Japan’s electronic music scene has always stood out as uniquely distinctive. In the late 1970s and early 1980s, a wave of underground projects, bands, and independent labels – primarily based in Tokyo and Osaka – began crafting their own sound. Inspired by the post-punk, new wave, and experimental movements emerging from Europe and North America, these artists embraced a DIY ethic, using whatever technology they had access to in order to forge something entirely their own. This movement, often referred to as the “Nippon-wave” scene, remained largely hidden from the outside world. Many of its releases – on cassette tapes, flexi-discs, and privately pressed vinyl – never distributed beyond Japan’s borders, making them rare treasures for the few who managed to discover them. “Nihon No Wave” presents a selection of these long-overlooked recordings, making them accessible to listeners beyond Japan for the first time. This is Nihon No Wave part 2.
The Hipodrome Of Music 