Electric Street Orchestra – The Natives [DTR02B]

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This is a journey led by Jeedo’s Electric Street Orchestra to his native land, Detroit City. The Natives: It was created in direct defense to the assault on Detroit City. The uprooting of it’s original citizens is fastly becoming the norm, as the population has plunged by 25 percent over the last decade. The Natives is meant to celebrate all the pioneers, revolutionaries, Moms and Pops that somehow get last in the media’s coverage of newly imported ”do gooders”. Serpents: According the Bible’s Book of Genesis, the serpent is a symbol of evil who appears in the Garden of Eden to tempt Eve. The serpent is portrayed as a deceptive creature or trickster with ill intent. We’ve all encountered numerous snakes in life, however this metaphor can also be applied to the cities ongoing issue of land-grabbing by numerous corporations with empty promises to build farms. Reconstruct: This is the quiet after the storm, cleansing the palette for rebirth. A new beginning, one with hope and great promise. It was used as a sonic bed for the theatrical trailer of the award winning documentary ”Detropia”. Once again Waajeed AKA Jeedo has assembled a cast of sonic masters under one of his many monikers, Electric Street Orchestra. Including UR’s Mad Mike, DJ Skurge, Ray 7 and newcomers Tiny Hearts.

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Electric Street Orchestra – The Natives [DTR02B]

Gilga – Gilga 1 [HHG001/6]

Hidden Hawaii presents Gilga a new project from Danny Wolfers. All the familiar Legowelt elements are in place, from the haunting warbles on “Deputy’s First Hood Patrol” to the nutty strings and samples of “Dimensions Of An Ancient Bird Race”, but there’s never a sense of repetition between the tracks. Each one stands comfortably on its own, from the summery lilt of “Brookhaven” to the lysergic science-fiction of “Atlantic Acid”.

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Gilga – Gilga 1 [HHG001/6]

Other Worlds – Live From The Memory Warehouse [BOOMCHIK002]

BoomChik is back with a 2nd release  featuring Si Murray with his Other Worlds project. Solid basses and rattling percussion fuel an E.P. that gurgles with bright Detroitesque finesse and variety that shifts between large almost basic channel feelings, to glitteringly precise house music. A five track release, full of floating pads and spacious reverbs take you directly to other worlds as lush strings and tight percussion patterns do exactly what they intend and trip you back to memories of warehouse days. Murrayʼs extremely tight production and musicality give this an edge that though reminiscent of the tones and feel of days gone by, has itʼs feet firmly planted in the here and now.

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Other Worlds – Live From The Memory Warehouse [BOOMCHIK002]