Berlin’s Nat Fowler renders his meticulous Novoline project to Not Waving’s Ecstatic with an inimitable marriage of automated electronic process and live improvisation on his 2nd album, Movements, continuing a lifelong quest for esoteric knowledge and a love of archaic computer hardware. Modelled with mis-used software, run on two separate Atari ST’s using only era-consistent hardware Yamaha FM synthesis via MIDI, pitch tuned to a pure 3:2 ratio Pythagorean scale centred on 432hz, Movements is the compelling, awkward result of obtuse production techniques and painstaking trial and error; basically experimentation at the service of discovering a sound he is genuinely warranted to call his own.