
Forbidden Planet presents a 9 tracks double 12″ from Kimmo Rapatti’s project Mono Junk.

Given their obsession with the analogue-rich, stargazing sound of early ’90s intelligent techno, it seems fitting that the latest Forbidden Planet release sees the return of Mono Junk. Predictably, the veteran producer is on fine form, delivering cuts bristling with yearning, sci-fi tinged melodies, restless arpeggios, far-sighted electronics and raw, stripped-back drum machine rhythms. While much of the EP is bold, melodious and intoxicating (see “Prince of the Night”, for starters), Mono Junk also indulges his rarely seen dub techno influences on “Channel B (Remix)”, before reaching for the stars with the Legowelt-esque synth beauty of “Maalisku”.

First ever reissue on Forbidden Planet features four tracks by The Mover, arguably one of the most influential yet underrated artists of the late 80s, early 90s. All tracks were originally released on Planet Core Productions (PCP) between 1991 and 1993.

The sixth release on Jurg Haller’s excellent Forbidden Planet sees the Berlin-based newcomer Annanan at the helm. Lead track “124” booms and bristles in all the right places, with an intoxicating dub techno pulse at its core which resonates brightly with sonic intensity as the A side run out groove draws ever closer. On the B side, “ACIDz x2” fluctuates superbly between grizzled acid and saturated deepness, whilst the appropriately named “Satin” reins in the madness for a supple, widescreen journey into techno loaded with atmosphere.

Forbidden Planet goes from strength to strength with this 4 tracker by Dan White. Excellent house and techno workouts on a deeper tip.

Given that he released his first EP way back in 1992, it’s perhaps unsurprising that Mono Junk’s latest 12″ – his first since 2011 – sounds like a blend of early ’90s intelligent techno, Kraftwerkian rhythms and Clone-ish icy electro. While “Shotokai” is a pulsating shot of woozy, off-kilter futurism, the EP’s hardest hitting moments are those that shuffle to a different beat. The glacial melodies and skittish 808 rhythms of “With You” are particularly potent, while “Bleep Number 9” sounds like a stripped-back, underground take on Brown Album-era Orbital. As for “Kime”, it comes on like a long lost Kraftwerk production circa Computer World.

Forbidden Planet launched in fine fashion last month, securing some original material from Nation and Creme artist D’Marc Cantu that was complemented well by an accompanying remix from DVS-1. The Montreal label demonstrate they are equally capable of uncovering unheralded talent with this second release from the rather search engine unfriendly Breaker 1 2. Allegedly hailing from Florida, Breaker 1 2 seems inspired to use the same lo fi house template of his fellow North American contemporaries but take it to a much weirder place. Lead track “2” is the straightest production here, despite the unpredictable hi hats that skitter throughout and it doesn’t quite prepare for where Breaker 1 2 goes on the flip. The synth tone that roars into action on “DMT” is an unexpected delight whilst “Estonia” mutates swiftly from hazy insouciance into full on dark room techno.

The first Forbidden Planet release, featuring D’Marc Cantu with some Autistic and weird chicago-jak madness. DVS1 is on remix duties.