Dutch techno producer from Utrecht, Quince, makes a return with “Anthology of Interest”, his first proper record in eight years, a four tracker versatile EP on the illustrious Nowhere series.
Quince – Anthology of Interest [NOWHERE04]
something happening somewhere
VA – Nowhere 02 [NOWHERE002]
The second chapter of the Nowhere Series brings four forgotten dance floor bangers. First up is a dark and twisted acid track “Flashback” by Laurent Garnier, from 1997. “It Talks To Me” is proper Detroit techno, with it’s abstract stabs and moody strings, by Donnell Knox and released in 1995. On the flip are two forgotten gems. “Inferno” came out in 1993, a full on acid affair, with a massive break made by Dutchies Eric de Man, Frederick Borgesius, Heiko van Eindhoven, Kamil van der Wal and Saul Poolman. “Solartrek” by Roland Klinkenberg is closing the release. This track was picked up by I-F in 1995 for his Top Secret label.
Mark Du Mosch – The Heavens [SOHASO022]
Mark du Mosch, the veteran from the harbor city of Rotterdam, with a five track EP on Something Happening Somewhere. Mark Du Mosch has been releasing music for over fourteen years on a variety of respected underground labels, showcasing his versatile style that draws on sounds that evoke strong mental imagery and a sense of eternity.
Roger Van Lunteren – Rosa Dos Ventos [SOHASO017]
Dutch-born German-raised Roger van Lunteren makes his debut on SoHaSo. Rosa Dos Ventos EP is a four-track story that oozes retro vibes and nostalgia for a past that never seems to have existed. Utilizing raw 80’s analog synths and humanoid acid lines he sets atmospheres that remind of Lynchian dreamscapes. It comes with a remix from Aroy Dee.
Quince – Rif EP [SOHASO009]
Quince is back after a short hiatus on Something Happening Somewhere with a four track killer no filler EP that oozes character out of every sweaty pore. Making the kind of records you still remember after an intense club night slowly comes to an end, Quince presents a diverse pallet of sounds to choose from. ‘Rif’ provides perfect sturdy dance floor material with Quince’s compelling groove trusting alongside splintered melodies and Detroit influenced synth sounds producing a sense of undeniable optimism. B1’s ‘Coïtus’ shares a similar punch, combining raspy synth stabs with a detuned bell pad giving the feeling that you’re sucked into a wormhole propelling you towards an unknown location. ‘Propheet’ hits you in the gut like nothing you’ve experienced before, like a smack in the face in the most positive way imaginable. It’s a raw driving electro cut, sounding like it could be coming from a long forgotten industrial era, with so much vibe that sweat starts dripping instantly. Think of it as travelling trough the wormhole and realizing you ended up in a dark nightmare of the soul. ‘Stop’ sounds like the musical equivalent of an artificial intelligent life form’s onboard computer slowly malfunctioning, experiencing true emotions in the downfall. It could be the sound of that intense night coming to an end and fits the closing of this class ep by Quince flawlessly.
The Hipodrome Of Music 