
Expansive & emotional ambient techno tracks spin into some Detroit techno ‘Shambles’. Hi Tech Soul threaded into an introspective cocoon that seems nostalgic and futuristic in the same breath.

Expansive & emotional ambient techno tracks spin into some Detroit techno ‘Shambles’. Hi Tech Soul threaded into an introspective cocoon that seems nostalgic and futuristic in the same breath.

Hold Me Recordings is Manuel Gonzales and Ryan Spencer and their objective is to maintain a constant flow of releases from local artists from Detroit. The first release comes from Manuel Gonzales under his MGUN guise. “From Time To Time” is an album with eight techno-electro tracks.

Detroit native MGUN aka Manuel Gonzales returns from a two year break from releasing to unveil his debut LP for Don’t Be Afraid, marking the UK-based label’s first artist album. In drawing from these recordings and methods developed over such a long period of time, Gentium captures the growth of a modern electronic artist in a way few albums do, charting the evolution from an unknown quantity in the birthplace of techno to the DJ & producer widely admired today for the fresh immediacy of his approach.
”About half of these tracks were made in my childhood home between 2007 and 2010. Most were recorded on cassette then digitized on a Windows millennium edition PC. I would record these to the standard WAV recorder you can find in the sound preferences, which from there it was possible to use primitive effects to manipulate the audio file.” ”The other half were produced in my current home studio, using somewhat of the same system I used back then, one take for the most part. There is hardly any multi-tracking involved with any of my productions. I use a basic WAV editor to manipulate recordings as well as various analog recording mediums beforehand.”

The Hague based BAKK Records with a split EP by MGUN (Manuel Gonzales) and Halvtrak. Detroit local MGUN already proved to be one of the more talented new producers and this time delivers a true trunk full of funk. The laser sword synths whip through the big space of the roomy kicks and the snare hits the nail on the head, a guaranteed floor filler. Crossing the Atlantic towards Finland / Helsinki, Halvtrak shares a journey into his forming yet already signature sound. A smooth sailing analog track with trippy acid sounds – a perfect fit for both those during peak time as the early morning racers.

Manuel Gonzales aka MGUN, steps up to the plate for Fit Sound with an EP that is equal parts diverse, epic and raw. From the basement techno of “Wide Eye”, to the scuffling acidic “Debit, and finally onto the melodic/ melancholic sound of “M.S.C.”, Essential music from the underground for the underground.

The first of a number of various artists eps from Don’t Be Afraid. The Room Below debuts with the crisp, low-slung acid gyrations of ‘Work’, and Manuel Gonzales aka MGUN rubs out the bright, creamy Detroit lather of ‘Risqué’. Ali King also debuts with the warm, sub-heavy swing and jazz-wise palette of ‘Session 24’, and Italy’s Deep88 drops the breezy pipes and Rhodes chords of ‘Sunday Morning’.

The opening track, ‘Home Sick’ is taken from Esteban’s forthcoming album, while ‘Search For Resolution’ is exclusive to the EP. And with their deep techno grooves, heavy basslines and melodious synth work. Detroit’s MGUN remixes the title track.

Following 12″s on The Trilogy Tapes and Kyle Hall’s Wild Oats imprint, the original dark soldier MGUN returns to Don’t Be Afraid for a second outing with this six tracker.

New release on The Trilogy Tapes label by Mgun aka Manuel Gonzales. Deadly sick, ambient and stepping by turns, it’s an essential offering for anyone interested in the outer reaches of house and bass music. Opener ‘2’ is a stuttering, bleepy techno number, followed by the dense, almost psychedelic layers of guitars and distortion that is ‘Walk With Me’. Sleazoid electro banger ‘The Race’ closes side A. ‘Flutter’s Brother’ is a muffled 3/4 time techno rumbler. ‘Shamen’ goes for a skippy garage feel, albeit one with hobnail boots on. Final track ‘Tiles’ is a combination of computer language and speaker-blowing sub bass.