The concept behind this split 12” is simple. Two artists who are divided by the Atlantic Ocean but unified by a love of classic New Beat sounds. Andi, boss of the New York City-based Synthicide record label/club night and Aufnhame + Wiedergabe recording artist, combined forces with Sheffield’s Industrialist and lover of underground Body Music, Randolph & Mortimer, to present their own interpretation to the unmistakable Belgian genre.
Shkema’s debut EP ‘Kronikos’ is a double release with four originals and four remixes. The author describes it as ‘world news show, where each song represents a different story’. Some of them he has experienced himself, some are hearsay from TV news programs, and some are actually imaginary. Stories are not really related – just like in the news. ‘Ispanija’ was created during a friend’s band rehearsal. Psychedelic vocals sounded interesting in Shkema’s headphones while he was watching soundless singers and the muted musicians. The true reason why this track is called ‘Ispanija’ is still unknown to this day. According to Shkema, ‘Ola’ is an allegory of Plato’s cave. It’s a story about prisoners, chained in the cave and the only moving thing they could see was a passing shadow – quite deep, uh? Justin Strauss and Max Pask recently have joined up to form new project Each Other. True dance floor legends delivered bass-busy remix of ‘Ispanija’. It could probably be best described as ‘juicy distorted badboy from New York you don’t want to mess with’. Moscow’s finest – Simple Symmetry – joined the pack and went back to the roots. Their remix for ‘Ola’ is future clubbing classic, four to the floor banger with a drop perfect for pogo.
Residentes Balearicos is a musical project founded and carried by Luca Averna and Ale Doretto, both Italian residents in Ibiza since many years. When they met in Ibiza, they decided to try to make something together, and it was easy to see that these two different approaches to Music were complementing perfectly in the studio. As wide and vague the term Balearic can be sometimes, their vision is to create the different soundtracks whether for a restaurant, a beach or for the dance floor. “Break the Cookies” is def for the dance floor. On remix duty are Munich’s Permanent Vacation mastermind Benjamin Fröhlich and Sirsounds own SIRS.
Ombra is a project born from the hand of agency Ombra Agency and label Oraculo Records with the aim of creating a meeting place for lovers of analogue and avant-garde sounds that do not fit in the current cultural offer. The first edition was held in May 2018 in a club format, bringing together musical styles such as EBM, darkwave and industrial/experimental sounds.
In 2019 the festival took place in different areas of the city with industrial aesthetics. The idea is to combine heritage with music by creating a circuit in different spaces that can accommodate different offers. We’ve been at the festival in 2019 and definitely it was one of the best experiences for us.
Brilliant album from the legend LeRon Carson on Sound Signature. Raw dusty early Chicago flavored house. LeRon Carson is one of the many unheralded but still legendary producers out of the American Midwest. His next move takes him to Theo Parrish’s mighty Sound Signature for a new album of his textbook dusty drums and lived-in house grooves. Of course, they are all linked in some way, left of centre of experimental in how they are assembled. That’s the case right from the off with the scruffy drums and twanging synth lead of ‘Under The Conditions.’ What sounds like a speech from Martin Luther King is sampled on ’72nd & Oglesby’ over a sweet of raw, tense beats and elsewhere the bittersweet synths of ‘Bismarck Nite’ strike a different but equally powerful note.
Futureboogie Recordings is calling time after ten years with a 20-track compilation that sums up the sound of the lovingly curated Bristol label. From throbbing arps and noirish guitar twangs to errant analogue blips and ceaseless, rolling grooves, it’s a different sound to what you might have heard five years back on the Summer Riot IV compilation, and certainly a long way from the early days. Consider Futureboogie 10² an ode to evolution as much as a toast to all the great tracks and the family of artists that have passed through the wide-reaching Futureboogie sphere since before the label was even a sparkle in the disco ball.
Private Records presents „Let’s Go Into Space 6“. The collector series continues with another collection of scarce and unreleased 1980’s Italo Disco, Electro, Cosmic Disco songs.
Volume III, the return of Lo Joe Soul and Electro Wayne as Circuitry.. 10 track LP of midwest madness, tweaked to its limits during 2020 lockdown. Featuring vocoder-funk classic ”Sexy Body”, the lost slo-jam ”This Is Dedicated”.. and unreleased electro bomb ”Arrested By The Funk”. Badass electrofunk album.
An exciting horizon of textures, landscapes and evanescent worlds, close to a dreamlike experience, are synthesized in “Espai, Temps i Materia”, the title of the new HC Records reference signed by the Valencian duo Spammerheads, formed by Ana Escudero and David Garrido. An audio-visual project forged in 2019 under the punk concept “do it yourself” in which both sound and graphic creation (videos and covers) have been developed by the duo.
Nuclear Device / Mahres 001 is a mini-album with 6 hot tracks produced by STIGMA the first time use alias of Steve Marie. The tracks are written during pandemic, it’s a mixture of some slow industrial influenced compositions, late night club bangers and 2021 revisited synth pop 80’s sounds.
Regular label contributor, Sergiu Juravle AKA Weith goes the long distance with Sanity Rituals. Across 5 tracks, the EP explores a rich palette of sounds mixing taut, acidic basslines with electronica soundscapes.
Feral Colony is the new label from U.S. based artist Chris Mitchell (Vanguard Sound, Annunaki Cartel, Sistrum, Sons of Traders, Black Lodge etc), focused on direct, improvised methods. In a world of over-production, outlandish claims, and endless editing, we stand firm.
After closing the first part of Fundamental Records’ experiment called Music for The Other People Place, the second part begins. This the fifth record of Music for The Other People Place Experiment 2. A special and highly limited electro / electronics project (a tribute to James Stinson), produced by different artists that will remain anonymous, if they choose to…