
“A Memoir Of Life In The Lust” is a collection of tracks from Hieroglyphic Being aka Jamal Moss released in 2011 on Music From Mathematics.

“A Memoir Of Life In The Lust” is a collection of tracks from Hieroglyphic Being aka Jamal Moss released in 2011 on Music From Mathematics.

Bristol’s Gilbert turns in a very classy EP of deep and nostalgic IDM cuts – just how M>O>S like it.

Super Rhythm Trax welcomes back Glasgow’s Fear-E for his second full EP on the label. 4 fresh tracks each designed to tear the club up.

The K Lost Acid Dub series makes it come back with the third output with more reinterpretations/remixes of inspiring tracks from the past. This record challenges the trainspotters for a game of sample hunting. Of course, like the earlier ones, there is loads of acid.

Following their standout debut on Nu Groove ‘Remote Area’ enigmatic Berlin duo Acid Jerks return with another solid EP on the essential label. Continuing to demonstrate the two selectors’ breadth of influences and musical knowledge, the ‘Counter Balance EP’ showcases Acid Jerks ability to genre-bend. The A-Side traverses from the classic, piano house of the title track, to the tougher, industrial sounds of ‘Distant Power Plant’. On the flip the chugging, rolling sounds of ‘A Thousand Kisses’ opens, before the organ stabs and buttery synths of ‘Organ Grinder’ close out the EP, making for another unmissable release on a label deserving of its cult status.

DASCO is responsible for our next Shall Not Fade release. Born in Tel Aviv, based in Berlin, she spreads her infectious energy wherever she goes. Powerful Woman captures this spirit perfectly, bursting with subaquatic syths, acid melodies and retro claps which bolster celebratory lyrics about womanhood and strength. If that weren’t enough, Johannes Volk and Chicago Skyway step up to remix duties, the former providing a punchy take on ‘Powerful Woman’, and the latter, a squelchy square-wave flip.

For his debut album Dip Shim digs deep into his past for his most personal release yet, drawing on his childhood in Spain for a genre-bending album of electronics, combining influences from house, techno, electro, downtempo, and ambient to create one of the year’s most essential releases. Dip Shim, who also runs the Bolero record store in Malmo, Sweden, pushes and tweaks those silver boxes to create music with one foot in the past but looking to the future, from the fluid acid house of Dalaplan Jam and Bubble Gate, uptempo electro jams like BDP Fast Life and Tusso Arcade Force, to meditative joints such as One For Regen and Impossible Connection. But although the album is eclectic, these 12 tracks are underpinned by Dip Shim’s unique hardware-led sound, proving he’s an artist with depth and longevity.

Some sort of low slung house tracks with a twist from the unpredictable and unparalleled brain that roams the dunes of the Hague. Responsible for Dickie Smabers & The Moerwijk crew, Nacho Patrol, Gladio and a swath of other mysterious and inscrutable aliases. This one comes straight from his private rave cave. Hermit in a Rave Cave is Legowelt’s latest project and this is part 1.

Mike Ash pops up on the revitalised Ozone Recordings with an EP rich in authentically sparse, sub-heavy bleep & bass cuts of the sort that were all the rage in Yorkshire back in the day. A-side ‘Robotik’ is, in effect, a loving tribute to Man Machine’s 1990 single ‘Man Machine’ (the bassline and electronic motifs are very similar), with slightly more jacking drums. ‘Bleep Off Again’ continues in a similar vein, with Ash adding sparse, alien bleep melodies and fuzzy electronic stabs to another beefy bassline and skittish TR-909 beats, while ‘Sub Roll’ is a pleasingly intergalactic affair full of Rob Gordon style bass, dreamy ‘LFO’ pads and sparkling lead lines.

The light is at the end of the tunnel. The light is shining bright because of love. The love is the answer to the darkness + the remedy for the experience which might bring unclearness and letting drown in the metaphorical swamp which every single human has felt during the journey they are on. The EP by the Switzerland based mastermind Dan Piu is dedicated to the love and to the love only. The tracks that were produced from the artist’s creative inflow are from the year 1995 to our present days and are telling the story of hope and compassion.

Johannes Auvinen (Tin Man) and Max Ravitz (Patricia), two devotees in the cult of the TB-303, return to Acid Test with the Celestial Body Music series, a follow up to their 2020 LP Powers Of Ten. Recorded in Ravitz’s studio in Asheville, NC, Celestial Body Music once again showcases the pair’s penchant for raw yet emotive dance music. With Auvinen’s signature TB-303 programming and Ravitz’s typical melancholic flair, the duo’s styles merge seamlessly over the course of 8 tracks that harken back to the heyday of American techno and house. Following on from Powers of Ten, the pair continue to fix their eyes firmly on the stars, as Celestial Body Music’s song titles conjure visions of listening to Dance Mania 12”s on the ISS. With a tonal palette that features the well-trodden sounds of classic analog hardware like the TR-808, TR-909, TB-303, and SH-101, Ociya demonstrate their ability to breathe new life into these old instruments through thoughtful programming, arrangement, and mixing. This is made all the more significant when considering every song was recorded live to 2-track with no editing over the course of a few days. Sweet and savory both, the new material strikes a perfect balance between emotive sensibility and dance floor appeal.

Takuya Matsumoto’s tribute to the heydaze with four beautifully crafted tracks. Touching all the bases of influence from the early years of House Music. This EP takes us all the way back…

After appearing on Acid Test’s 10 Year Anniversary compilation Patricia, aka Max Ravitz, debuts an EP on the label with “Less Than 7”, a collection of tracks that sits squarely in the club-focused end of the label’s output.

Mike Inzinger from Vienna presents his second release on his own label MIR, featuring 3 functional house & techno acid tracks.

DJ Steve’s third EP for Klasse Wrecks delves deeper into the sonic universe of the Sheffield producer’s arsenal, a slow but deliberate progression can be traced from the previous EPs. Whereas ‘Secret Touch’ and ‘Mainline’ ploughed a path made more by the lighthearted genres of UK Hardcore and Yorkshire Bleep, ‘Reality’ sinks lower into heady vibrations of psychedelia and heavy acid hallucinations. The producer again shows off his musical flair and control of his machine kingdom, every sound perfectly placed on the sound canvas. Classic 303 lines writhe under 101 basslines whilst 808 hihats shuffle over recognisable breakbeats, proving some things never go out of style.

Manchester based DJ and producer Marcus Paulson (aka Kid Machine) debuts on MOS Recordings. Kicking of with a typical Aroy Dee-approved sunrise jam on ‘No Go Zone’ before three slabs of jacking acid take over. Ticking all boxes from thumping Chicago house to gritty acid and emotive tear jerking strings this EP has all MOS characteristics from start to finish.

Lisbon’s purveyor of dance incantations Paraiso are back with an EP that packs a meeting of 3 legends of the local and global underground – a trio of fearless pioneers and cultural agitators from different eras. Yen Sung and Photonz have partnered up in 2020 to collaborate on new music and start a record label. Fast forward to today and this Paraiso EP is their third release, further exploring their mutual penchant for ethereal house music drenched in subtle but fiery grooves and acid basslines. Angolan-Portuguese producer DJ Satelite steps in for remix duties, adding his iconic deep afro house edge to a wonderful effect, all blissful motifs and broken percussive sonics.


Peter Raou’s work is deeply inspired by the hardware which he utilizes and most recently has drawn inspiration from the social culture of Leith and Scottish Slang in general. With his latest record ‘Cables Wynd House’ his sound spreads out and explores its absolute limits.

The genre re-defining chameleons of Hard Ton are back on Schrödinger’s Box with their own brand of style splitting acid house disco. Bigger is Better, a double EP album, has all the depravity and drama you would expect from these disruptors. “Waking Up The House” melts claps, cowbells and vocals over a molten melody. Bold stabbing keys are central to “The Right Thing”, lyrics spiralling skyward as a bitter acid line pulls the track down into the sweaty pit of the club. That TB303 goes into overdrive for the wonderfully demonic hedonism of “Bypass My Love.” Two-stepping jack is given a voice thanks to the breathy words of Josh Caffe as fanfare rains. The understated “Let Yourself Go” is a distant cousin of the bawdy and brutish “I Know A Bitch”, the heavy bass and cutting samples of the finale recalling the basement bruisers of Chicago.