
Three more post-Chicago transcendental machine funk sessions by the Africans… You can’t stop the prophet.

Three more post-Chicago transcendental machine funk sessions by the Africans… You can’t stop the prophet.

Steve Poindexter & Jamal Moss here with Thanks 4 The Tracks VOL 2 from the lost track series. This will not leave you guessing what this whole series is about and what’s to come. Not for the faint at heart of newbies.

Few would argue there isn’t an old school spirit hovering around Glaswegian label Tabernacle.The next Tabernacle release includes are two original improvisations taken from a Hieroglyphic Being Live recording, and two versions from John Heckle, one which samples the live recording and one inspired by it.

Chicago duo, Steve Poindexter & Jamal Moss coming together once again for Thanks 4 The Tracks U Lost Vol 1, lost material created over 20 years ago. Salvaged from cassette tapes and DAT’s comprised of over 30 tracks of raw, original Chicago sound that influenced the world.

Deep and tripping acid backed with some jazzed out drumworks on the flip. Producer and boss of Mathematics records, Chicago’s Jamal Moss a.k.a Hieroglyphic Being is a one-off musical explorer. Jamal’s music takes cues from the EBM and House that played a huge part in the city’s musical underground in the late eighties and early nineties, notably Ron Hardy and Adonis, but also Industrial, Avant-Jazz and Noise. His releases, much like his music, have straddled House labels and the more leftfield avant garde electronic imprints with ease. However his deeply held Afrofuturist intent and the discipline of his radical designs set him apart from the pack. Always moving forward, his music is an ever-evolving transmission from his mind to our bodies, or as he sees it, a form of meditation that the supple, tuned listener will enjoy immensely.

Crazy etherial collection of some previously released and some unreleased tracks presented in album form. The album is hugely varied within it’s basic drum machine and synths template; from the psychedelic blowout ‘The Seer Of Cosmic Visions’ and the distorted, ruptured crunch of ‘How Wet Is Ur Box’, to more delicate meditations like ‘Space Is The Place’ or ‘Letters From The Edge’. From the the shimmering rhythmic noise of ‘A Genre Sonique’ to the the woozy tribal funk of ‘134340 Pluto’ or the rough darting strings of the off-kilter ‘Calling Planet Earth’ and finishing on the relaxing gaseous drones of ‘Strange Signs In The Sky’, the album never fails to transport the listener to another state of mind.

Some say history has come to an end… we say the future is about to start… Two brand new nu-jack sessions by Jamal Moss aka Hieroglyphic Being and Noleian Reusse.

An explosive caustic acid concoction awaits from within the grooves of this gargantuan twelve inch from Chicago heavyweight, Hieroglyphic Being. ‘Free the Energy (No Vocal Energy)’ is highly volatile, with severely unforgiving and distorted drum programming, this violently radioactive adventure is nothing short of brutal and certainly not for the squeamish. Title cut, ‘Acid Rain Under the Stars’ paints a dreamy landscape, while the acidic protons and neutrons busily rebound in the background on this elongated, hypnosis-inducing and beautifully mind-distorting headtrip.

“A Synthetic Love Life” is an 8 track “compilation of experimental tunes & sonic art in retrospect from 1996-2013”. Mathematics label boss/founder Jamal Moss releases some of his more challenging tunes on the Mathematics Plus side label. Limited pressing, hand stamped with printed insert.

Hieroglyphic Being’s Seer Of Cosmic Visions album, of original jams and reworkings of previously released tracks, exclusive to The Wire.
Inspired by Sun Ra, Chicago based House experimentalist, noise maker and Afro-Futurist, Hieroglyphic Being aka Jamal Moss has released an ever expanding cosmos of music since the 1990s. Operating under different monikers including Africans With Mainframes (with Noleian Reusse) and Insane Black Men (IBM), Moss started out selling cassettes of his music outside Chicago nightclubs, then started up his own label, Mathematics Recordings, and sub-labels Music From Mathematics and +++.
Even though Moss started out under the wing of first wave House producers Adonis and Steve Pointdexter, he’s consistently made work on the fringes of Chicago’s electronic music scene: “I never really set out to make sounds for the club or the DJ, I make them for all ears that will listen and maybe be inspired by it for positive purposes. Or hate on it for negative purposes. Either they make me better at what I do, or go out and make it how they think it should sound. Believe me, I got a lot of haters out there letting me know how it should be done, and I have a lot of lovers of what I do modify and apply my sound. It makes it to the dance by three degrees of separation regardless.”

Three tracks of techno funk straight from Saturn on Hakim Murphy’s label. Classic Jamal Moss harsh raw Chicago tracks.

Hieroglyphic Being with The Electronic Belt, his second release for Alter, and perhaps his most dancefloor orientated release for a good while. The EP is made up of three choice cuts from last years Man With The Red Drum transmission with each track bearing the signifiers of Jamals rough and distinctive production; melodies twisting themselves into psychedelic wormholes, raw kicks and toms that hit as hard and tight as walnuts. Yellow vinyl edition in 5 different coloured disco bags, mastered for vinyl by Stephen Bishop

Four mindbending & spiritual acid sessions by mighty mr. Jamal Moss aka Hieroglyphic Being, reconnecting the children of earth once more with the ongoing bio rhythm of Dharma, the regulatory order of the universe and the ever & omnipresent sacred spirit of jack.

Chicago legend Jamal Moss makes a return to Sequencias with two tracks of overdriven angularity in his most jacking incarnation, The Sun God. If you know Jamal, then you’re aware that no other artist has informed electronic rhythm-based music quite like he has. Spoken By The Spirit works a thicket of hi hats and snares around an incessant clav in one of Moss’s signature persuasive work outs. 4 This Is Your Salvation seems to run in the opposite direction of the A side—the tangle of stuttering, overheated circuits now being sucked into a vortex with an uneasy momentum.

Long awaited album, “Imaginary Soundscapes”, from Jamal Moss brings nine breathtaking compositions of raw electronic goodness that only he can concoct. From soft atmospheric sound environments to banging warehouse beat tracks, this is pure sonic bliss.