
Darkside electro conjurations and Gnashing EBM from Medellin, Colombia, seething with raw punk energy and foamy blood around the mouth. No nonsense body music.

Darkside electro conjurations and Gnashing EBM from Medellin, Colombia, seething with raw punk energy and foamy blood around the mouth. No nonsense body music.

First spotted on Mister Saturday Night in 2014, Nathan Melja delivers here a thumpin’ techno 12” on Black Opal.

Five tracks-worth of low-down heavy funky sound by Life’s Track on this new 12” EP. Smell of Sanctity bounces along powerfully with thick, irresistible beats that sound like they are kept on a short leash.

Synthesizer and drum machine obsessive Xosar (AKA producer Sheela Rahman) has enjoyed a productive few years, building a formidable reputation via releases on Rush Hour, L.I.E.S and Creme Organization. Here she delivers her first full-length for Opal Tapes’ occasional vinyl offshoot, Black Opal. It’s perhaps a little less colourful and synthesizer-heavy than previous excursions, instead focusing on dark, fuzzy, heavily percussive takes on acid house and techno. Of course, there are curious interludes – see the wonky industrial IDM of “Prophylaxis” and the beatless synth madness of “Gnome Circle” – but it’s the more floor-friendly excursions (and most profoundly the bleak and intense “Hades Gates”) that really stand out.

The third release in the Black Opal series see’s Mexico City 2 Brooklyn expat Jeronimo Jimenez at his finest. The ghostly syncopations of his Opal Tapes debut are revisited again but this time the beats come charged with a new weight. 6 tracks of haunting techno, flickering metals and doomed synth set to probe into your skull.