
Photonz presents the second release on One Eyed Jacks with a very diverse three tracker – 100% focused on answering the needs of a new type of discerning, pace-changing and musically rich dancefloors.

Photonz presents the second release on One Eyed Jacks with a very diverse three tracker – 100% focused on answering the needs of a new type of discerning, pace-changing and musically rich dancefloors.

The fourth release on Don’t Be Afraid “West Acyd Shelter” takes one of the most important jazz funk records of the 1970’s as its starting point. Semtek rebuilds the legendary hook from scratch over a disorienting range of acid, broken and techno accoutrements leaving a tweaked out bassline stepper. Photonz bring their unique style to the proceedings with an “I can’t believe it’s not garage” take on Semtek’s beat. The B-side “East Acyd Shelter” is a sparse analogue workout.

One Eyed Jacks is the new record label from Photonz out of Portugal, who make analogue based dance music that wears it’s influences on it’s sleeve whilst remaining unique and original.

New Shake gear backed with remixes from Osborne and Photonz on Astro Lab Recordings! ‘At The Bonnie Brook’ catches him in a top mood, banging out bucking house beats with crisply cornered synth edits finished as only Shake can. Osborne’s mix drops the tempo for a ruff Detroit jackers fix, while Photonz gives contrasting ruff and smoove fixes on the flip.

For the third release, Get The Curse Music turns to Photonz of Lisboa. Going against the grain of current trends, this out of left field EP testifies to GTCM’s disregard for pigeonholing and unique flair for unconventional club music. Plague of New Age is a twisted trip that takes dancefloors up, down and all around. Its intoxicated swagger delivers truly staggering results for both body and mind. Using old school vocabulary with new school grammar, Photonz have created a mental jackin’ monster that single-handedly sums-up Get The Curse’s commitment to challenging boundaries and current trends. Remixes from Maetrik and Clement Meyer.