Yesterday we presented the preferences of our readers from last year, now this is a list of 20 albums from 2019 that made an impression on us.
We have three pure electro albums from E.R.P., Jeremiah R. and Plant43 and the new electro-synthy album of veteran David Carretta, his first solo album for ten years. On the darker side of the synth palette we have two EBM/synth-pop albums from Boy Harsher and Years Of Denial, the debut album of Kris Baha, the third album of Greek producer June, a new one from Jason Letkiewicz aka Steve Summers under his new moniker Opposing Currents and two more industrial albums from Autumns and Colombian Filmmaker.
On the other had we have two acid gems from DimDJ and Paranoid London, the first ever Gladio album, the second album from Mannequin boss Alessandro Adriani and an experimental/ambient album from veteran Function on Tresor.
So, here it is compiled in chronological order.
Continue reading “20 Albums from 2019”
When it comes to jackin’ Chicago style acid house revivalism, few can hold a candle to Paranoid London. As this long-awaited second album proves, the duo is the undisputed masters of sweaty, TB-303 driven jack-tracks and – as recent single ”(Vi-Vi) Vicious Games” and LP opener ”Starting Fights” prove – classic-sounding vocal cuts that recall the glory years of Fingers, Inc in the mid-to-late 1980s. Interestingly, ”PL” boasts far more collaborations than we’ve seen from Paranoid London before, including a string of ragged club cuts blessed with evocative spoken word vocals, a thrusting acid throb-job with lead vocals by Simon Topping and a suitably twisted, machine-driven hook up with Arthur Baker and Alan Vega (the raw and weighty ”Angel Of Hell”).
vinyl / CD
The mysterious, no-holds-barred combo Paranoid London has decided to put out a double album containing much of their previously released material, alongside a smattering of previously unheard cuts (including a collaboration with Detroit legend DJ Genesis). The hard-to-find classics still sparkle – check the brilliantly sparse-but-heavy “Paris Dub 1” (with regular vocalist Paris Brightledge) and ragged “Transmission 5” (featuring a killer spoken vocal from Mutado Pintado) – while the new cuts are thankfully up to similarly high standard. Here is some more repetitive, machine bass music for DJs to play loud & dancers to freak to.
Paranoid London with another killer tune! Heavy 808 rhythms and big acid bassline… addictive stuff!
After three fruitful years of existence and daily careful surveillance of the electronic music scene, I’ve decided, for the first time, to draw a line and make a review of the year that is just closing.
I will make the review in two parts, the first is dedicated to our followers and their choices from this years. So, I will make a list with the most successful post on my blog, the releases that gathered the most likes and clicks in 2012 for our visitors. The second part of the review, will include my own picks and I will present some of my favorite albums of different genders. Also I will make a review of the best parties and acts I’ve attended this year.
Continue reading “Hipodrome’s 2012 Review (Part 1)”
808, 303, 707 & Paris Brightledge on vox, uncompromising acidic bass music. B-side is taken from Paranoid London’s first live set at Warehouse Project, Manchester 2008. Totally improvised, totally live, by the seat of our pants. Acid house with one of the true House greats on vocals.
Paranoid London return to show the Johnny Come Latelys how to do Acid House. Proper late night, bass driven machine music featuring the mysterious Mulato Pintado on vocals. The music is all analogue using two machines: 808 & 303 …nice & simple.