

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Decent International 01 – Leaving You / When Koaa [DC001]

Philou Louzolo – Alkebulan Republic [LIH017]

Philou has a combination of Congolese, Nigerian and Sierra Leonean heritage and it is in these roots that he has built his sound. This EP is a dedication to the Amsterdam based Alkebulan Project, the project brings artists from Africa & African Diaspora together. This time with Nigerian artist Villy and his group ”Villy & The Xtreme Volumes.”

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Philou Louzolo – Alkebulan Republic [LIH017]

Orchestre Rail Band – Moko-Diolo [GG7004EU]

Reissue of ultra rare 7” from the cult, Orchestre Rail Band of Bamako, one of the most prolific bands in all of West Africa. This legendary orchestra has launched, among others, the careers of Salif Keita, Mory Kanté and Djélimady Tounkara and has bequeathed in just fifteen years one of the most important work in Malian and West African music.

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Orchestre Rail Band – Moko-Diolo [GG7004EU]

Faze Action – Mangwana [FAR029]

Faze Action return with a brand new 12”, teaming up with Zimbabwean born Zeke Manyika to create ”Mangwana”. Sung in Zeke’s native Shona, and taking influences from Mory Kante, South African Kwaito to early house, Faze Action manage to create a record that harks back yet still has a modern and contemporary feel and is set to be the soundtrack to countless festivals and outdoor parties this summer. The title track is followed by the stunning ”Chiiko”, featuring Zeke’s vocals enriched by Rob’s ‘cello’s with African rhythms floating you away to another tropical world. A Vision of Panorama turns up the dial with a stunning mix on the flip side. A new bass line adds to some quality keyboard work. Finally the brothers deliver are more stripped out dub ”Paradise ’89 Mix” tailored for the peak time.

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Faze Action – Mangwana [FAR029]

Africaine 808 – Basar [CHANNEL055CD ]

DJ Nomad and Dirk Leyers’ Africaine 808 project has been responsible for some of the most inventive and enjoyable music of the last few years. It’s little surprise, then, to find that the Berlin-based outfit’s debut album, Basar, is rather special. Built around their now famous polyrhythmic, Afro and Latin influenced drum machine programming, it begins with a touch of snaking jazz, and climaxes with a dense, rising, uplifting Afro-gospel workout that should leave listeners thrilled and breathless. In between, you’ll find 21st century broken beat, delicious downtempo torch songs about break-ups, Juke-influenced Cajun blies bangers, and hard-to-define – but thoroughly engaging – dancefloor wig-outs.

CD / vinyl

Africaine 808 – Basar [CHANNEL055CD ]

VA – Time To Set The Night On Fire [01AM]

AM - Time To Set The Night On Fire

01AM is the perfect time to start a party and it is the first release of a new label by Afrobot related to his Afrobotic Musicology blog. The record contains 4 edits of music from different corners of the globe: to begin with an epic electro pop nugget from Greece and a heavily cut up Bollywood track on the A side, to finish the journey in Africa on the flip side with a percussive acid jam and a Zulu cult song that screamed for a rework. Limited edition / hand stamped artwork by Frank Koedood on the sleeve.

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VA – Time To Set The Night On Fire [01AM]

VA – Africa Airways Two: Funk Departures 1973-1982 [ASVN010]

Africa Seven Records presents volume two of their Africa Airways compilation, featuring 9 pure african funk tracks.

Continue reading “VA – Africa Airways Two: Funk Departures 1973-1982 [ASVN010]”

VA – Africa Airways Two: Funk Departures 1973-1982 [ASVN010]

La Mecánica Popular – Noche Triler [NYCT7023]

LA MECANICA POPULAR - Noche Triler

La Mecánica Popular takes to the night for a much anticipated follow-up to their critically acclaimed, self-titled album. This special edition single features a natural modification of their signature psychedelic style – a time capsule of 1970s Afro-Peruvian roots gone American Rock & Soul. Noche Triler (Thriller) takes the form of an uptempo instrumental stunner, a unique combination of styles from guaracha and cumbión, and a refreshingly thrilling flip of Michael Jackson’s iconic masterpiece. Already a staple in the band’s live performances, Mótame En La Tormenta (Riders On The Storm) transforms the Doors’ cowboy-jazz road saga into a brilliantly versioned Amazonian cumbia, a beautifully dark and shadowy trip into the heart of la selva.

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La Mecánica Popular – Noche Triler [NYCT7023]

VA – Highlife World Series (Uganda) [HGHLFWS003]

Esa returns with the final instalment for this Highlife World Series which included previous releases Cuba and Kenya. Having been invited to attend the East Africa music conference DoaDoa in Jinja, Uganda back in 2014 and again in 2015, Esa shares the sounds of a new breed of talent and ideas emerging from East Africa and beyond, showcases music not only from Uganda but artist from Burundi, Rwanda, Kenya and South Africa who all attended the conference.

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VA – Highlife World Series (Uganda) [HGHLFWS003]

Tala A.M. – Arabica [ARTREC002]

Andre-Marie Tala is one of the father figures of African music. Born in the western Provence of Bandjoun, Cameroon, his early years were plagued with tragedy. He lost his mother at 4, his father at 12 and then when on to lose his sight 15. Thankfully, the love of music stayed with him throughout his career and with the help of Manu Dibango he made his first recordings in 1972 and had two hits in Cameroon with Sikati and Potaksima. He created a group, the Rock Boys, later the Black Tigers, with Sam Fan Thomas as guitarist. At this time, Africa was immersed in music from overseas and many American acts toured all over Africa. Whilst touring Cameroon, Tala handed James Brown a demo of his song ”Hot Koki”. Seemingly, the Godfather liked it a lot, he actually re-recorded it and released it as his own song, entitled ‘Hustle’. In doing so, he took all credit for composing, which meant Tala had to sue Brown and luckily he won the case! We had so many great LP’s to choose from Tala but we decided to start with ‘Arabica’ where we find Tala in experimental mode. We hit the ground running with the lead track ‘Arabica’, disco drums, phased guitar licks and sweet soulful backing vocals, what’s not to like? ‘Black Gold’ takes the same path as laid out on ‘Arabica’ but we see the introduction of the Moog Synthesizer and the funky Rhodes Piano. ‘Sugar Lump’ is once again up-tempo and has bassline to get your body moving in the right direction. ‘I know what you want’ has a more traditional song approach Tala simply asks his love interest ‘not to let him down’. ‘Soweto’ is a Balearic DJ classic! Beautiful layers of guitar and flute ease you through this one. Soweto was a troubled place and high on the thoughts on African people around this time, this song reflects that. We end with ’20 ans’ a more tradition song with some Hammond organ and super sweet guitar playing from Tala once again. This record demands a high fee for obvious reasons so don’t miss your chance to own this official reissue which has been made with love.

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Tala A.M. – Arabica [ARTREC002]

VA – Highlife World Series (Kenya) [HGHLFWS002]

Next up in the Highlife World Series, we take a trip to Kenya where our man Esa plays the role of producer for the first time; with super talented local musicians – Sarabi and Makadem (aka the Fela of Kenya). Instantly timeless on both sides, see for yourself..

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VA – Highlife World Series (Kenya) [HGHLFWS002]

VA – Supafrico Vol.VIII [SF008]

Supafrico unearths another superb collection of impossible to find Afro Disco rarities. South Africa’s legendary songstress Margaret Singana is up first with her in-demand cover of the Stretch classic Why Did You Do It, a super-funky take on an already great song, previously only available on her 1977 Tribal Fence LP. Next up is Boogie Trip by Nigerian Doris Ebong, an uber-rare Afro boogie bomb, high on many a collectors wants list. The flip side features another couple of excellent cover versions, Sweet Talks party-starting Afro disco version of Andy Gibbs hit Shadow Dancing and the highly sought-after Disco Push from late Seventies South African band The Movers – a great floor filling take on Marvin Gayes Got To Give It Up.

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VA – Supafrico Vol.VIII [SF008]

Kazanchis + 1 – Dinkenesh [MG105]

Kazanchis + 1 - Dinkenesh

Trio Kazanchis got together by coincidence in 2009 in Addis Ababa, Ethiopia’s musical hotspot while playing Jam Sessions in Melaku Belay’s Club Fendika and Mulatu Astatke’s own African- Jazz Club before touring Europe most underground venues and related festivals. The original line-up is Jeroen Visser (NL, Baritonsax & FarfisaOrgan), Mesele Asmamaw (ETH, Krar & Vox) and Fabien Duscombs (F, Drums). Endris Hassen (ETH, masinqo) joined the group in 2013 (he’s the +1). Kazanchis +1 plays songs with an Ethiopian origin, either modern or traditional, and an European 80’s touch combined with free energetic improvisation using highly-developed Ethiopian pentatonic scales for slow trance-like to up-tempo energetic moods. The band’s choice of instruments showed itself on European stages as very elastic, nicely melting together, as well as a challenging combination, all in all successful. Mesele Asmamaw, described as the Jimi Hendricks on his instrument the electric Krar (the 6-string Ethiopian Lyre), has become known as innovator & virtuose of his instrument in Ethiopia. Fabien Duscombs, the quicksilver drummer from Toulouse lays down the perfect grid for Mesele to play his syncopating accents. Jeroen Visser glues them two tightly together providing bass and chords with his Farfisa Organ/Synth, or challenges with his baritone sax. Since summer 2013 the amazing Masinqo-player (one stringed violin) Endris Hassen has become full member of the group, completing the sound and surprisingly even reinforcing the Trio-Feel.

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Kazanchis + 1 – Dinkenesh [MG105]

Soft Rocks – Black Rox 3 [SRBR003]

Black Rox is back with 2 more sneaky Soft Rocks specials that have somehow been liberated from locked CD wallets and released into the wild for general consumption. The A side Sabu Dance combines Horns, Flutes & Percussion on this killer slice of midtempo funk from Africa via Berlin. This has been thoroughly road tested by Soft Rocks at their Kinfolk night & never fails to get a great response from the dancefloor. Side B. Don’t worry it’s not the tantric one’s ode to voyeurism but a rare as hens teeth slice of UK. Reggae at is’s finest. Adjustments have been made sensitively and sounds have been chosen to carefully match those from the appropriate era.

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Soft Rocks – Black Rox 3 [SRBR003]