Anatolian Weapons feat. Seirios Savvaidis – To The Mother Of Gods [BIS37]

Aggelos Baltas is a veteran of the global electronic music scene, responsible for a handful of celebrated EBM 12”s as Dream Weapons, and a particularly heady and open-ended brand of krautrock as Fantastikoi Hxoi. His newest project, Anatolian Weapons, was conceived as a way to bring together these two seemingly mismatched concepts, with the polyrhythmic percussion and wailing tones of Greek folk music serving as their unlikely bonding agent. “To The Mother Of Gods” is Baltas’ debut album for Beats In Space. Created in tandem with Greek folk musician Seirios Savvaidis, it is a work of simultaneous collaboration and subtraction whose meticulous construction becomes more apparent with every listen. An album-length exploration of what happens when the principles of dance music are applied to pre-digital musical modalities. Savvidis contributed stems of ten songs, which Baltas deconstructs and rearranges with appreciation of the ancestry of their lineage and of the deceptively ancient eerie, droning qualities inherent in the style. Occasionally augmenting Savvaidis’ recordings with his own, Baltas treats these elements as if raw materials for an architectural process. It is a record of psychedelic folk music.

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Anatolian Weapons feat. Seirios Savvaidis – To The Mother Of Gods [BIS37]

The Working Elite – Bumper Cars [BIS035]

The Working Elite are Berlin-based spark plugs Thomas “Saap” Sabrowsky, of Extra Producktion, Terre des Pommes, ex-marine soldier, seasoned cook and barkeeper; and Daniel ”D´Lonely Al” Nentwig, who moonlights as The Whitest Boy Alive, co-directs Extra Produktionen, plays keyboard and electric bass for various outfits, and engineers at Berlin’s Butterama Recording Center. Suffice it to say, the pair have named their collaborative project suitably. The Working Elite create recreational music for dancers to shimmer through the days and nights of balmy season.

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The Working Elite – Bumper Cars [BIS035]

Tornado Wallace – Kangaroo Ground / Ferntree Gully [BIS018]

Australia’s one-man storm of tropical funk Tornado Wallace returns to Beats In Space Records with the acid-flecked two-tracker, Kangaroo Ground / Ferntree Gully. “Kangaroo Ground” shares the buoyancy of its spirit animal namesake, but grinds in high-gear with a shredded 303 line and monstrous groove more akin to a possessed croc. The record’s flip, “Ferntree Gully,” sheds its scaly acid skin for softer sines and sirens signaling Italo productions past and built to last.

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Tornado Wallace – Kangaroo Ground / Ferntree Gully [BIS018]

Jaakko Eino Kalevi – Yin Yang Theatre [BIS015]

Part-time tram driver and full-time disco disciple, Helsinki’s Jaakko Eino Kalevi catalyzes street smart funk into heat stroke for Yin Yang Theatre, his new EP on Beats In Space Records.

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Jaakko Eino Kalevi – Yin Yang Theatre [BIS015]

House Of Spirits – Holding On [BIS013]

House of Spirits is the church of sound over which Tom Noble presides, raising the congregation to ecstatic heights from his pulpit of passion. Noble invited musicians to transform his sketches into a dynamic live performance. The resulting studio celebration led to the euphoric “Holding On” for Beats In Space Records. “Holding On” glides on such a joyous, eventful groove that it’s impossible to confine the track to a specific time or place. Strings, seemingly lifted from a 70s Salsoul twelve, soar alongside a gospel choir preaching positivity for souls both lost and found. “Holding On” embraces disco house authentically and timelessly. On the flip, Peaking Lights tucks the heavenly wonder of the original under a dub-worn blanket for an out-of-body dream beam.

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House Of Spirits – Holding On [BIS013]

Gonno – The Noughties [BIS009]

The latest 12″ from Beats In Space Records features three tracks recorded between 2005 and 2009 courtesy of Tokyo’s humbly dynamic Gonno. A dynamic producer who is clearly not afraid to nest until crucial hatch time, Gonno flies the coop with a wingspan throwing psychedelic color at a sunburst sky. Blending a spectrum of musical influences from Primal Scream’s Screamadelica, to Basic Channel and personal touch points about the people (and animals) he’s met and the joy / sorrow they cause, Gonno’s productions blur the lines between art and life experience.

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Gonno – The Noughties [BIS009]

Selvagem – Amor [BISX003]

Selvagem is both the name of the DJ duo as well as the name of their monthly party in Sao Paulo, Brazil. Its a monthly sunset party that is considered one of the best in the city. They have hosted DJs such as Twitch from Optimo, Severino from Horse Meat Disco, Andy Blake from World Unknown and Paul Thomson, the drummer for Franz Ferdinand. They recently did a mix for Beats In Space that was 100% Brazilian music. From disco to funk, psychedelic, post-punk, electro and batucada. Its a mix of luscious rhythms, crazy translations and outer-world oddities that can provoke one’s inner savage. The three tracks on this EP were selected from this BIS mix.

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Selvagem – Amor [BISX003]

Jee Day – Sum Of Love [BIS007]

Jee Day is the production alias of NYC scene fixture Dennis ‘DJ’ McNanyl. It makes perfect sense for McNany to further extend his Jee Day discography with this rather sunny outing on Tim Sweeney’s flourishing Beats In Space label which comes packing a remix from Sweeney favourite Lauer. McNany is at his best when marrying thumping, drum heavy arrangements with almost poppy vocal turns and “Sum Of Love” is a masterclass in this approach. Lauer’s remix adds just a touch more bottom end to McNany’s production and treats the vocal to gloriously thick swathes of delay.

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Jee Day – Sum Of Love [BIS007]

Lauer – Mascat Ring Down [BIS004]

Lauer’s “Macsat Ring Down” follows an elliptic pattern fit for infinite play on any space floor. On “Mascat”, analog space junk flies in and out of an orbital framework built upon nearly nine minutes of bubbling bass and peripheral percussion. Space boogie at its finest. An anti-gravity exercise in repetition, Lee Douglas remixes “Macsat” for the flipside. Reaching a zen state through mantra-like looping, Douglas reworks Lauer’s sounds from a delicate and pensive place to a muscular and propulsive groove. Most if not all of the synthesized glitter from the original is eventually forgone in favor of blasted percussion and an unrelenting bassline.

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Lauer – Mascat Ring Down [BIS004]